
(inactive account; find me on Instagram @empirelinespodcast) producer, curator, writer, researcher art ✏culture
Joined May 2020
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'she finds herself, despite being born after Yugoslavia ceased to exist, drawn to its blended nationalism'
bbc.co.uk/programmes/m000m5j…
listen live on 2 September.
(and thanks @gilesedwards and @PASnowdon for producing my @BBCRadio4 debut on Serbia, Yugoslavia - and Telford)
wonderful to work with Christine Wilson, Ariadna Tsenina & co., and super-producer Emma Crampton, on Our World Connected, the British Council podcast on cultures and cultural relations.
listen 🔈britishcouncil.org/research-…
@BritishCouncil @SonicWhirls @InsightBritish
@messageheard
✨ #OurWorldConnectedPodcast is here!
🎙️ Join host Christine Wilson @SonicWhirls and guests as we examine the most pressing issues of our time and uncover the human stories behind them.
Follow us for insights on culture, connection, and empowerment: britishcouncil.org/ourworldc…
interested in the (unexpected?) links between art and Empires?
stay tuned - and onLINE - for a brand new podcast.
launching 1 October 2020.
🗣️I wanted to free Giolo from the archives.
drawing on John Savage's etching of the 'Painted Prince', a 17th century slave, Pio Abad shares how his contemporary practice is anchored around the body.
listen now on the EMPIRE LINES podcast, and Instagram ↓instagram.com/p/C5NowhsIqh5/
*EMPIRE LINES - NEW EPISODE*
Artist Zineb Sedira records cultural and postcolonial connections between Algeria, France, Italy, and the UK from the 1960s, featuring radical films from her personal archive, in Dreams Have No Titles (2022).
listen+follow 🔊 pod.link/1533637675/episode/…
interested in how cities came to be the way they are?
historicity is a new series of audio walking tours as podcasts, recorded on location, in real time.
series 1 - london - launches 16 August 2022.
follow on Instagram for more:
instagram.com/p/CgxgnprO7BE/…
if you missed our online walking tour of Tokyo, you can now catch up on the Society of Authors’ Vimeo.
📽️vimeo.com/910059766
see the thread for the other Japan Week events - and we look forward to the Translation Prizes’ return in 2024!
@Soc_of_Authors @GBSasakawa
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‘The process of the work includes the physicality of walking.’
see Diorama Map Dundee (2023), Sohei Nishino’s commission for Photo City at the V&A, then hear more on historicity Tokyo 🔈pod.link/1640089187/episode/…
@soheinishino @VADundee @AshmoleanMuseum
#podcast #audiowalkingtours
a (bird) call out 🪹 we are looking to borrow five iPhones for our forthcoming exhibition at Southcombe Barn on Dartmoor, featuring Hanna Tuulikki’s Avi-Alarm filters. we can collect in Glasgow, London, Plymouth, Devon, and southwest England 🪺 support an artist (and curators!)
what do sharks, whales, and mice tails reveal about Yugoslav socialism?
@PolStudiesAssoc have published an extract from my dissertation on political satire in Tito's Yugoslavia: psa.ac.uk/sites/default/file…)
(find out more about #PSAUG2020: psa.ac.uk/psa-undergraduate-…)
so excited to see my work on Yugoslav socialism and satire in @jocpublication’s Humour edition.
you can order physical copies (!) from: jocp.squarespace.com/shop/p/…
print only, and we can’t promise your postal service will provide Tito stamps; for an extract, scroll up this thread.
Replying to @jelsofron @JHansardGallery @kw_berlin @BrandtsOdense @InuitArtFdn @hakaimagazine @nordicsinfo @Tate_StIves @RAMMuseum @BaffinWest @CanadaCouncil
it’s also the final day to see Michelle Williams Gamaker’s Our Mountains Are Painted On Glass at DCA, before it travels to @theBluecoat.
go behind-the-scenes - and find Candice Lin, a fellow Gasworks artist, in Scotland - on the EMPIRE LINES Instagram 📷 instagram.com/stories/empire…
Replying to @jelsofron @JHansardGallery @kw_berlin @BrandtsOdense @InuitArtFdn @hakaimagazine @nordicsinfo @Tate_StIves @RAMMuseum
and from Pia Arke: Silences and Stories, and Arctic Hysteria, EMPIRE LINES recommends:
- Outi Pieski, @Tate_StIves
- Michelle Williams Gamaker: The Silver Wave, @RAMMuseum
- Shuvinai Ashoona: When I Draw, The Perimeter (@BaffinWest @CanadaCouncil)
links in the episode notes.
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*EMPIRE LINES - NEW EPISODE*
Curators Ros Carter and Sofie Krogh Christensen chart Pia Arke’s photo-activism across the Arctic region, Indigenous and Inuit experiences in the 20th century, and reconstruct the artist’s camera obscura.
listen+follow🔊pod.link/1533637675/episode/…
a great evening with Drs. Tanja Petrović, Elena Stavrevska, Jessie Barton-Hronešová, Nicholas Lackenby, and Jelena Ćalić, marking the publication of Tanja’s landmark text about the Yugoslav People’s Army (JNA), available as an open access (free) book too.
@EBStavrevska @YessinkaH
Join us on Wednesday for this book launch of Tanja Petrović's 'Utopia of the Uniform', which explores how the compulsory service for young men in the Yugoslav People’s Army created bonds across ethnic, religious, and social lines.
🗓️ 20 March at 6pm
➡️ buff.ly/4bwvA1e
Replying to @jelsofron @LeedsUniAHC @ThamesHudsonUSA @FilmVidUmbrella @balticgateshead @kettlesyard @newartgallery @TheWomensArt @Tate @1lubaina
join EMPIRE LINES in conversation with curators and artists from the Architectural Association Interprofessional Studio (AAIS) at Shoreditch Arts Club in London.
📆Thursday 21/03 (free exhibition entry on Wednesday)
🎟️ tickets @AASchool @shoreditcharts_
eventbrite.com/e/borne-to-th…
Replying to @jelsofron @LeedsUniAHC @ThamesHudsonUSA @FilmVidUmbrella @balticgateshead @kettlesyard @newartgallery @TheWomensArt @Tate
recorded at Griselda's recent HackelBury Fine Art exhibition, this episode looks at Coral Woodbury's Revised Edition, now on view. she layers Janson's History of Art with the women omitted from the book's first printings - like Lubaina Himid (@1lubaina), of the last EMPIRE LINES.
on diasporic relationships with land, and art - I write about Soulscapes, Lisa Anderson’s exhibition at Dulwich Picture Gallery, for recessed space.
✏️ recessed.space/00172-Soulsca…
@lisaandersonaa @DulwichGallery @bbgconnects @blackbritishart @bcaheritage @KHGallery_ @RecessedSpace
✏️Implicit in Soulscapes is the unique position of diaspora artists to speak to shared histories, landscapes, and environments.
my article features in The Recess, @willjennings80’s new newsletter. more on Substack and Instagram 📷 instagram.com/p/C4IXndcOKgJ/…
x.com/recessedspace/status/1…
a truly great day in the archives with Richard Demarco and Terry Ann Newman; we passed almost all of four hours in the Polish Room, and found another (rope) line between Magdalena Abakanowicz, Yugoslavia, and Scotland.
more photographs at @Summerhallery in Edinburgh, and online.
*EMPIRE LINES - NEW EPISODE*
Art historian and Professor Griselda Pollock traces the memories of contemporary artist women as Sutapa Biswas, one of her students in the 1980s, and entanglements in feminist, queer, and postcolonial thinking.
listen+follow🔊pod.link/1533637675/episode/…
🚨join me, @MariePetersmann, @radhadsouza, and Marie Smith in conversation about CLIMATE CRIMES at Extractivism/Activism: Art, Activism and Ecological Extraction, a conference from @PaulMellonCentr and @AutographABP.
13-14 March, @BuildingCentre, London🎟️
paul-mellon-centre.ac.uk/wha…
Extractivism/Activism starts today, with talks and performances live at the Building Centre, and online via the Paul Mellon Centre and Autograph.
also join me, Marie Petersmann, Radha D’Souza, Jonas Staal, and Marie Smith, on the EMPIRE LINES Instagram 📷 instagram.com/p/C4Kyhhtowfs
Replying to @jelsofron @1lubaina @Holburne @InsideJigsaw @HollybushG @balticgateshead @MOSTYN_Wales_ @sharjahart @ICALondon @tomjeffreys @_TheWhitechapel @OsheenSiva
a look back to the Bartlett School of Architecture at University College London (UCL) where, recently, I was fortunate to be invited to guest lecture with Partha Mitter about modernism, primitivism, and intergenerational approaches to decentring art history.
more to follow soon!














