Nathan Fielder has pioneered a form of art that, more than any other cinema that's come out, feels utterly contemporary and period appropriate to the 2020s. Instead of resisting the algorithm or trying to create art that stands outside of it, he lets it completely envelope the work. It's buzzy and meme-y but also philosophically dense, psychologically unsettling, and ultimately very avant-garde and singular. He's not capturing reality nor writing fiction but instead steering reality until it becomes something that transcends both fiction and non-fiction. It's hyperstitional, to use the @xenocosmography term, as in Fielder uses his initial idea to engineer reality towards making the statement he wants to make. But what makes it even more modern than that is that in every project the idea completely gets away from him, becomes sentient, and ultimately the project concludes in a much different direction than he could have ever conceived prior. Because as much as you try, reality can't be steered. I'm glad that You Can See Everything is making everyone realize how singular this kind of work is.