@imaxframe

Not associated with IMAX Corporation; purely for non-profit entertainment

Joined September 2017
  • Tweets186
  • Following102
  • Followers4.9K
41Media
IMAX Frame retweeted
Matt Reeves
@mattreevesLAOct 15
Just to be clear, I am not leaving The Batman Part II. I am profoundly grateful to Steven for coming to my aid during this challenging time to help me finish principal photography. Thank you to all for your concern and well wishes. 🦇
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IMAX Frame retweeted
Deadline
@DEADLINEOct 15
Steven Soderbergh is coming on to help finish principal photography the final weeks of DC Studios’ and Matt Reeves’ ‘The Batman Part II.’ The news comes after production was paused on the film so that Reeves could attend to a family matter. More details here: deadline.com/2026/10/steven-…
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IMAX Frame retweeted
Matt Reeves
@mattreevesLASep 19
Because the level of precision and control over the image you have shooting digitally is indispensable. You know exactly what you are getting. The film out process and choice of lenses allows you to bring a more organic, analog quality back to what you’ve shot. A beautiful, and carefully developed imperfection.
m 🦇@imperatoranyaSep 19
why not just shoot on film instead of going though this film out process?
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IMAX Frame retweeted
IMAX Frame@imaxframe19 Nov 2023
Digital-to-film transfers are often used today for specific artistic reasons in films such as Dune: Part One, The Batman, and now Dune: Part Two. For Part One, cinematographer Greig Fraser ACS, ASC and team decided to shoot digital on the ARRI ALEXA LF and Mini LF, then transfer to 35mm film, and then scan back to digital to imbue the footage with the qualities of celluloid, creating the most accurate emulation possible by reducing the digital sharpness and maintaining low grain, elevating softness. For The Batman, Fraser again decided to take it one step further, shooting digitally on an ARRI Alexa LF, with the film then recorded out to Kodak Vision3 2254 1 ASA intermediate stock as a negative, which was processed with a bleach-bypass technique and then contact-printed as an interpositive to the same 2254 stock. Dune: Part Two presumably follows the same process as its predecessor, this time opting for the pre-scanned final IMAX 70mm positive to be used as a theatrical distribution reel.
Film Updates
@FilmUpdates19 Nov 2023
‘DUNE: PART TWO’ to play in IMAX 70mm. (collider.com/dune-part-two-i…)
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IMAX Frame retweeted
Matt Reeves
@mattreevesLAJun 12
#FirstShot #TheBatmanPart2 CC:@E_Messerschmidt Here We Go…
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'The Odyssey' website shows you how the film looks in different aspect ratios 🎞️
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IMAX Frame retweeted
ELDEN RING
@ELDENRINGApr 20
The live-action movie adaptation of #ELDENRING, produced by the studio A24 in partnership with Bandai Namco and filmed for IMAX, is slated for release on March 3, 2028. Production will begin in Spring 2026, and the full cast has been announced. Learn more: bnent.eu/EldenRingMovie
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IMAX Frame retweeted
Adam Hlaváč@adamhlavacMar 20
Greig Fraser used newly designed vertical-squeezed anamorphic lenses to achieve the 1.43:1 @IMAX ratio on the Arri Alexa 65 camera and its native 2.11 sensor, leading to vertical flares and unique bokeh in the image. Source: @ARRIRental (instagram.com/p/DWGzs86EyIb/…)
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IMAX Frame retweeted
IMAX Frame@imaxframe12 Aug 2023
Dune - Ornithopter Tour
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Lamp change/transplant. IMAX 15k xenon lamp!
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IMAX Frame retweeted
ak@chickendhoklaMar 18
IMAX 15/65MM Film | 5/65MM Film | LF IMAX CERTIFIED DIGITAL
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IMAX Frame retweeted
DUNE
@dunemovieMar 17
Experience the epic conclusion. Dune: Part Three only in theaters and IMAX December 18. #DuneMovie #FilmedforIMAX
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CORRECTION Dune: Part Three was shot on a combination of 5-perf 65mm film, 15-perf 65mm, and digital for desert scenes, making it the second blockbuster since The Last Jedi (2017) to mix IMAX formats as well as the first Linus Sandgren-lensed film since 2015 to shoot digitally
IMAX Frame@imaxframeMar 17
Despite being shot entirely on film, including 15-perf 65mm which secured the film an exclusive 3-week IMAX run, Dune: Part Three will ostensibly be marketed as #FilmedforIMAX traditionally marked by the use of IMAX-certified digital cameras like its previous two installments
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This marks Sandgren’s third outing with the IMAX film format following No Time to Die (2021) and First Man (2018)
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Despite being shot entirely on film, including 15-perf 65mm which secured the film an exclusive 3-week IMAX run, Dune: Part Three will ostensibly be marketed as #FilmedforIMAX traditionally marked by the use of IMAX-certified digital cameras like its previous two installments
DUNE
@dunemovieMar 16
Are you ready? #DuneMovie Be the first to see the teaser, live on TikTok. Tomorrow at 9:00am PT / 12:00pm ET
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The Oscars’ response? AMPAS/Oscar CEO Bill Kramer apparently blocked me on Instagram last night after seeing my post expressing disappointment about the broadcast’s In Memoriam omission of my father. You truly can’t make this stuff up.
Geoff Keighley
@geoffkeighleyMar 16
So incredibly disappointed and heartbroken that the #Oscars and AMPAS chose not to include my father, David Keighley, and his immeasurable contributions to IMAX and cinema in the In Memoriam segment in the broadcast. I will never forget.
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Kodak announced today that Christopher Nolan will present my Mom with with a special award in March to honor her significant role in advancing the art and technology of filmmaking and @IMAX Congrats Mom! More here: hollywoodreporter.com/movies…
Emma Thomas, Christopher Nolan, Rich Gelfond, Patricia Keighley

ALT Emma Thomas, Christopher Nolan, Rich Gelfond, Patricia Keighley

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"Batman. Seeing this frame projected in @IMAX makes the difference immediately clear. The retained detail and physical scale of the image are overwhelming in person." 📸 Zack Snyder (IG)
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