One of the best new-to-me films I’ve seen in forever
New on Blu-ray from @muscledistro — completely unseen for over 40 years and never released on any physical media format. Brand new digital transfers and restorations from the original video and film elements! True transgressive queer underground cinema.
vinegarsyndrome.com/products…
Bumping this very under-the-radar gem rec for spooky season!!
Always nice to get the online equiv. of Video Store Discovery via impulse-watching the wild card on a new follower’s top 4: s/o to tradform for leading me to the eerie Kafka-via-Aickmann Screen Two feature The Lorelei (1990) - dug me out of a viewing rut: youtube.com/watch?v=je2QWjYI…
Just read the wiki synopsis of Biutiful only because I’d memory-holed it outside of two scenes, and… lmao.
iarnbarru retweeted
I didn’t care what any of the other critics had to say but this worries me
Digger, please.
👎61% woke.
🤮Quality: F.
Tom Cruise’s satire hits theaters Friday.
Our vetted critic, Christian Toto (@realDailyWire, @theblaze, Dennis Miller, MORE):
See @HollywoodInToto go scorched-earth on Tom's climate change comedy
Link in Bio
Cat Power discourse… what year is it… anyway: an excuse to post the 2nd best Cat Power needledrop from a Christopher Walken-starring arty genre-adjacent 1998 film by an NY auteur
iarnbarru retweeted
"One ticket for 'Resident Evil,' please. Not President Evil. He's in the White House."
iarnbarru retweeted
Oh my God shut the fuck up.
#Exclusive: A Paramount spokesperson has decried Mark Ruffalo’s anti-merger post as “antisemitic” and “a bridge too far” after the actor linked the Ellison family’s business ties to Israel’s military conflict in Gaza.
thewrap.com/industry-news/de…
Eagerly waiting for The Dreamed Adventure – one of the 2 or 3 truly great films of this year – to gradually lose its unfounded ‘boiled veggie’ rep (a title change might help tbh)
Been thinking of the scene in Breillat’s 36 Fillette where she demands the lech to turn off Miles’ Birth of the Cool because it sounds like “vacuum cleaners”. No unflattering characterisations of jazz have stuck with me until then























