Hilda Saray (@hsarayg) header
Hilda Saray (@hsarayg) profile picture
México
Joined May 2010
Photo by Hilda Saray (@hsarayg)Photo by Hilda Saray (@hsarayg)Photo by Hilda Saray (@hsarayg)Photo by Hilda Saray (@hsarayg)Photo by Hilda Saray (@hsarayg)Photo by Hilda Saray (@hsarayg)Photo by Hilda Saray (@hsarayg)Photo by Hilda Saray (@hsarayg)Photo by Hilda Saray (@hsarayg)Photo by Hilda Saray (@hsarayg)
Hilda Saray retweeted
Beato Angelico Annunciazione di San Giovanni Valdarno 1432 3 immagini vedere singolarmente
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Hilda Saray retweeted
Flight into Egypt #artbots #angelico
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Hilda Saray retweeted
Hello again Watercolours artist Pierette Komarek . ‘Sunday Shelfie @helen_warlow #Art
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Hilda Saray retweeted
The #fox appears in the folklore of many cultures and is associated with cunning and tricks or as a familiar animal, possessed of magic powers... Artwork by Jackie Morris, artist, author, illustrator #WomensArt #FoxArtWeek.
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Hilda Saray retweeted
In 2002, at the age of 91 years, artist Louise Bourgeois created 'Ode a L'Oubli' (Ode to Forgetting),  a book of 35 fabric pages made from her own cloth saved from different eras of her life #Womensart
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Hilda Saray retweeted
The Ghent Altar (detail) #artbots #vaneyck
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Hilda Saray retweeted
Lamentation over Christ #artbots #angelico
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Nativity. Birth of Jesus #artbots #giotto
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Hilda Saray retweeted
Miniatura del Libro de horas de Carlos VIII de Francia, manuscrito iluminado en pergamino, siglo XV. Representa a Luis XII de Francia orante, tras él, de pie, Carlomagno.
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Hilda Saray retweeted
Small Triptych (central panel) #artbots #vaneyck
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Hilda Saray retweeted
Escher chose lithography for Cubic Space Division (1952) to control tone. Unlike woodcuts with their crisp boundaries, working on stone allowed him to fade receding lines into soft gray, making the geometric lattice feel genuinely infinite. #artbots #escher
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Hilda Saray retweeted
Smaller & Smaller #artbots #escher
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Hilda Saray retweeted
A Man in a Turban #artbots #vaneyck
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Bleu Giotto / Bleu Rothko
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Hilda Saray retweeted
The figures in Escher's impossible Belvedere (1958) owe a debt to Hieronymus Bosch. After seeing The Garden of Earthly Delights in Spain in 1922, Escher copied part of its Hell panel in 1935—the only time he ever reproduced another artist's work. #artbots #escher
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Hilda Saray retweeted
In Three Spheres II (1946), the central mirrored sphere reflects Escher at his desk as he draws the print. On his sketched paper, the three spheres reappear, creating a recursive loop. The image continues a spherical self-portrait theme he began in 1921. #artbots #escher
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Hilda Saray retweeted
The Crucifixion; The Last Judgment #artbots #vaneyck
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Hilda Saray retweeted
Campaña de la RAE y la Academia de la Publicidad contra los anglicismos innecesarios:
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Hilda Saray retweeted
En estos días cercanos a la festividad de Todos los Santos, en los que es típico llevar a escena el «Don Juan Tenorio», de José Zorrilla, les animamos a acercarse al manuscrito de la obra. Se conserva en la Biblioteca de la RAE y ha sido digitalizado: ow.ly/g8B95100qI0.
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Hilda Saray retweeted
The Annunciation #artbots #vaneyck
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