New couch to 4k podcast is out, where I try and fail to convince Jim local hero is good and probably also anger local hero fans by saying a lot of them didn't get it youtu.be/XigCx1mhjkA?is=981g…
Reading the new Andressen Horowitz thing on data centers that says they solve "one problem in three masks" and well
Runaway, the film where Tom Selleck is sort of "Blade Runner for Roombas", is now streaming on the Howdy channel roku.com/whats-on/the-roku-c…
Watching the film Runaway and probably the most damning thing to say about it is Selleck is the best actor in it
This movie is fine as it goes but it comes in at such a glorious rolling boil, then never delivers on that promise
youtu.be/PU6JK0r_OUk?si=Wa9l…
Wonderful opening though, and then a competent mystery. Just not what the first few minutes seemed to promise. plot.fyi/s/Q680594?v=card&so…
Mike Caulfield retweeted
Recently mentioned the Rentals "Friends of P" video to a friend who is all about the 1st Weezer album and he seemed to have no idea what I was talking about.
Anyway, here it is. Thought everyone who watched MTV in the mid-'90s knew this song?
Mike Caulfield retweeted
So I got to learn to look at the camera while thinking but the new Couch to 4k film podcast is up and it's on American Gigolo and it's really good. youtu.be/ZrIbxzNnGX4?si=sDUH…
So I got to learn to look at the camera while thinking but the new Couch to 4k film podcast is up and it's on American Gigolo and it's really good. youtu.be/ZrIbxzNnGX4?si=sDUH…
So I got to learn to look at the camera while thinking but the new Couch to 4k film podcast is up and it's on American Gigolo and it's really good. youtu.be/ZrIbxzNnGX4?si=sDUH…
Latest update on plot.fyi deals with the Risky Business problem -- it was being lumped in with other teenage sex comedies, and it really doesn't belong there. I reformulated the directorial style pass and we're closer.
What I like especially is it is still pulling from teen drama/comedies but in the deep melancholic area plot.fyi/#c/%3Dmatch%20Q1325…
Mike Caulfield retweeted
A collection of some post-Diabolique/Psycho posters or titles that tell the audience to either come early or not reveal the secret. Scream of Fear (1961)
Buying millions of "rare" books as people normally define that word is not something that can technically happen if you do the math, so I am curious what that word means here.
AI companies are buying large volumes of used, rare, and out-of-print books, scanning them for training data, and in many cases destroying the physical copies afterward.
This practice has accelerated as labs seek high-quality, pre-2022 human-written text free of AI-generated content that now saturates much of the open web.
The most documented example is Anthropic’s internal effort known as Project Panama. Court filings from copyright litigation revealed that the company acquired millions of physical books from used-book sellers and wholesalers such as Better World Books. Workers used hydraulic cutting machines to slice off the spines, fed the loose pages into industrial high-speed scanners, and then discarded or pulped the remains. An internal planning document described the goal as an effort to destructively scan books at massive scale. A federal judge later ruled that purchasing the books, creating internal digital copies this way, and destroying the originals constituted transformative fair use under U.S. copyright law, relying in part on the first-sale doctrine.
Similar activity is now widespread. Specialized brokers, including ISBNdb, openly market bulk acquisition services to AI labs, offering orders ranging from thousands to as many as one million titles. They emphasize older printed books as “structurally clean” training data.
Booksellers in the United States and Europe have reported sudden surges in bulk orders for mixed, random selections that include rare and out-of-print volumes. Some of these titles may represent among the last readily available physical copies. While a substantial portion of the books involved would otherwise have been remaindered, recycled, or sent to landfills, the inclusion of uncommon editions has drawn criticism from archivists, collectors, and rare-book dealers who note that gentler, non-destructive scanning methods exist yet are slower and more expensive.
The process remains largely quiet because the intermediary services promise anonymity to their AI clients. Public attention has grown mainly through litigation disclosures and reporting by outlets that examined the court records and interviewed booksellers.
The practice highlights a practical tension in large-scale AI development: the demand for vast quantities of reliable human text collides with the finite physical supply of older printed works and the cultural value of preserving rare copies.
Made a link to pull up a random film on Netflix to watch. (The similar films under it are not necessarily on Netflix) plot.fyi/#c/random:netflix
This filmstop fact-check of a Google AI Overview response is a good example of why you shouldn't use AIO for anything serious: claude.ai/public/artifacts/6…












