Hayterwave (@hayterwave) header
Hayterwave (@hayterwave) profile picture

Composer. Orchestral tech house. My records build their own cathedrals.

Joined June 2023
Photo by Hayterwave (@hayterwave)Photo by Hayterwave (@hayterwave)Photo by Hayterwave (@hayterwave)Photo by Hayterwave (@hayterwave)Photo by Hayterwave (@hayterwave)Photo by Hayterwave (@hayterwave)Photo by Hayterwave (@hayterwave)Photo by Hayterwave (@hayterwave)Photo by Hayterwave (@hayterwave)Photo by Hayterwave (@hayterwave)
I named the genre I work in. Hyperacoustic Tech: electronic music written like a score. Every part composed, every bar planned.
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I write orchestral tech house: electronic music written like a score. Every part composed, every bar planned.
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A score is a promise. Every note on the page is something a real person can play.
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Do you hear the drum first or the harmony first? Tell me which one pulls you into a track.
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CONTROL YOUR BODY reaches an 8D section at 3:08. Same rule as the rest of the visual: the track is the controller.
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Why write electronic music like a score? Because the questions in music do not change with the instrument: tension, proportion, motion, expectation, release.
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The instruments are electronic. The thinking is orchestral. Every part composed, every bar planned, nothing left to the loop.
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CONTROL YOUR BODY came out on 9 October. The music is on Spotify and SoundCloud, and the visual built from the track is on YouTube.
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My records build their own cathedrals.
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I came to electronic music through piano and violin. The piano studies still live on my YouTube, single takes only.
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6478 frames. 129.2 bpm. E Phrygian. 22 rented GPUs. No generative AI, just geometry, code and light.
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Kick is the pulse. Bass breathes the radius. Piano slices the 4D shape. The saw sets the coupling. Silence collapses the room. Every stem has one job.
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A tesseract has 16 vertices and 32 edges. What you see on screen is its shadow, thrown by a light in the fourth dimension. Same math as a camera lens, one dimension higher.
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In CONTROL YOUR BODY the kick drives the floor, the tunnel and the projection distance of a tesseract. Nothing is keyframed. The track is the controller.
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running a music campaign is like assembling a puzzle. every piece matters—packaging, timing, and community engagement. it's thrilling to see it all come together. if you're diving into this world, let's chat! join my discord for insights.
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running a music campaign is like crafting a track—every detail matters. from the artwork to the timing, it all needs to hit just right. don’t underestimate the power of a solid plan. join the convo on my discord if you’re curious! discord.gg/KFqcpKQ7um
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