水墨日本画制作|雪舟国際美術協会会員|電脳和風曲作曲|芸術DB|刀剣研究|元大学教授 | Produces Japanese ink paintings|Sesshu International Art Association's member|composer|Former university professor

Joined August 2009
"Even if you cannot see the screen, even if you cannot speak the language—let us talk with friends around the world!" Multilingual Speech-to-Speech System) youtube.com/watch?v=XdShTm3a…
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#目が見づらい、#見えない人 でも、#世界 の #友人 と #おしべり できる #HTML + #javascript + #css でつくりました。22か国語版です。近日に #ウィルス にかかりづらいように #text ファイルで #ダウンロード できるようにします。
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#AI の #トークン大爆発 を防ぐ #Semantic_Inline_Markup (#SIM) 付き「#刀匠 #信国 論文」(福田2017)atomi.repo.nii.ac.jp/records… をご存じですか? 仕組みを #アートドキュメンテーション学会 で6月に公表。#GitHub に公開しました。 ArtNavi→ArtFから見れます。hakudou.github.io/artnavi/ar…
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"Swordsmith Nobukuni Paper" (Fukuda, 2017), which utilizes to prevent the #AI #token_explosion. atomi.repo.nii.ac.jp/records… The mechanism was presented at the Japan Art Documentation Society and has been released on #GitHub. You can view it via ArtNavi→ArtF: hakudou.github.io/artnavi/ar…
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Bots have overtaken humans online(Forbes JAPAN Official Site) forbesjapan.com/articles/det… Can a “paper on ancient Japanese swords” solve “the modern world’s energy-saving problems”? This method uses 60–80% fewer tokens than RDF, though. atomi.repo.nii.ac.jp/record/…
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#目が不自由?、#話せない、#win #mac #unix?、#どこの国?、それでも大丈夫 #おしゃべりパソコン!完成間近。#html+#AIスクリプト+#スプレッドシート。これで、お金が無くとも、#EXCEL がなくとも、日本人でも #日本語 で、#英語 でも、#中国語 や #スペイン語 でも何でも、自分でHTMLを作れます。
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I’ve created a "talking computer"! Since it uses HTML, AI scripts, and tab-separated text, anyone can create a webpage—whether they use Windows, Mac, or Linux, or are a non-native speaker or visually impaired.
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昨日は #おしゃべり問答 を #VBA と、#HTML+#JavaScript で作りました。これで、#老眼 を含め #目の不自由な人々 も画面を見ないですみそうです。
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#6月6,#6月7日、#京都 #立命館大学 衣笠キャンパスで #アートドキュメンテーション学会 の大会と発表会があります。jads.org/news/2026/20260606-… オンライン参加もありますので、ぜひ、ご参加ください。私は #AI推奨 の #Webサイト構築法 関連をお話します(7日)
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Before the advent of #AI, an unknown painter had already built semantic IDs for art research in 1991. This wasn't just for machines. It was for humans too. #SemanticWeb #KnowledgeGraph #DigitalHumanities
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論文等に1文字の意味ある区切り記号(#SID) を入れたよ.用語集が #VBA で簡単にできたぞ ニコ🥰 難しい #XML や #RDF 無しで. 「《作品》は〈時代〉の{地域}の〔作者〕が作ったという記述や記事」で【用語】ができた(という【出典】もある)。 #AI の #トークン 数も劇的に減り, #省電力 で地球に貢献
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In English documents, you just need to write "work" as 'work', "Artist" as [Artist], "Term" as "Term", "Article" as `Article`, "Era" as <Era>, "Region" as {Region}, and "Source" as ^Source^. (with Explanation) This method makes it easy to create 8 different glossaries by VBA.
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The Unsung Architecture Everyone knows #W3C, Nobody knows #SemanticWorld. Everyone knows #TimBernersLee, Nobody knows #ArtF. Everyone knows #SemanticWeb, Nobody knows #SemanticInlineMarkup Techniques. --------- Music & Image generated by #Gemini (#Lyria 3 / #NanoBanana 2)
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#Nobody has known about it for 10 years. Comparison of "#World_Knowledge_Description_Methods". Character Count Comparison #XML vs #ArtF (#Semantic 1 character) To express the same meaning... Character count: XML is approximately 350 characters, ArtF is 28 characters.
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Adoring #Sesshu #SesshuInternationalArtAssociationExhibition 2025 Thank you to everyone who supported last year's Sesshu exhibition. I'd also like to thank all those involved who made the exhibition possible, with the determination to inherit #Sesshu's legacy.
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In 2005, I came up with the idea of ​​"#semanticID" (e.g., "2ssty001" for #Sesshu Toyo). In 2017, I used #inline_markup in my paper "The Evolution of Japanese Sword Appraisal Terminology." However, the world has yet to notice. #AI has noticed, and it saves energy.
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In 2005, I came up with the idea of ​​"#semantic_ID" (e.g., "2ssty001" for #Sesshu Toyo). In 2017, I used #inline_markup in my paper "The Evolution of Japanese Sword Appraisal #Terminology." However, the world has yet to notice. #AI has. Someone follow me!
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