The Guide #164: The quit list – when to give up on that book, TV show and more dlvr.it/TG4WRW
The Guide #163: Insult comedy and the right wing’s budding bromance dlvr.it/TFyBYS
The Guide #162: Terrifier 3’s ultraviolence is too much for me but IMDb offers salvation for the squeamish dlvr.it/TFkKTQ
The Guide #161: Mr Loverman breaks new ground in golden age of Black British TV dlvr.it/TFTngB
The Guide #160: Mr McMahon and the trouble with celebrity documentaries in the age of streaming dlvr.it/TFFL3P
The Guide #159: Won’t somebody think of the children? The shows that traumatised you as kids dlvr.it/TF0L2M
The Guide #158: Video games are the new frontier for pop culture’s obsession with the past dlvr.it/TDlXqN
The Guide #157: A way-too-early look at the Oscars 2025 frontrunners dlvr.it/TDZTY1
The Guide #156: Why ER still gets my heart racing dlvr.it/TDBzZ4
The Guide #155: Is it time to break up director-actor cliques? dlvr.it/TCw2X3
The Guide #154: Colin from Accounts and Britain’s special relationship with Aussie TV dlvr.it/TCYrjP
The Guide #153: Brat summer’s been fun – but it’s time for something more mature dlvr.it/TCHcCb
The Guide #152: Sherwood, band T-shirt etiquette and more reader questions answered dlvr.it/TC0Ww7
The Guide #151: Meet Solar Heavy, the inescapable EDM artist flooding my timeline dlvr.it/TBjgj0
The Guide #150: From Fantasmas to Heels, five new shows to get you through a quiet summer dlvr.it/TBQ1R1
The Guide #149: Is Deadpool & Wolverine a symptom or cure to Marvel’s multiversal malady? dlvr.it/TBJ9FZ
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Chanté chats about our obsession with massive stadium tours and her own mission to secure Beyoncé tickets.
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In today's @guideguardian, @gwilymmumford explains the one symbol that took over streaming: the 'pluffix' theguardian.com/global/2023/…
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📺 The maritime mystery 1899 seemed to have everything it takes to be a hit – so what does it say that the show was thrown overboard so soon? Gwilym Mumford discusses in today's Guide newsletter.
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In this week's edition of The Guide, @gwilymmumford breaks down five reasons why the early end of #1899Netflix is a bad omen for TV
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