ryan njenga retweeted
When “indie sleaze” was actually happening, it was just called indie. But as the era gets repackaged through playlists, party photos, and Pinterest boards, the Black artists who helped shape the era are being left out.
@Santigold, Spank Rock, and @kilokish shed light on the scene they experienced, the boxes the industry put them in, and how the people telling its story shape what gets remembered.
Read the full feature by @precious1otus here: pigeonsandplanes.com/read/wh…
ryan njenga retweeted
Larry David is one of America’s unlikeliest icons, and one of history’s purest founders.
In our latest profile, Correspondent-at-Large @blakejharrisNYC—who spent six years talking to Larry for his new book—explains what makes Larry so special, and why it took him so long to break through.
Larry was a mediocre student with a middling social life. His first two jobs—selling bras and driving cabs—ended quickly. At 25, he called his mother from a hotel room: “Ma, nothing good is ever gonna happen to me.” She urged him to become a mailman.
Soon after, he found what he thought would be his calling: stand-up comedy. His material was funny, but he rarely finished a set. If somebody in the audience looked at their watch, or didn’t laugh when he thought they should, Larry stormed off.
14 years later, aged 39, he got a break. He was asked to write his first sitcom script for a big new Showtime series. Only an eighth of what he wrote survived the edit, but the episode was still his. He was broke, and the writing credit could have sparked his career. But Larry refused to put his name on it.
Even with Seinfeld, Larry nearly hit self-destruct. The pilot performed worse than almost any other show NBC had ever tested. Still, the network ordered four episodes, one of the smallest orders in TV history. Larry barely made it through them.
When the studio installed a showrunner to oversee the scripts, Larry endured the man’s notes, then said “NO. I’m not doing one thing,” and walked out. In the summer of 1991, with the show finally starting to work, NBC wanted Jerry and Elaine to get married and have a baby. Larry quit in the parking lot and wished everyone good luck. Jerry stood with Larry, and NBC caved.
Larry’s friend and comedian Bill Scheft put it this way: “He doesn’t [act this way now] because he has fuck-you money. It’s the opposite. He has the fuck-you money because he’s always acted this way.”
Read the full profile by Blake, author of Emperor of Nothing: The Making of Larry David.
colossus.com/article/many-fa…
ryan njenga retweeted
Niggaz is saying a nigga wit 14 number 1 albums … 140 million records sold worldwide wide who just did 3 nights in Yankee stadium to a sold out crowd 3 hours plus a night … doesn’t have the catalogue for a 30 minute Super Bowl set ….. 🤦🏾♂️ we are regressing rapidly !
ryan njenga retweeted
i regret to inform you that personal growth rarely comes from acquiring new knowledge and almost always from:
-getting humiliated
-showing up terrified and doing it anyway
-admitting you might be the problem
A documentary on Harlem Renaissance luminaries offers a powerful reminder of the value of thoughtful disagreement bit.ly/47MNdJP
ryan njenga retweeted
all of the answers i was hoping i would get about YCSE from that nathan interview are actually in this (fantastic) profile of lance oppenheim: he explains how [redacted] got involved, holmes' relationship dynamics IRL, and whether nathan was being real vulture.com/article/lance-op…
Would you lie to this man?
EXCLUSIVE: Nathan Fielder, codirector of the Elizabeth Holmes documentary ‘You Can See Everything,’ sat down with WIRED for an extended interview—the first he’s given to discuss the film.
🔗 wired.com/story/nathan-field…
does mj or jackson stan twitter ever talk about the “come and get it” loosie by the jackson 5? cause thats one of their best songs
ryan njenga retweeted
That new Nathan Fielder movie had the hipster theater hootin and hollerin like a black church last night
ryan njenga retweeted
Idk if this is just me but the end of You Can See Everything when Nathan and REDACTED are sitting by the fireplace reminded me a lot of Reynolds and Alma. Maybe it’s in my head but it’s kind of crazy that the music that followed sounded like a riff off the Greenwood score…
ryan njenga retweeted
“cameron winter wants to be (xyz musician)” cameron winter wants to be on a horse. cameron winter wants to die in a holy war. cameron winter wants to wash your feet.
ryan njenga retweeted
I heard someone say “I don’t feel like myself lately, I must be growing” what a beautiful perspective for uncomfortable seasons.
ryan njenga retweeted
telling that the only line co-director Lance Oppenheim gets in YCSE is (in a recreation) “that’s not even a real documentary.”





























