🏘 Midtown is Memphis. 🎶 📚 Librarian to the kids. 📽 Film. 🎷Music. 🐕‍🦺 Animals. 📖 Books. 🎸Bruce.

Memphis
Joined July 2012
Jan L. Willis retweeted
Scorsese called The Changeling one of the scariest horror films ever; Guillermo del Toro says it's a masterpiece. Unlike other ghost stories, George C. Scott doesn't run; he actively helps a frightened spirit find justice in a supernatural whodunit. Smart movie.
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Jan L. Willis retweeted
Costa de creure que hagin passat ja 24 anys. Algú us dirà que no és possible que una vida canviï per un concert de música. Jo us diré que i tant que sí. #LivingProof #Mesqueunconcert #Barcelona2002 #TheNeverendingThread youtu.be/jlWqXoMD5oA?is=8HcP…
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Jan L. Willis retweeted
Some people can’t even begin to understand this level of personal responsibility.
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Jan L. Willis retweeted
On this day in 1893, Lillian Gish was born in Springfield, OH. I asked her if actors in silent films had a script with dialogue to memorize or if they were just given a general idea of what was being said in the scene and they ad-libbed the words. This was her remarkable reply:
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Jan L. Willis retweeted
No one painted water like Frits Thaulow. Just look at the river in this painting: it feels like it’s really moving, catching the light and swallowing it at the same time. He painted it in 1892 and called it Water Mill, a picture that does the hardest thing in all of art… it makes water look alive. What made him so extraordinary is that he could paint several kinds of water at once: the pale reflections of the buildings on the surface, the green tint of the water itself, the ripples running across the top, and the rocks sitting on the bottom, all of it layered together, melting into one another the way real water actually does. Most painters can manage one of those things. He gave you all four in a single glance. Thaulow was Norwegian, born in 1847, and he grew up in a country made of fjords, rivers and waterfalls, and he chose to spend his life on the single hardest subject a painter can attempt, the one thing that will not sit still and will not hold a shape. And in doing so, he made the fleeting beauty of water eternal...
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Jan L. Willis retweeted
Cut 3, filmed at Philadelphia’s Xfinity Mobile Arena on May 30, 2026, finally dropped today. Over the years, “Land of Hope and Dreams” has become an absolute powerhouse on stage. Bruce has elevated it to the same stature as “Born to Run.” If “Born to Run” is New Jersey’s unofficial anthem, “Land of Hope and Dreams” is the anthem of the America we still believe in.
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Jan L. Willis retweeted
Why do you think the dozens of hateful comments I got about my 3 1/2 star review of the Musk documentary stopped as soon as Ukraine destroyed the Russian bot servers? Hmmmm. rogerebert.com/reviews/elon-…
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Jan L. Willis retweeted
i love silent films because what do you mean an 83-second sequence showing only the characters from the knees down can tell a story so effectively and amusingly
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This is a great place to start, but I must also plug @mediahistorydl. They've digitized millions of pages of classical Hollywood + broadcasting ephemera. I've been using it for over a decade, and every historian I know counts it as an essential resource. mediahistoryproject.org/
Just saw this on Facebook. Someone was able to save over 90 issues from the 1920s magazine Movie Weekly and been scanning in HQ and uploading them to the internet archive. If you love silent films and actors from this period I think you'll have a great time reading these.
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Jan L. Willis retweeted
Monet painted The Magpie at 28. Young, penniless, and unknown, he stood outdoors for hours in sub-zero temperatures. The Paris Salon rejected it as a failure. Today, it hangs in the Musée d’Orsay as a masterpiece.
Snow by Claude Monet He painted his first snowscapes completely broke and unknown, freezing for hours outdoors. The Master of Light on White?
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Jan L. Willis retweeted
/repost
Jim Keltner talking about John Lennon and Bob Dylan as guitar players. @bobdylan
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Jan L. Willis retweeted
A marvelous scene that defined a marvelous, still relevant film. I saw her speak in a Hitchcock course at USC in the mid-1980s, and she provided a lot of insight concerning "Waterfront" writer-dirctor Elia Kazan as well as Hitchcock who she worked with in "North By Northwest."
Ha muerto Eva Marie Saint a los 102 años. Ensombreció con sus interpretaciones a gran parte de los galanes de los 50 y 60, fue musa de Hitchcock y ganó el Oscar por “La ley del silencio”(1954). Se nos fue un pedazo de la época dorada de Hollywood. DEP.
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Same director, same year..,
Same director and same year
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“Can you forgive me?” “That I can.” Michael Caine and Sean Connery are done for in John Huston’s “The Man who would be King” (1975). Based on Rudyard Kipling’s novella, both actors said it was their favourite film. They were fortunate to appear in it. Huston had planned to make the film since the 1950s, with Clark Gable and Humphrey Bogart in the roles of Danny and Peachy, but both actors died. Burt Lancaster and Kirk Douglas were then approached, but turned the film down. In the 1970s, Huston offered the parts to Robert Redford and Paul Newman, but Newman argued that British actors should be cast and it was he who recommended Connery and Caine. The role of Rudyard Kipling was played by the great Christopher Plummer.
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Jan L. Willis retweeted
So good.👇
Happy 42nd anniversary to the greatest SNL short ever made! Men's Synchronized Swimming.
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Born on this day in 1901, cinematographer John Alton. What is your favorite film of his, noir or not? Drop an image in the comments along with your pick. #filmnoirbirthday @noircitymag #TCMParty
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Jan L. Willis retweeted
Charlton Heston: the greatest last-minute replacement actor ever. Chuck immediately agreed to roast his own cinematic legacy in Wayne’s World 2, delivering mundane directions with full biblical gravitas, as if he were again listing the Ten Commandments.
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Jan L. Willis retweeted
People are now apparently returning to CDs and DVDs for “the security of knowing they have a physical copy of their fave films & music, free from algorithms, interruptions and vagaries of streaming.” I’ve heard this from my students for a while. Me too. theguardian.com/media/2026/o…
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Jan L. Willis retweeted
The way this colorist talks about HDR is how it should be treated by everyone who does anything with it, it’s literally a gun pointed at every frame of a movie, if the proper care isn’t taken you get really bad results. Look at THE TERMINATOR 4K
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