Federica Di Meo - Oneira EDS 2 out 26/06! retweeted
L'ÉPISODE 1 DE DREAMLAND EST DISPO SUR ADN 🔥
Après tant d'années, on peut enfin écrire ces mots 🥹
On ne peut que vous souhaiter bon visionnage les amis 💙
Pour l'occasion, voici l'opening de l'anime part @faulieu !
Federica Di Meo - Oneira EDS 2 out 26/06! retweeted
毎月『Kraken Mare』を読んでくださっている皆さん、ありがとうございます。アフタヌーンで連載を続けられているのは、皆さんのおかげです。
第2巻が発売中です。単行本でじっくり読んでいただけたら嬉しいです。
読書メーターへの登録や感想も、大きな励みになります。
月刊アフタヌーン連載中。
Federica Di Meo - Oneira EDS 2 out 26/06! retweeted
✍️ Agenda Dédicaces #MangaFR 12-18/10 (feat. @Gokuraku_fr)
Retrouvez Nova & Saga DeCendres + Pop-up Store Dreamland @pikaedition, @naokuren, @AnieSlc, @fededm83, @Djigui, @Kurogami_art, @magicaly_fr, @pellichi, @vel_kia et + !
Toutes les infos 🔗 mangasmadeinfr.net/agenda-de…
#manga
Federica Di Meo - Oneira EDS 2 out 26/06! retweeted
this reminds me of a gradient tutorial saying that you should avoid crossing colors through the center of the RGB cube becuz that's where the grayscale is which makes your gradient "muddy", so you add a 3rd color on the outside
it blew my mind (but didn't help me cuz I'm a bum)
The empress has spoken! @konataart
Federica Di Meo - Oneira EDS 2 out 26/06! retweeted
this is an incredibly effective way to understand the difference between a "form shadow" and "cast shadow". many (east) asian artists will hyper-differentiate between the two and assign large hue variations to get a blend of cold/warm within the SAME value grouping.
Federica Di Meo - Oneira EDS 2 out 26/06! retweeted
Panel transitions are the building blocks of sequential storytelling.✍🏻
They control how time and space shift between frames, which creates the framework for the readers’ mind to fill in the gaps (aka the "gutter"). (Pt.1)
Federica Di Meo - Oneira EDS 2 out 26/06! retweeted
Medieval Europe Manga "The Azure Balkanalia" Vol 2 by Sasakisa
Bulgaria in the 16th Century under the rule of the Osman Empire. A young village girl has to witness how her beloved stepbrother is taken away by soldiers one day. He promises to return but even 9 years later, he hasn't shown up again. Older now she decides to look for him herself.
Federica Di Meo - Oneira EDS 2 out 26/06! retweeted
스토리의 재미는 결국
감정의 기복 × 미지에 대한 호기심 × 카타르시스의 결합에서 온다고 생각합니다.
감정이 움직이니 몰입하고,
앞을 예측할 수 없으니 다음 화가 궁금하고,
쌓아 올린 긴장이 해소되니 “재밌었다”는 만족이 남습니다.
원고를 쓰다 막힐 때도 이 세 가지 중 하나가 약해진 건 아닌지 보면 좋습니다.
결국 이야기는 독자의 감정을 움직이는 장치니까요.
Federica Di Meo - Oneira EDS 2 out 26/06! retweeted
angleref.com/
앵글 막힐 때 잘 쓰는 사이트
두상 조종해서 비슷한 앵글로 사진자료 찾아줌
Wowwoow!
As always, the English version!
Manga Background Tutorial #5: Explosions 💥
I hope this helps with your manga backgrounds!
#MangaArt #MangaTutorial #DrawingTips
Federica Di Meo - Oneira EDS 2 out 26/06! retweeted
最近ネームの描き方を検索してるんだけど、確かにこれが正解に近いと思う。
とにかくネームを切る。1日50ページ切る。台詞が思いつかないなら意味不明なことを言わせる。
意味不明なこと言わせても切る。切って終わらせる。1日50ページ分、ネーム終わらせる。
その後にBOICHI先生のお薦め演出本を読む。めちゃめちゃ分かるようになってる。またネーム切る。
人に見せようと思うな。思えば手が止まる。手を止めるな。ただ描け。ネーム描け。1日50ページ描け。
正しい……正しいが、無理だ。
そんなのできるのBOICHI先生だけだよ……。
【質問と回答】トヨタがマンガビジネスを? 1日50ページコンテを練習できる秘訣|BOICHI|Global SUB youtu.be/qhjkn07Efbg?si=OnwF… @YouTubeより
Federica Di Meo - Oneira EDS 2 out 26/06! retweeted
🎙️ Nouvel épisode d’Arigatô avec #CAB & @fededm83 !
Deux auteurs venus d’horizons différents réunis autour de #Oneira, leur série de dark fantasy publiée chez @EditionsKana .
On parle de leur rencontre et de la création de cet univers.
🎧 shows.acast.com/64e91bc26ed3…
Federica Di Meo - Oneira EDS 2 out 26/06! retweeted
Looking for a brush set to add more detail to your illustrations and manga? ✍️✨
Check out this brush set and bring even more texture and detail to your artwork!
🔎 Content ID: 2016370
assets.clip-studio.com/q/det…
Thank you, @drewyounghan for letting us share this video!
Instagram: instagram.com/younghan.art.t…
Federica Di Meo - Oneira EDS 2 out 26/06! retweeted
\☆高橋留美子ファンタジー漫画賞 募集開始☆/
審査委員長は #高橋留美子 先生✨
条件は【ファンタジー】の要素がひとつでもあること!キャラクターに能力に世界観に…
あなたの想像を詰め込んだ“新しい”ファンタジー漫画をぜひご応募ください!
〈〆切:2027年1/11〉
Federica Di Meo - Oneira EDS 2 out 26/06! retweeted
만화뇌는 극단적으로 2가지 패턴이 있다는데•••
① 감독형
시나리오→네임→콘티를 먼저 설계하고 머릿속의 ‘영화’를 페이지에 옮긴다.
분량과 흐름이 안정적인 대신, 네임 단계에서 아이디어가 생기는 직관형과는 상성이 안 좋을 수 있다.
② 연출가형
캐릭터의 감정과 ‘가장 보여주고 싶은 한 컷’을 먼저 잡고 장면을 확장한다.
감정 표현과 독특한 컷 연출에 강하지만, 컷이 비슷해지거나 플롯·페이지에서 이탈하기 쉽다.
직관형·일러스트뇌는 이쪽이 그리기 편하다고.
Federica Di Meo - Oneira EDS 2 out 26/06! retweeted
Having trouble making your lineart interesting?
Here's a personal hack that worked wonders for me and might for you too - you can try this with any lineart brush of your choice (pencil, round brush, G-pen, etc.)
1. Turn your thickness down to somewhere below 50, 40 is my ideal range
2. Turn the angle something diagonal, you can tweak but I suggest either 140 or 220
3. (Optional) Allow the brush density to be controlled by pressure
Try it and see how it feels for you~









































