Eric Hynes retweeted
Profoundly grateful to have my first book event here in Columbia, MO at Skylark Bookshop this week — thanks to @eshynes for being a phenomenal first conversation partner and to everyone who came and bought books and asked questions.
Eric Hynes retweeted
MoMI 2025 First Look Festival to Open with ‘Bonjour Tristesse’ indiewire.com/news/festivals…
Eric Hynes retweeted
On Oscar nomination eve, we remember those iconic actors who have somehow NEVER been nominated even once. Presenting our screening series SNUBBED FOREVER, Feb. 1–March 9, featuring Donald Sutherland, Mia Farrow, Richard Pryor, Rita Hayworth & more.
👉 movingimage.org/series/snubb…
Eric Hynes retweeted
And, finally, our #1 of 2024:
RaMell Ross's extraordinary NICKEL BOYS. Writes @eshynes, "A singular artist and thinker who’s committed to articulating and exemplifying the singular in human experience, RaMell Ross treats anything familiar as a lie." #Bestof2024.
Eric Hynes retweeted
Following last weekend's print mixup with LITTLE WOMEN, we are adding a screening of Gillian Armstrong's 1994 version with Winona Ryder this Friday, Dec. 13 at 7:00 p.m. (also showing at 4:00). Part of See It Big: Let It Snow! movingimage.org/event/little…
Eric Hynes retweeted
One last weekend with Frank Oz—in person for three films! Today, 11/23, enjoy a double feature of DEATH AT A FUNERAL, Oz’s ode to the English Ealing comedy, followed by IN & OUT.
Use code Frank50 for a half-price discount at check out. movingimage.org/series/frank…
Eric Hynes retweeted
Saw dirty rotten scoundrels followed by a chat with Steve Martin and Frank Oz tonight. @MovingImageNYC events are unmatched.
Eric Hynes retweeted
It’s a Frank Oz–Steve Martin triple-header today, Nov. 9, at MoMI!
THE HOUSESITTER at 1:00
BOWFINGER (35mm) at 3:15 with Frank Oz in person! – limited tickets available
DIRTY ROTTEN SCOUNDRELS (35mm) at 5:30 – sold out
Tickets: movingimage.org/series/frank…
Eric Hynes retweeted
As someone long fascinated by the @Quinzaine, and who’s been lucky enough to attend the last fourteen years, it’s an honor and a thrill to be bringing curated programs of this year’s selection to LA and NY with the help of Julien Rejl, @eshynes, and @edogoesboating. LFG.🍆
Announcing! 📣
Directors’ Fortnight Extended, a new collaboration between @Quinzaine, Acropolis, and @MovingImageNYC, featuring curated selections from this year’s Fortnight in NY (Oct 24-27) and LA (Nov 1-3). 🌿
Discover the LA program here. 🎟️:
acropoliscinema.com
Eric Hynes retweeted
This video is an hour long.
Eric Hynes retweeted
In 1992, the iconic ‘Jazz’ design for disposable cups was introduced in the United States
Eric Hynes retweeted
In the 1990s, personal documentaries brought intimate, inventive storytelling to festivals and @POVdocs. Join us on 9/20 for a special screening + discussion of Personal Belongings + Papapapá with POV founder Marc Weiss, part of @MovingImageNYC doc series. loom.ly/FPYEgDM
Eric Hynes retweeted
Challengers (2024)
Eric Hynes retweeted
A dense, deep lesson in film form awaits this weekend @MovingImageNYC: 'Playtime' on 70mm, 'The Color of Pomegranates,' and 'Speed Racer' all play — thefilmstage.com/nyc-weekend…
Eric Hynes retweeted
Tati's PLAYTIME in 70mm opened @MovingImageNYC's Redstone Theater in 2011. Exciting that the print is back for the first time since! An essential film experience--through Sunday. Sit in one of the tiny cafe chairs afterwards, and you'll feel like Hulot. movingimage.org/event/playti…
Eric Hynes retweeted
MoMI has a special relationship with Stanley Kubrick’s 2001: A SPACE ODYSSEY. The film’s modernist look inspired our building’s architect Thomas Leeser and that influence is most evident in our lobby and Redstone Theater where the film will be shown! 1/2
Eric Hynes retweeted
It is with heavy hearts that we mourn the loss of Manfred Kirchheimer. Few filmmakers have meant more to us than Manny, whose astonishing output as a nonfiction artist and crafter of New York visual symphonies cut to the heart of what we love about movies.
Eric Hynes retweeted
Filmed in war-torn Armenia and edited by candlelight, Mikhail Vartanov’s PARAJANOV: THE LAST SPRING (1992) vividly expresses the filmmaker’s friendship with Parajanov while the latter was imprisoned by the Soviets. See it today, Jul 6, 6pm movingimage.org/event/paraja…


















































