@elginmarblesi
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Anglo-Sicilian classical archaeologist, defender of the #ElginMarbles. On @BBC5live, @GBNews, @SkyNews, @LBC, @theCriticMag. Proudly #Conservative. DM x media
Aldingbourne, England
Joined November 2012
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Greek millions financing a state-driven disinformation campaign to get the #ElginMarbles away from @britishmuseum . It won't succeed, not on my watch. History must be respected: all of it, not just the parts we like.
youtu.be/LhIDWkYmayA via @YouTube
Dr Mario Trabucco della Torretta retweeted
ΤΙ ΤΑ ΘΕΛΟΥΜΕ ΤΑ ΜΟΥΣΕΙΑ, ΟΤΑΝ ΠΑΡΑΓΟΥΜΕ ΣΥΓΧΡΟΝΟ ΠΟΛΙΤΙΣΜΟ;
VICTORY! My complaint against the Archaeological Museum A. Salinas of Palermo for denying my FOI request to access public documents about the Fagan Fragment has been accepted, and the museum has been ordered to provide the files!
#StayTuned
It must have been another Bonnie Greer then, @BCRPM
Dr Mario Trabucco della Torretta retweeted
The case of Jason Arday revealed that, in some academic fields, in some journals and with some publishers, worthless writing can pass peer review and reach publication. This is a predictable risk when politics, EDI and activism take precedence over scholarly standards, and rigorous criticism is itself treated as suspect (see examples in the linked article).
Some of us have recognised this problem for years and have been dismayed by how low standards in parts of academia have sunk. I have personally encountered attempts to silence legitimate criticism to protect the vanity and egos of colleagues and friends. Such circles become mutual protection systems for academic narcissism: members affirm one another’s importance, shield one another from scrutiny and treat criticism as betrayal. Scholarly standards pay the price.
We should feel equally free to criticise the work of our own colleagues: collegiality should not require us to suspend scholarly judgement.
I hope this affair encourages more people to subject such work to proper scrutiny and recognise that publication, whatever the journal or publisher, is no guarantee of scholarly quality.
See also my forthcoming piece in @timeshighered on Friday on self-interested demands from academics for immunity from external scrutiny.
ianpace.substack.com/p/the-a…
Challenging unproven, long-standing assumptions is good, whatever the result:
ekathimerini.com/culture/131…
Dr Mario Trabucco della Torretta retweeted
Two things are needed in a work of virtue:
One is that a man have a right intention for the end, which moral virtue provides in inclining the appetitive faculty to a proper end.
The other is to be well disposed towards the means. This is done by prudence, which gives good advice, judges, and orders the means to the end (Commentary on Ethics 6).
Dr Mario Trabucco della Torretta retweeted
Interesting update: @ICOnews contacted me today about my FOI refusal complaint to say they are now considering my case and have reached out to the @britishmuseum to obtain the necessary evidence.
This is going to be interesting. 🍿
Dr Mario Trabucco della Torretta retweeted
My latest piece on @TheCriticMag, where I talk about Tapestries, sculpture loans, and the wisdom of some prime ministerial U-turns
thecritic.co.uk/bayeux-sophi…
Interesting update: @ICOnews contacted me today about my FOI refusal complaint to say they are now considering my case and have reached out to the @britishmuseum to obtain the necessary evidence.
This is going to be interesting. 🍿
My latest piece on @TheCriticMag, where I talk about Tapestries, sculpture loans, and the wisdom of some prime ministerial U-turns
thecritic.co.uk/bayeux-sophi…
Dr Mario Trabucco della Torretta retweeted
The British Museum's director says the Bayeux Tapestry loan could show the way to a deal over the Parthenon Marbles.
There is just one problem: France and Britain agree who owns the objects they are lending: Greece and Britain don't, writes Mario Trabucco della Torretta.
thecritic.co.uk/bayeux-sophi…
Dr Mario Trabucco della Torretta retweeted
Is the #BayeuxTapestry really a precedent for the #ElginMarbles? My latest piece on @TheCriticMag :
thecritic.co.uk/bayeux-sophi…
Dr Mario Trabucco della Torretta retweeted
The Bayeux Tapestry sets no precedent for the Elgin Marbles when Greece refuses to recognise the British Museum’s ownership of them, writes Mario Trabucco della Torretta.
thecritic.co.uk/bayeux-sophi…
Is the #BayeuxTapestry really a precedent for the #ElginMarbles? My latest piece on @TheCriticMag :
thecritic.co.uk/bayeux-sophi…
Great piece by @ASCphiled for @History_Reclaim on the wonky relationship between decolonisation theory and the truth.
"Their sacrifice of historical empirical evidence to the needs of a critical theory of society actually obscures the complexities of historical relationships, motivations and events. It tells us that the political commitments of the authors outweigh their commitment to truthful knowledge: or rather than their theory of truth conflates it with the subjective truth of feelings and spontaneous response."
She brings two examples: the introduction of English literature to India, and the Bibliotheque Oriental. I can of course add my own work on the #ElginMarbles debate
historyreclaimed.co.uk/truth…
Dr Mario Trabucco della Torretta retweeted
Did the British loot India’s cultural heritage, or did they help preserve it?
In his article, R. P. Fernando examines the dozens of museums founded by the British in India from the late eighteenth century onwards, arguing that these institutions and their archaeological collections helped ensure the preservation of Indian culture in India.
Read the full article to explore Fernando’s perspective on today’s cultural debates. historyreclaimed.co.uk/colon…
#IndianHistory #Museums #Archaeology #BritishEmpire #HistoryReclaimed