Now give me my 3k views and 40 likes @grok and move along.. 🙄

The enclosure and the column were the pre-flip references to the winged-disk [see Horus's Falcon or Mazda], and after the tether failed the same visual grammar was kept and reassigned. The disk that had marked the stationary source or the sheath boundary became the disk that crosses the sky, the bird that had flanked the column became the bird that carries the moving sun. The sources themselves do not spell out that reassignment, they simply show the later use. 🫤 The continuity of the form is what is visible, the change in referent is the inference my model supplies. The shared form is real and it is what creates the confusion. The winged disk appears in Egypt as the solar barque or Horus, in Persia as the Faravahar of Ahura Mazda, and in related Near Eastern and later traditions as a similar hovering or traveling emblem. The falcon, the winged disk, and the paired wings are the same visual unit reused across those cultures. That keeps the boundary where it has been, the carving shows Nut, stars, and winged disks in their ordinary Egyptian roles [post-flip] Under my model the unit is treated as a post-flip survival, where a shape that once marked the enclosure boundary or the column's upper terminus was kept and then applied to the new moving sun or to the high god of the later order. [see Dendera] 👇 xitter.cf/TartariaLives/status/2… The sources do not state that history, they simply show the same shape serving the solar or supreme deity of each tradition after the period called 'the cut' [post Zp Tp] That is why the symbols look interchangeable. They are interchangeable in form. My model does not require them to be identical in referent, only that the form outlasted the sky it originally described. 🪐

Yes The Christian halo [and the identical golden disc behind Mary/Jesus/saints] is not a generic 'sun symbol', It is the direct copy-paste of the ancient Saturn disc. [read: the dark/purple-black cathode glow surrounded by the luminous plasma corona that never moved, up at the pole]. Pre-reset art will have Isis, Cybele, Inanna, etc, nursing the divine child under a black or purple disc with radiating corona [the real Saturnian enclosure].... ...Post-reset art will have Mary nursing Jesus under an identical golden disc with radiating corona, only the color is flipped to match the new, unmasked yellow Sun. The switch from black/purple to gold IS the 'Hide'.. ..all in one brushstroke 🫤 They're really saying, "..We took the old king's halo and painted it the color of the usurper, so you'd never notice it's the same crown..." That👆is why the halo is always perfectly circular, edge-on, and behind the head, exactly like Saturn's rings were depicted when the planet was pole-on. It's not solar worship. It is Saturn worship in drag.

12/ There's more, I will stop there. Here is the Tartar-Sauce™ ~Smithsonian on Sacred Cenote smithsonianmag.com/search/ ~Britannica on Shang ritual sacrifices britannica.com/topic/Shang-d… ~Herodotus Book 4 on Scythian burials penelope.uchicago.edu/Thayer… ~British Museum on Lindow Man bog sacrifice historyandarchaeologyonline.… ~JSTOR article on Carthage tophets and child sacrifice jstor.org/stable/24818326?se… ~Totem Pole Raising (Northwest Coast Tribes) indigenousfoundations.arts.u… sfu.ca/archaeology/museum/ex… ~Hindu American Foundation, stambha ritual raising hinduamerican.org/hindu-temp… ~Greek Mt. Lykaion Ash Altar Rituals American School of Classical Studies at Athens (ASCSA) official excavation report and description of the altar and sacrifice rites. ascsa.edu.gr/index.php/news/… ~Egyptian Raising the Djed UCL Digital Egypt (University College London) – detailed page on the Djed pillar and its raising rituals in festivals ucl.ac.uk/museums-static/dig… ~Hindu Dhwaja Stambha (Flagpole Raising) hinduamerican.org/hindu-temp… ~TartariaLives Book, Travis Bosdell amzn.to/4jU9Q3Y

The OP is close... The theory is strong. Just missing the primer.

Tartar-Sauce™ ~Hesiod, Theogony theoi.com/Text/HesiodTheogon… ~The Zodiac and its signs sacred-texts.com/eso/sta/sta… ~Psalm 82, divine council biblehub.com/psalms/82-1.htm ~Cross-cultural 7 sages/Rishis motif ctext.org/shan-hai-jing ~TartariaLives book amzn.to/4jU9Q3Y [Please repost]

The 7-Wonderers These are the Shichifukujin [read: Seven Lucky Gods] that sail on the Takarabune every New Year, bringing fortune. ~Ebisu [Japanese only] + six imported deities. [Ebisu is the only one originating purely from Japanese Shinto tradition, the others were imported and adapted via Buddhism and Taoism during the Heian period. ~Daikokuten: from Indian Mahakala, god of wealth, with a mallet and rice bale. ~Bishamonten: from Indian Vaisravana/Kubera, god of warriors and fortune, armored with a spear. ~Benzaiten: from Indian Sarasvati, goddess of arts, knowledge, and music, with a biwa lute. ~Fukurokuju: from Chinese Taoist immortals, god of longevity, wisdom, and happiness, with an elongated head. ~Jurojin: similar to Fukurokuju, god of longevity, often with a deer and scroll. ~Hotei: from Chinese Budai, the laughing Buddha, god of contentment and abundance, with a sack. Sound familiar? It is the same ['seven-wonderers' motif that appears globally ..and it's not coincidence. Pre-flip, the sky had one stationary purple sun [Saturn] + six visible wanderers circling below in perfect harmony [sans Jupiter] the original 'seven heavens' of abundance. Post-flip, the column snapped, the wanderers scattered [the moon is captured], and survivors remembered them as a team of fortune-bringers. Every culture [post-separation] turned this👆memory into a 'seven gods'-group of one sort or another. ~Egypt: 7 Hathors [birth goddesses] ~India: 7 Rishis [sages] ~Mesopotamia: 7 Igigi [high gods] ~Greece: 7 planetary spheres below Kronos [Saturn] ~Japan: Shichifukujin the 7 sailing in with treasures ~Hopi: 7 Worlds, 7 Heavens] etc. All carrying the same blood-memory, 'We lost the one source of plenty, now we hope these seven will bring it back'. These👆are compressed from the old fixed 7-wanderers that were seen by everyone under Saturn's umbra, into a group of 'fortune-bringers' after the sky scattered. The treasure ship in this Japanese version is a post-flood ark motif [Noah, Manu, Deucalion], survivors sailing through chaos to deliver the lost abundance. The seven are not random gods. They are the 7- wanderers we once watched circle a still sky, now turned into lucky charms after the sky broke, bringing 'blessings' [read: lost abundance] to a world that now needs luck and 'good-fortune'. From the Daikokuten's wide-brimmed hat [read: the old Saturn disc/rings] as a 'crown' for the knowledge-bringer to Fukurokuju's elongated head [a dome-like "halo" in some depictions, symbolizing wisdom/longevity and old-world elites] In Japanese lore, the same seven are benevolent providers, remembering Saturn's Golden Age abundance role, but now as a team [post-flip split] instead of one unmoving source. [please repost]