Vivo como si estuviera de vacaciones 😎 • ¿Te gustan los 🚗 ? Sígueme en @observauto • Editor en @autosdeprimera
Bogota, Colombia
Joined September 2010
- Tweets11.3K
- Following691
- Followers1K
- Likes39.2K
Santi Álvarez retweeted
La aniquilación simbólica, histórica y política antecede la eliminación física. De mil maneras advertimos que quienes llegaban al poder eran unos fascistas aderezados con las formas del narcotráfico. Ahora no vengan a hacerse los sorprendidos y los críticos: ustedes los llevaron a donde están. Llámense al pudor y al silencio.
Santi Álvarez retweeted
Nos unimos el Museo de Arte Moderno de Bogotá (MAMBO), el Museo de Arte Moderno de Barranquilla (MAMB), el Museo de Arte Moderno de Cartagena, el Museo de Arte Moderno de Medellín (MAMM), el Museo Rayo, y el Museo de Arte Moderno del Tolima para emitir una declaración conjunta sobre el retiro de obras del Museo Nacional de Colombia.
Santi Álvarez retweeted
The incredible Art Deco world of Batman: The Animated Series (1992–1995)
Towering skyscrapers, dramatic shadows, and a stunning vision of Gotham City inspired by the architecture and atmosphere of the 1930’s
Some of the most beautiful production design in animation history
Santi Álvarez retweeted
Esa delgada línea entre no saber si el cartel del Estéreo Picnic es una vaina muy floja o que estamos realmente viejos y solo conocemos como a dos pokemones de ahí.
Santi Álvarez retweeted
O mais cansativo é perceber que não estamos discutindo mais nem propostas. Estamos tentando convencer gente a ter humanidade e bom senso diante de pautas que podem atingir a própria vida.
Santi Álvarez retweeted
Imagina preferir ver a 22 millonarios esperando a que escampe y que se reinicie el software de sus coches que ver un puto mundial de rallys que se decide a 2 curvas de meta del último tramo del último rally.
Yo elegí el lado bueno de la historia.
Santi Álvarez retweeted
GDR modernist architecture photographed by Hans Engels for his book 'East German Modern'.
Santi Álvarez retweeted
Y ves toda esta mierda y tienes que continuar con tu trabajo con normalidad, como si sirviera para algo, como si no pasara nada.
Estoy tan triste, tan desmotivada con la vida, tan aterrada por lo que está por venir...
Santi Álvarez retweeted
Por culpa de Juan Pablo Raba tengo que darle la razón a Manuel Medrano 😔 Ya cancelen ese chuzo llamado “Los hombres si lloran” en donde los varones ricos y privilegiados se la pasan diciendo las cosas más funables del mundo pensando que está “bien” porque están llorando.
Santi Álvarez retweeted
me estresa que la gente ya no hace cosas porque quiere, sino para presumir que las hizo :/
Santi Álvarez retweeted
Italian journalist Oriana Fallaci removing her chador during her tense 1979 interview with Ayatollah Ruhollah Khomeini in Qom, Iran...
In October 1979, Italian journalist Oriana Fallaci traveled to Qom, Iran, to interview the Islamic Revolution's supreme leader. To get inside the room, Fallaci was forced to cover herself from head to toe in a heavy black chador, leaving only her face visible.
The conversation inside the room was tense from the very start. Fallaci did not hold back her questions.
She pushed the Ayatollah on political executions, the sudden shutdown of independent newspapers, and the sharp loss of rights for Iranian women under the new regime.
When she asked about the forced wearing of the veil, Khomeini dismissed her concerns and claimed the garment was meant to protect young and respectable women. He then added,
"If you do not like the Islamic dress, you are not obliged to wear it."
Fallaci took his words literally and replied, "Thank you, Mr. Imam. Since you tell me so, I am taking it off right now."
With a quick move, she pulled the chador off her head, leaving her hair completely exposed right in front of the Supreme Leader.
Khomeini was furious.
He stood up without saying another word and walked out of the room. The room fell silent, and the interview was abruptly stopped. However, Fallaci refused to leave Iran until he returned a day later to finish the conversation.
This confrontation became legendary in the history of journalism.
It showed a reporter refusing to bow down to authority, even in one of the most dangerous settings imaginable.
Fallaci proved that real journalism requires standing up to power, asking hard questions, and refusing to be silenced by fear or tradition.
When journalists trade raw courage for easy access and comfortable silence, we lose one of our strongest shields against tyranny.
In an era where true courage in reporting feels rare, her brave stand reminds us that honest journalism still has the power to light up the dark, giving a voice to the voiceless and inspiring future generations to speak truth without fear.
#archaeohistories
