The Trump administration's decision to withdraw 5,000 troops from Germany will upend many lives. We talked to people in the Rhineland who have seen German-American cooperation as a force for good, and a way of life theguardian.com/world/2026/m…
I meet extraordinary people in this job. Thank you to Inka and Ralph Orth for sharing their daughter Johanna’s passion with me with such generosity and grace
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‘One rule for the rich’: the Salzburg mansion, the Porsche heir and the writer Stefan Zweig theguardian.com/world/2025/o…
Deborah Cole retweeted
Extraordinary story of how a Historian used AI to help identify a Nazi soldier who murdered a Jewish man by @doberah theguardian.com/world/2025/o…
Deborah Cole retweeted
Rising rents and gentrification in the once-cheap and abundant real estate market have put the pinch on Berlin's nightclubs theguardian.com/world/2025/a… via @guardian @doberah
Deborah Cole retweeted
Across Europe, emboldened by a plan to clean up the Seine River in time for last year’s Paris Olympics, city residents are pushing authorities to make their waterways swimmable. @guardian reporters like @doberah detail Europe’s coolest urban hotspots.
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Deborah Cole retweeted
'A Spree change': from Berlin to Oslo, Europe’s urban swimmers take the plunge theguardian.com/world/2025/j… via @guardian @doberah
(Note to prospective applicants: you get a different flat than the one seen here in the link 😊)
A free flat for a fortnight: the German city offering perks to fight depopulation theguardian.com/world/2025/j… via @guardian @doberah
Deborah Cole retweeted
‘Rust in peace’: why are Germany’s bridges and schools falling apart? theguardian.com/world/2025/j… via @guardian @connollyberlin
Deborah Cole retweeted
Based on Margot Wölk’s extraordinary account, Silvio Soldini’s film The Tasters sees a group of women seemingly risk their lives with each bite. But does the story add up? @doberah theguardian.com/film/2025/ma…
Deborah Cole retweeted
»Der Journalist und Historiker Felix Bohr, der gerade das Buch „Vor dem Untergang“ publiziert hat, sagt, für Wölks Geschichte gebe es außer ihren Interviews „keine Beweise“.« – Im @guardian hat mich @doberah zu dem neuen Film »Die Vorkosterinnen« befragt. theguardian.com/film/2025/ma…
Deborah Cole retweeted
Blut, Eis und Netflix: Die Everest-Show beginnt, get the popcorn. Sie ist längst fest im Festivalkalender etabliert, wie Coachella & Eurovision. Die höchste Bühne der Welt bietet Erhebendes & Abgründe, Spektakel & Einkehr, Leben & Tod. tagesspiegel.de/gesellschaft… via @Tagesspiegel
Deborah Cole retweeted
‘I add the human touch’: the beautiful, bespoke work of Götz Valien, Berlin’s last cinema poster artist theguardian.com/artanddesign… via @guardian @doberah
Deborah Cole retweeted
NEW: Our exclusive deep dive into a suspected Russian-led cell behind the parcel bomb plots with the first interviews with those directly involved, revealing how the sabotage campaign unfolded on the ground With @shaunwalker7
theguardian.com/world/2025/m…
Deborah Cole retweeted
Berlin’s ancient ‘Dicke Marie’ oak feels effects of prolonged dry spell. The tree, believed to be city’s oldest, had already been damaged by the region’s increasingly arid climate. theguardian.com/world/2025/a… via @guardian @doberah
Deborah Cole retweeted
Buchenwald concentration camp was liberated by American troops 80 years ago today. @AFP spoke to camp survivor Jacques Moalic, 102. After war he workd the news agency for 40 years
yahoo.com/news/buchenwald-ca…
Deborah Cole retweeted
Germany is gripped by election fever … but Trump is pulling the strings. The machinations of Elon Musk and the incoming US president loom large in the minds of politicians and voters. theguardian.com/world/2025/j… via @guardian @doberah
Deborah Cole retweeted
Syrians in Germany ask to be allowed to visit home and keep protected status 🔗 @ashifa_k @doberah buff.ly/3Wov0wN
Deborah Cole retweeted
“Never in the postwar period has remembrance been as important as now … We are at an enormous turning point. Everything’s changed very quickly... In these times we need some tangible points of reference."
My interview with Auschwitz museum director
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