🇹🇩 phd in musicology, m. in information science, pi of #SongData. associate prof of dh at @UO_ESIS. https://xitter.cf/t.co/QhvoCSCZRy

Ottawa, Ontario
Joined April 2017
If you're curious about how whiteness operates unchecked, look no further than Music City, USA. Almost 20 years of data shows how the country music industry excludes and devalues BIPOC artists (a thread) âŹ‡ïž
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Dr. Jada Watson retweeted
It is entirely possible to mourn Dolly and appreciate all she DID do, without fabricating things she DIDN’T do. Dolly bought property in the Black neighborhood that has now become the heavily gentrified 12 South. The “support” alluded to here wasn’t part of the plan.
Fun fact: Dolly Parton used the royalties from Whitney Houston’s rendition of “I Will Always Love You” to support a Black neighborhood, and support Black owned businesses. "I bought my big office complex down in Nashville. So I thought, 'Well, this is a wonderful place to be,'" Parton said. "I bought a property down in what was the Black area of town, and it was mostly just Black families and people that lived around there. It was off the beaten path from 16th Avenue and I thought, 'Well, I am gonna buy this place — the whole strip mall.' And I thought, 'This is the perfect place for me to be,' considering it was Whitney. I thought this was great — I'm just gonna be down here with her people, who are my people as well," she continued. "So I just love the fact that I spent that money on a complex and I think, 'This is the house that Whitney built.' "
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🏆 Congratulations to Professors Jada Watson and Isabelle Bourgeois for receiving the Knowledge Mobilization Excellence Award for their work on the music industry and community services! đŸŽ¶đŸ‘„ 🔗 uottawa.ca/research-innovati

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🏆 FĂ©licitations aux professeures Jada Watson et Isabelle Bourgeois qui ont remportĂ© le Prix d'excellence en mobilisation des connaissances pour leurs travaux sur l'industrie de la musique et les services communautaires! đŸŽ¶đŸ‘„ 🔗 uottawa.ca/recherche-innovat

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With a pathway toward Grammy consideration in either direction, the Recording Academy has created more opportunity in country music — including for Black artists. "And that’s what we’ve been fighting for all along.” @AndreaWillWrite tennessean.com/story/opinion
 via @tennessean
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a not-to-miss đŸ§”
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"With his raised eyebrows and slight chuckle, Shaboozey didn’t just cast doubt on country music’s century-old fiction. He also acknowledged the Black creatives who will never stand at the front of a stage or sing into a mic—but who are important, and influential, all the same."
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Dr. Jada Watson retweeted
💡 Big data, donnĂ©es nettoyĂ©es, donnĂ©es biaisĂ©es
 Comment garantir une recherche Ă©thique et inclusive? Participez Ă  la sĂ©rie de confĂ©rences de l'IRLD avec @data_jada & Kim Girling sur l’équitĂ© des donnĂ©es et l’EDIA dans la recherche. 📅 Inscrivez-vous: shorturl.at/JGMZs
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Dr. Jada Watson retweeted
💡 Big data, clean data, biased data 
 how do we ensure ethical, inclusive research? Join the DLRI Speaker Series with @data_jada & Kim Girling on data equity & EDIA in research. 📅 Register now: shorturl.at/JGMZs
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Congratulations @forked_queer! Cannot wait to read this!
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Dr. Jada Watson retweeted
Something that Tanya Talaga said a couple of weeks ago that hasn’t left me: when you think of Murray, think of the weight of hearing thousands of accounts of untold horror, and the toll it would take on your body. Think of taking that on. cbc.ca/news/politics/murray-

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Honored to be part of Louder: The Soundtrack of Change, a documentary produced by @selenagomez & @staceyabrams, celebrating fearless women in music. Premieres Oct 17 on @StreamOnMax #LouderTheSoundtrackOfChange #MaxOriginal
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Dr. Jada Watson retweeted
This is @PeteButtigieg with the only acceptable answer.
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Another storming foray into audiovisual newness for you! A book packed with original thought on the cultural context in which music videos are produced and the web of intertextuality that drives contemporary audiovisual culture. Just what we all need!
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Dr. Jada Watson retweeted
Shaboozey's “A Bar Song (Tipsy)” surpasses Morgan Wallen's “Last Night” to become the #1 biggest country chart hit of the 2020s decade globally.
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