VFX artist (Compositing) at Wētā | Spicy ramen connoisseur | Belgian living in L̶o̶n̶d̶o̶n̶ S̶i̶n̶g̶a̶p̶o̶r̶e̶ M̶o̶n̶t̶r̶e̶a̶l̶ Vancouver

Vancouver, British Columbia
Joined November 2008
「 DΔNIΞL 」 retweeted
Who you gonna call? #Ghostbusters: Frozen Empire hits the world-exclusive new issue of Empire, gathering the cast old and new for an epic shoot with the Ecto-1 – with two glow-in-the-dark covers to collect! On sale Thursday 18 January. READ MORE: empireonline.com/movies/news…
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Blue Eye Samurai on Netflix is Emmy worthy, not just the animation categories.
More location design I did for #BlueEyeSamurai . I like to build as much information included as possible but in a simplified form. Software is blender. (some beautiful wall paintings and props from the team are reused in some of the build. )
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My wife worked many, many months on this. Hope you all like it 🔱💙
All the stories are real. On December 20, catch the two-episode premiere of #PercyJackson and the Olympians on #DisneyPlus.
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Daniel Kaluuya is one of the most captivating screen presences of the current era. Multitude of gold statuettes in their futures.
What is your favourite actor-director duo?
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That’s a lot of our shots. Like a lot a lot. 🍿💙
The Reyes family just got their first Super Hero. #BlueBeetle - Only in theaters August 18.
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I’m out of the loop of the current online discourse. Do I have to say there’s no CGI in this? Or is it hashtag portfolio day today?
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Bar none my favourite film of all time.
Gattaca (1997) dir. Andrew Niccol
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Yes.
What if we normalize film composers shouting their own name at the start of each cue like DJ Khaled?
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How fun, had the pleasure of comping this thumbnail (and all creature stills in the article). We went from this disgusting monster to the colourful world of Ms Marvel with this little crew of good people. What’s not to love about the variety of this job :)
Interested to know how the teams of @DigitalDomainDD have created a terrifying creature for the new season of #CarnivalRow? Then don't miss our interview with #VFX Supervisor #AladinoDebert! artofvfx.com/carnival-row-se…
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Quote retweet with four projects (from phase four) you’ve worked on. I apologize for ruining Marvel vfx and not having made anything good since Endgame.
Quote retweet with four projects you have been working on !
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Polite Society slaps. Give these women all the budget to unleash more Khan Fu into the world.
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Always fun to bring a brand new character to the big screen. His varied weapons set has been cool to visually develop. youtu.be/vS3_72Gb-bI
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Whoever decided to score an action beat to Justice† and have Lous from her yakuza narrate, let me buy you a drink. #JohnWick4
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The Predator ending we needed
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Beautiful work by our friends at Cinesite on Wakanda Forever 👏
S H O W R E E L - Watch our VFX breakdown reel for @theblackpanther Wakanda Forever! We're so proud of the #VFX our teams delivered for this @marvelstudios Oscar nominated blockbuster. Watch in full here 👉 bit.ly/40hDZ34 #wakandaforever #blackpanther #vfxartists
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Aronofsky’s The Fountain and Soderbergh’s Solaris would make an excellent sad-sci-fi double feature on a melancholic grey and rainy day. Just saying.
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Worked on this so long ago I don’t even remember if we comped it this square or not… /jk Glad it’s being released though, fun creature and environment work.
Nice to see you again, citizens. February 17th, we return to Carnival Row.
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Stumbled back into a rabbit hole of 2010s era post-rock on slightly too loud headphone volume. Aka the cold and gloomy new year weekend has been bliss.
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2022: •Feature: Everything Everywhere All at Once (The Daniels) •Episodic: Pachinko (Soo Hugh, Apple TV+) •Comic: Ducks: Two Years in the Oil Sands (Kate Beaton) •Album: A Light for Attracting Attention (The Smile)
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•Game: A Plague Tale: Requiem (Asobo Studio) Forgot one, sorry.
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