
Peer-reviewed, open-access Journal of Comics Scholarship. Published by @openlibhums. Bluesky: @comicsgrid.com.
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Joined December 2010
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In case anyone is still hanging out here, new @ComicsGrid: Visual Metaphor in Comics. An Incomplete Taxonomy, by @RobertoBartual doi.org/10.16995/cg.18759 #OpenAccess #ComicsStudies - you can find us now, slowly but surely, at Bsky @ comicsgrid dot com
The Comics Grid editorial office will be closed from 21st December 2024 – 20th January 2025 inclusive. We encourage everyone to take a well-deserved break! comicsgrid.com/news/777/ #OpenAccess #ComicsStudies
New @ComicsGrid! The Aesthetics and Cultural Influence of Polish Comic Zines from the 1980s and 1990s on the Domestic Comic Market doi.org/10.16995/cg.11532 #ComicsStudies #OpenAccess
Hi, if you are still here but also on Bluesky or curious about it (bsky.app), you can also find us over there under the handle '@comicsgrid.com'. #ComicsStudies #OpenAccess
New @ComicsGrid! Visual Storytelling and Historical Memory. A Review of Graphic Memories of the Civil Rights Movement: Reframing History in Comics (@UTexasPress) doi.org/10.16995/cg.18185 #ComicsStudies
From the Archives: Degand, D., (2020) “Brotherman, Family, and Legacies: Recognizing the Contributions of African American Independent Comic Book Writers and Artists”.
doi.org/10.16995/cg.203
From the Archives: Dunley, K., Priego, E. & Wilkins, P., (2020) “Our Pandemic Year: On the Comics Scholarship to Come”.
comicsgrid.com/article/id/36…
From the Archives: Manouach, I., (2019) “Peanuts minus Schulz: Distributed Labor as a Compositional Practice”.
doi.org/10.16995/cg.139
From the Archives: Dodds, N., (2019) “The Practice of Authentication: Adapting Pilgrimage from Nenthead into a Graphic Memoir”.
doi.org/10.16995/cg.154
From the Archives: Murel, J., (2018) “On the Significance of the Graphic Novel to Contemporary Literary Studies: A Review of The Cambridge Companion to the Graphic Novel”.
doi.org/10.16995/cg.138
From the Archives: Priego, E., (2018) “The Comics Page: Scholarly Books Briefly Noted (2017–2018)”.
doi.org/10.16995/cg.136
From the Archives: Botes, M., (2017) “Using Comics to Communicate Legal Contract Cancellation”.
doi.org/10.16995/cg.100
From the Archives: Martin, C., (2017) “With, Against or Beyond Print? Digital Comics in Search of a Specific Status”.
doi.org/10.16995/cg.106
From the Archives: Pillai, N. & Priego, E., (2016) “Brilliant Corners: Approaches to Jazz and Comics”.
doi.org/10.16995/cg.92
From the Archives: Gray, B., (2016) “The Unbearable Blind Spots of Comics Scholarship”.
comicsgrid.com/article/id/35…
From the Archives: Uribe-Jongbloed, E., (2015) “Never Judge a Book by its Comics. A Review of Considering Watchmen: Poetics, Property, Politics”.
doi.org/10.5334/cg.ba
From the Archives: Baker, J., (2015) “Retaking Responsibility for How We Communicate. A Review of Open Access and the Humanities: Contexts, Controversies and the Future”.
doi.org/10.5334/cg.az
From the Archives: Earle, H., (2014) “Traumatic Analepsis and Ligne Claire in GB Tran’s Vietnamerica”.
doi.org/10.5334/cg.at




