ALT The Midnight Picture House, 22 October 2026. Morning picture: The Kiss of the Vampire (1963), first showing 08:00. Still: A dark-haired woman in a green and white dress, from the film's trailer. Matinée: The Avenging Conscience (1914), first showing 14:00. Still: A woman sits among flowers in a garden in a black-and-white film frame. Soirée: Nosferatu (1922), first showing 20:00. Still: Count Orlok stands stiffly in a dark doorway, his hands hanging at his sides. All times Europe/Paris. Films repeat only when a full showing fits. Each sitting ends on time, followed by an interval before the next sitting if needed.

ALT A dark-haired woman in a green and white dress, from the film's trailer.

ALT A woman sits among flowers in a garden in a black-and-white film frame.

ALT Count Orlok stands stiffly in a dark doorway, his hands hanging at his sides.

ALT The Midnight Picture House, 21 October 2026. Morning picture: The Bells (1926), first showing 08:00. Still: A man covers his face with both hands beside a wooden wall. Matinée: The Phantom of the Opera (1925), first showing 14:00. Still: A group of ballet dancers enter a backstage area in a warm-tinted film frame. Soirée: The Undying Monster (1942), first showing 20:00. Still: Three characters talk outdoors beside the branches of a gnarled tree. All times Europe/Paris. Films repeat only when a full showing fits. Each sitting ends on time, followed by an interval before the next sitting if needed.

ALT A man covers his face with both hands beside a wooden wall.

ALT A group of ballet dancers enter a backstage area in a warm-tinted film frame.

ALT Three characters talk outdoors beside the branches of a gnarled tree.

ALT The Midnight Picture House, 20 October 2026. Morning picture: Dr. Jekyll and Mr. Hyde (1920), first showing 08:00. Still: John Barrymore as Hyde, long-haired and hunched, holding his hand near his chest. Matinée: The Vampire Bat (1933), first showing 14:00. Still: A man and an older woman talk in a room lined with books. Soirée: Night of the Living Dead (1968), first showing 20:00. Still: Duane Jones as Ben leans forward inside the farmhouse. All times Europe/Paris. Films repeat only when a full showing fits. Each sitting ends on time, followed by an interval before the next sitting if needed.

ALT John Barrymore as Hyde, long-haired and hunched, holding his hand near his chest.

ALT A man and an older woman talk in a room lined with books.

ALT Duane Jones as Ben leans forward inside the farmhouse.

ALT The Midnight Picture House, 19 October 2026. Morning picture: The Cat and the Canary (1927), first showing 08:00. Still: A frightened woman lies in bed as a claw-like hand reaches down towards her. Matinée: The Bells (1926), first showing 14:00. Still: A man covers his face with both hands beside a wooden wall. Soirée: House on Haunted Hill (1959), first showing 20:00. Still: A black-and-white close-up of a blonde woman looking off-camera. All times Europe/Paris. Films repeat only when a full showing fits. Each sitting ends on time, followed by an interval before the next sitting if needed.

ALT A frightened woman lies in bed as a claw-like hand reaches down towards her.

ALT A man covers his face with both hands beside a wooden wall.

ALT A black-and-white close-up of a blonde woman looking off-camera.

ALT The Midnight Picture House, 18 October 2026. Morning picture: Night of the Living Dead (1968), first showing 08:00. Still: Duane Jones as Ben leans forward inside the farmhouse. Matinée: The Undying Monster (1942), first showing 14:00. Still: Three characters talk outdoors beside the branches of a gnarled tree. Soirée: The Avenging Conscience (1914), first showing 20:00. Still: A woman sits among flowers in a garden in a black-and-white film frame. All times Europe/Paris. Films repeat only when a full showing fits. Each sitting ends on time, followed by an interval before the next sitting if needed.

ALT Duane Jones as Ben leans forward inside the farmhouse.

ALT Three characters talk outdoors beside the branches of a gnarled tree.

ALT A woman sits among flowers in a garden in a black-and-white film frame.

ALT The Midnight Picture House, 17 October 2026. Morning picture: Torture Garden (1967), first showing 08:00. Still: An extreme close-up of a cat's yellow eyes and dark fur. Matinée: The Hunchback of Notre Dame (1923), first showing 14:00. Still: A warm-tinted frame of a young woman in the foreground with a crowd behind her. Soirée: Waxworks (1924), first showing 20:00. Still: A turbaned figure stands in an angular, blue-tinted doorway. All times Europe/Paris. Films repeat only when a full showing fits. Each sitting ends on time, followed by an interval before the next sitting if needed.

ALT An extreme close-up of a cat's yellow eyes and dark fur.

ALT A warm-tinted frame of a young woman in the foreground with a crowd behind her.

ALT A turbaned figure stands in an angular, blue-tinted doorway.