Joined April 2009
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty - Jonas Mekas SAT at @BAMcinematek ht.ly/TaT2Z
A New Realism - The Object (Its Plastic and Cinematic Graphic Value) - By Fernand Léger, 1926 ht.ly/QNV5K
Filmmaker Jonas Mekas Skypes with Hans Ulrich Obrist about the rise of the .net generation. ht.ly/PvaMN
Calum Marsh @calummarsh on “the shot of the year” and JLG’s GOODBYE TO LANGUAGE ht.ly/GhtDZ
Filmmaker Bill Morrison and composer Michael Gordon at @mbcinema for @MiamiJFF on Jan. 27
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#scienceartcinema A project I collabo with talented folks at @PPFMoS on has won a @KnightArts grant from @knightfdn - More details soon
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David Bordwell on Godard's GOODBYE TO LANGUAGE sco.lt/9I0mTB
The Hands of Orlac, just saying. Happy Halloween 🎃
RT @AlfredSpellman: Direct from video: The rise of the VHS collector #longreads pocket.co/sDbRj
10 films awarded 2014 Avant-Garde Masters Grants by The Film Foundation + The National Film Preservation Foundation: bit.ly/1nkRXfQ
U.S. Trailer & Poster For Jean-Luc Godard's 'Goodbye To Language 3D' ht.ly/CJkgX
John Flaus on Melville: Le Samouraï | sco.lt/7N6hur
Amy Taubin on David Cronenberg’s Consumed and Maps to the Stars ht.ly/CnT8m via @artforum
BOMB Magazine — Anthony McCall by Graham Ellard | @scoopit sco.lt/7X75Jh
Red Hollywood re-issue by Thom Andersen and Noel Burch, 04/14 | The Independent | @scoopit sco.lt/4pdkZd
ADIEU AU LANGAGE: 2 + 2 x 3D - David Bordwell | sco.lt/718K6T
Beginnings: Harun Farocki, 1944–2014 | e-flux | @scoopit sco.lt/6pm1WT