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Friends, my book Nothing But Time: Conversations with Peter Mettler on Life and Cinema will arrive courtesy of @AnvilPress on October 3. Please pre-order from your favourite independent bookstore or directly from Anvil: anvilpress.com/books/nothing…
Hot news for West Coasters! #appliedsilence #vancouverlivemusic #postrock appliedsilence.ca/wild-club
José Teodoro retweeted
We will bring the strangeness to Vancouver’s Tyrant Studios on February 26. Some reimagined Screen Door + some new songs. (Actual songs.) Tix: seven-tyrants-theatre.square…
José Teodoro retweeted
Fresh from the festival, @chiminomatic shares highlights from the Caminhos Cinema Português in Coimbra where Maureen Fazendeiro’s The Seasons (As Estações) won the @FIPRESCI Prize. torontofilmcritics.com/featu…
Gesundheitskarte published in Geist — José Teodoro joseteodoro.com/news/gesundh…
José Teodoro retweeted
The countdown has begun! On December 9, at Flying Books, join us in celebrating the launch of Brick 114. The night will feature readings from Kenzie Allen (@cerena), José Teodoro (@chiminomatic), and Kayal Vizhi.
RSVP at simpli.events/e/launch114. We can't wait to see you there!
José Teodoro retweeted
It's such stuff as dreams are made on: @chiminomatic crashes the party at @nouveaucinema and reports on genuine curation for a genuine community torontofilmcritics.com/featu…
José Teodoro retweeted
“There is ample verbiage in HARD TRUTHS, but what I remember most clearly are silences.”
Mike Leigh’s latest is his best in years, @chiminomatic writes from TIFF 2024, where he also surveys new films by Luca Guadagnino, Sofia Bohdanowicz, and more.
filmcomment.com/blog/love-an…
José Teodoro retweeted
The Department of Drama is delighted to announce that the winner of the 2024 Lee Playwriting Prize for New Canadian Plays is José Teodoro @chiminomatic for his play, "Island". Read the full release here: bit.ly/4dTVmgw
#UAlberta #UAlbertaArts #yegtheatre @UofA_Arts
José Teodoro retweeted
Our debut LP Screen Door is back in stock on beautiful limousine-black limited edition double vinyl. And it’s @Bandcamp Friday! The perfect day to support the artist you love. (Also: free delivery in Toronto or Vancouver.)
appliedsilence.bandcamp.com/…
For @BloodvineOnline, I wrote about the Cairnes brothers’ clever, absorbing, and almost seamless found-footage chiller Late Night with the Devil, which unfolds over the final episode of a 1977 witching-hour talk show.
bloodvine.com/late-night-wit…
joseteodoro.com/news/unscrip… Hot winter news regarding Binary Star developments with @PTC_Playwrights & @banffcentre.
I just joined @OxfamCanada in calling on Canada’s Foreign Affairs Minister @MelanieJoly to immediately stop Canadian-made arms sales to Israel. Join me — sign the petition today: action.oxfam.ca/stop-arms-sa…
José Teodoro retweeted
Thanks, Kerilie! Everyone, listen to Kerilie!
Replying to @OffseasonRecs @SilenceApplied
Oh geez this is one of the most interesting creative projects I have heard in a long time, do NOT miss it, have a listen! Fantastic!!!
José Teodoro retweeted
Check out In the Zen’s 55 picks for 2023 jazz and creative albums, including Screen Door, by Applied Silence! @SilenceApplied
55 Canadian Jazz and Creative Music Picks 2023, & Top 15 January Blah Remedies. Sign up for the In the Zen newsletter here: inthezen.beehiiv.com/p/55-be… via @_kerilie
José Teodoro retweeted
“There is a sameness—no doubt intentional—to this 141-minute film’s constant parade of eye candy.” Do you find it delightful or exhausting, like José Teodoro did? Read @chiminomatic’s full thoughts in his review of Yorgos Lanthimos’s Poor Things.
bloodvine.com/poor-things















