Curate/Collect/Connect. Art Historian, Curator, TV Presenter, Wife, Mum.
London
Joined April 2009
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What the actual….
The National Gallery of Art in Washington, DC, has announced that it will end its diversity program. artforum.com/news/national-g…
Carrie Scott retweeted
Orwell wrote: "There are some ideas so absurd that only an intellectual could believe them."
You make his point: your argument is fallacious, self-serving and...well, absurd.
You're using adult words, but your excuses for vandalism are emotionally toddler-level.
Studio tour today at Jane Hilton’s. Clearly been listening to @joerogan too much cause I keep thinking he should see this work - like he’s my friend! Guess that’ll happen when you listen to someone’s podcast everyday! Reality is wild. #buyart #collectart
Carrie Scott retweeted
Minimalist artist Steve Roden, whose discipline-spanning work explored the interstices between sound, form, and color, died at home in Pasadena, California, on September 6 at the age of fifty-nine. artforum.com/news/steve-rode…
To celebrate what can only be described as @Bindi_Vora seriously well deserved “moment” this week we are offering 10% off all of her work until Sunday, 14th May.
@FTMag also featured a new work @Bindi_Vora created for ‘My London’, the annual feature of the photography supplement, commissioned by the remarkable @emmalbowkett that looks at London through the eyes of three contemporary photographers.
And - last but certainly not least - Bindi is exhibiting a handful of works from “Mountain of Salt” at @PhotoLondonFair as part of the #the_hyman_collection important exhibition “WRITING HER OWN SCRIPT. WOMEN PHOTOGRAPHERS FROM THE HYMAN COLLECTION.”
Dm for edition details.
Carrie Scott retweeted
Our latest exhibition, Baldwin Lee, A Southern Portrait, 1983-89 is showing at David Hill Gallery until 22nd July
‘Baldwin Lee is one of those artists who teach us to see’
New York Times 📷 #baldwinlee
Exclusive Print Release
“Rock, Paper, Scissors” began as a photo essay from French artist, @mathieuchazeph1 to his sons while they teetered on the edge of their childhood.
The pristine edges of a tree root, for instance, age impalpably against a boy’s sinewy, growing limbs.
The child’s hands stretch to grasp the ancient specimen, there long after he leaves. @mathieuchazeph1
In another composition, a lone sheep holds the gaze of the camera, almost confrontationally. Poised in a vast expanse of landscape, the creature is almost ghostly in its solitude, as if acknowledging its own mortality. 👋 @JeremyClarkson buy this one for #DiddlySquatFarm.
Another brilliant collaboration between @Bindi_Vora and @Hospital_Rooms
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Anyone else see that @NevilleStudio's Stop Tanks with Books was named one of the top art books of 2022 in @TheArtNewspaper?! So great. So well deserved.
The top art books of 2022—chosen by The Art Newspaper's books team: theartnewspaper.com/2022/12/… Thanks to José da Silva for selecting 'Stop Tanks With Books' as a top art book of 2022
