Word knitter. Story teller. Author of Jewel and My Grace. #FishambleSt. #IveaghMarkets #OldNYC #OldDublin #1916EasterRising #HandelsMessiah #Tenements

Kildare.
Joined April 2016
Ennio Morricone - Le vent, le cri The perfect minute celebrating the human ability to create harmony through music, movement, vitality, grace, and art — in the beauty of a poetic exchange between two young lovers. Fleeting, intense, and magnificent!
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Gregory Peck REFUSED Top Billing on Roman Holiday—When Audrey Heard Why, She Broke Down in Tears Audrey Hepern arrived on that film set in Rome in 1952. She was 23 years old, but her eyes carried far more than 23 years of life. She had survived Nazi occupation. She had endured hunger that brought her body to the edge of survival. She had watched her father walk out the door and never return. She had seen her ballet dreams collapse because malnutrition had damaged her body beyond repair. Now she was standing on a Hollywood set, trembling beside the biggest movie star in the world. Gregory Peek had no idea who she was. He did not know her past or her pain. But when the cameras started rolling, he saw something in her that stopped him cold. And what he saw moved him so deeply that he decided to do something no Hollywood star had ever done before. He walked into the producers's office and demanded that his own name be made smaller. He told them this unknown girl deserved equal billing. Then he made a prophecy that shocked everyone in the room. He said that if they did not listen, they would all look foolish in 6 months when she won the Oscar. Nobody believed him. But on Oscar night 1954, Audrey Hepburn's name was called best actress. Gregory Pek was the first person to stand and applaud, and there were tears streaming down his face. This is the story of how Hollywood's biggest star recognized greatness before the world did.
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What good are the flowers, stars, and trees if they do not enter our daily lives? 🌹 ✨🖌️ An acrylic painting of an orange and yellow rose on a canvas, created by Art Canvas Design Studio. #art #artist #artwork #acrylic #painting #flower #rose #floralart
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Uncovered medieval laneway, St. Audoen's Dublin. Always worth a visit, free in and great guides there. You also get to touch the Lucky stone of Dublin. #Ireland #localhistory
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‘By the Fire’ American Impressionist Richard Edward Miller (1875-1943) Wow this is exceptionally glorious and glowy He became a core member of the ‘Giverny Group’ Claude Monets rural art colony.
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Stunning footage of New York on Easter Sunday, 31st March 1929. Glamorously dressed ladies and gentlemen stroll down Fifth Avenue for the Easter Parade and queue outside St Patrick's Cathedral.
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“ On earth there is no heaven, but there are pieces of it.” •Jules Renard
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Dear Frankie youtu.be/hRwgPeDK0GY?si=bqcC… via @YouTube The one and only Frankie Byrne with that hypnotic voice. Somebody needs to make a biopic of this lovely lady. She was one of a kind on Irish radio.
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MY GRACE 🍁🍂🍁🍂🍁🍂 Autumn Promotion ebook 25% off regular price thru Oct. amazon.com/DP/B0H9RZBPQQ books2read.com/MyGrace #IrishAncestry #OldNewYork #OldDublin #HistoricalFiction
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Cat Nolan retweeted
A breezy day in the old neighbourhood with the medical hall where Falvey's chemist stood in my time. Note the two little boys in sailor suits doffing their caps to Mary Poppins, Mangan's clock and the giant union jack.
This remarkable Mitchell & Kenyon film takes us from King Street, now MacCurtain Street, towards St Patrick’s Bridge, Cork, Ireland Filmed from the front of an electric tram, we glide through the busy Edwardian city, sharing the streets with horse-drawn carts, other trams and pedestrians. Cork’s electric tram system was still relatively new, having opened just four years earlier in 1898. #Cork #Ireland #1900s #Edwardian #IrishHistory
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They were great for keeping us warm at night. We all slept with the overcoats over us because the tenement rooms were freezing cold. That was in the 1930s.” Mrs Kelly. End.
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1/7 Working-Class History in Storage.The Mary Bruce Collection (1900s–1920s) This remarkable collection of letters, photographs and theatrical memorabilia was rescued from a rubbish skip, preserving a forgotten piece of Dublin’s working-class history. Mary Bruce was a theatrical
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#OldDublin #Tenements Only for Terry Fagan so much of the oral history of Dublin would be lost forever.
Dublin History In Storage. North Inner City Folklore Project Some of the hundreds of original tenement artefacts that have been lying in storage for over five years, along with hundreds of audio interviews with people who lived through life in Dublin’s tenements.
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A legend. ⭐️⭐️⭐️⭐️⭐️
Switzers on Grafton Street was an institution for generations. John Wright Switzer started out flogging cloth from a wheelbarrow around the Liberties. Born in Tipperary in 1806 to a small farmer descended from Palatine German settlers, Switzer worked the Corn Market before setting up as a military tailor at Cork Hill in 1832. By 1838 he'd moved to 91 Grafton Street, he`d his cloth downstairs and tailoring upstairs. A partnership with draper John Beatty let the business move into Wicklow Street, and by 1880 it covered five buildings between them two streets. In 1890, aged 84, Switzer bought the last plot, incorporated the business, and made himself chairman. He died the following year and is buried in Mount Jerome. Those buildings were finished between 1911 and 1913, when architects Donnelly and Moore gave it the grand Edwardian face Dubliners would grow up with. Across the street sat its natural enemy Brown Thomas founded in 1848 by Hugh Brown and expanded a year later with James Thomas. Incidentally despite the DTM visiting the furthest gutters of Irish spacetime from the Mount Sandal Switzers played the sturdy, democratic favourite of the old Dublin families, less glamorous, no less proud. Its Birdcage café let women meet for tea unchaperoned, a small freedom that mattered more than it sounds now. And the Christmas windows, animated fairy tale scenes drawing families from around the country, were theatre, not advertising. Brown Thomas knew better than to drop the tradition once they inherited the building. Ownership drifted from Irish hands as the century wore on. Waterford Glass and House of Fraser took joint control in 1971, and House of Fraser had full ownership by 1985, the same year the Al Fayed family bought House of Fraser itself for £615 million, briefly making Switzers a distant cousin of Harrods. By then the Switzer Group had swallowed Cash's of Cork, Todd's of Limerick, and Moon's of Galway, a proper national chain. The end arrived in November 1990. Brown Thomas, under Galen Weston, bought the Switzer Group from the Fayeds for under £10 million, inheriting debts north of £20 million. The two stores ran on separately for a few years until Brown Thomas sold its own premises to Marks & Spencer for £20 million and, on the 14th of February 1995, crossed the road into the old Switzers building. The name was gone. Much of the structure was later demolished and rebuilt as today's Brown Thomas flagship. It's a protected structure now, Brown Thomas on the façade, but on the Wicklow Street side the ghost sign Switzer is still cast into the metalwork above a side door, still pressed into the pavement lights underfoot.
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Malika Favre Van Gogh
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