Congratulations, Siebren, on the opening last night! @SiebrenVersteeg 's TIME FRAMES at @yehartgallery . Drawing on over twenty years of work with live feeds, he transforms streaming images to explore the desire to be elsewhere and the surveillance behind it. On view through spring 2027 Yeh Art Gallery, St. John’s University 8000 Utopia Parkway, Jamaica, Queens Free and open to the public #SiebrenVersteeg #bitforms

Watch Beryl Korot join Jill Ahlberg Yohe, Jami Powell, and Ann Lane Hedlund in a conversation about Navajo (Diné) weaving and Frank Stella’s collection. Peter Pap invited Korot, whose early experience of Navajo weaving influenced her video work. #berylkorot

Thank you to Lauren Ball and B Scene Zine for featuring Jennifer & Kevin McCoy’s "ReLensing", our Armory Week exhibition at bitforms gallery. Read the review: bscenezine.com/home/nafibacp…

Jonathan Monaghan's Pelican (2009) has joined the George Mason University Art Collection. It's now on view in Parallel Practices: Art, Science, and the Pursuit of Knowledge at GMU's College of Science. Congratulations, Jonathan! Pelican, 2009 41 x 21 in Pigment inkjet print, face-mounted to acrylic, styrene backing

Jennifer & Kevin McCoy Ghost Ship, 2025 Installation with ship model, laptop, video (color, silent), motors, lights Ghost Ship turns the simple, low-tech pleasure of casting shadows on a wall into an automated sculptural system. The ship and the laptop that powers the work are both found objects, repurposed by the artists. The image is generated physically and in real time, through light, movement, and electronics. The whole mechanism stays in plain view. For the McCoys, it's part of a longstanding interest in the infrastructures of technology, and a question about sustainability in a culture of continual technological replacement. ”ReLensing“ is on view through Oct. 17. Come visit us Tue-Sat 11 AM - 6 PM to check out the show! Video: Flaneurshan.studio

Maya Man On Being An Artist In the Age of AI By Maya Man "Painting is no longer merely painting—it is now also distinctly 'not AI.'" @mayaonthenet on what AI actually changes for artists. mayaman.substack.com/p/my-th…

Thank you to everyone who joined us last night for the opening of Jennifer & Levin McCoy’s “ReLensing”! The show is on view through 10/17, hope to see more of you here. Gallery hours: Tue - Sat 11 to 6 @mccoyspace

Hope to see you all tonight for Jennifer & Kevin McCoy's solo exhibition "ReLensing"! Opening reception: 6 - 8 PM 131 Allen Street

LaJuné McMillian opens "Child/ren of the Bloom" at @PioneerWorks_ this Friday. The installation came out of McMillian's 2026 OceanX Education residency, turning research into phytoplankton, algal blooms and bioluminescence into an interactive floor-to-ceiling video work that shifts scale as visitors move their hands, from satellite imagery of a bloom down to a single organism. Alongside it: bioluminescent dinoflagellates in holographic displays, beaded embroidery drawn from satellite imagery, a sonic landscape of voiceovers and prayers, and a virtual oracle you can speak with. Opening reception Friday, September 11, 7 to 9 PM, free with RSVP. Pioneer Works, 159 Pioneer Street, Brooklyn. On view September 12 to December 20. RSVP: tinyurl.com/childrenoftheblo…

Hope to see all of you tomorrow at bitforms: Jennifer & Kevin McCoy, "ReLensing". Opening reception 6 to 8 PM, 131 Allen Street. @mccoyspace RSVP: luma.com/i5ww495a

We'd love to welcome you back to the gallery on September 10 for Jennifer & Kevin McCoy's solo exhibition, ReLensing. @mccoyspace Opening reception at 6–8 PM. RSVP via link: luma.com/i5ww495a The show brings together sculpture, video, and installation to examine how vision is mediated by the tools and machines built to reproduce it. The title points to the many instruments through which seeing is constructed and reconstructed, from the optics of glass and cameras to shadows and machine-learning models. ReLensing: Sept 10 – Oct 10 Gallery hours: Tue–Sat, 11 AM–6 PM.

bitforms gallery founder and director Steven Sacks in conversation with David Sable, featured in Creativity From the Other Side, @NYFestivals interview series with creatives working outside the ad industry. home.ameawards.com/videos/v/…

Congratulations to @amormunozstudio for being named a finalist for the 2026 @lumenprize Legacy Futures Award. Find out more about Muñoz's work at bitforms.art/artist/amor-mun…

Congratulations to @daniel_rozin for being named a finalist for the 2026 @lumenprize Experiential Innovation Award. Mechanical Mirrors (Performative Version) brings Daniel Rozin's Wooden Mirror series onstage as an instrument for live performance. lumenprize.org/2026-experien…

A new interview with @mayaonthenet in @sleekmag, spanning StarQuest (shown this year in StarPower at bitforms) through her new AI-generated K-pop project Dreams Come True. sleek-mag.com/article/what-h…

@YesClaudiaHart in conversation with Jakob Dwight for @whitehotmag on four decades of intermedia work, her Digital Combines, and receiving ACM SIGGRAPH’s 2026 Distinguished Artists Award for Lifetime Achievement in Digital Art. whitehotmagazine.com/article…

Tomorrow is the last day to see "time is a flat circle". Exhibition closes Sat, Aug 1. Gallery hours: 11 AM to 6 PM. Featuring: Erick Antonio Benitez, Ricardo Cabret, Lou Fauroux, Umber Majeed. In collaboration with Rip Space, co-curated by Vera Petukhova and Valerie Oakley. The gallery is on break Aug 3 to Sept 9, 2026. We will return and welcome you back on Sept 10 with Jennifer and Kevin McCoy. @mccoyspace Install views: Max C Lee

Manfred Mohr will be exhibiting works from the @CentrePompidou permanent collection in an exhibition “Computer Worlds". This exhibition will be opening September 24 - February 14th. Created entirely from Centre Pompidou's collections, “Computer Worlds” retraces the history of digital creation from the 1950s to the present day. This group exhibition, at the intersection of artistic disciplines, showcases pioneering works by the founders of digital art along with the most cutting-edge contemporary creations. Since the second half of the 20th century, artists, designers and architects have constantly adopted technological tools, subverted their uses and expanded their potential through innovative, critical and experimental approaches. From the emergence of cybernetics in the 1950s to recent developments around artificial intelligence and NFTs, the exhibition explores the never-ending history of connections between art and technology. Through nearly 180 works – digital and graphic pieces, installations, architectural models and design objects – and archival documents, “Computer Worlds” offers ways to interpret the relationship between art and technology

Pictured is Ricardo Cabret’s Alternate perspectives, same reality, 2026 and Carrier of Entropy, 2026 Within Cabret’s practice, a tension between the systems used to organize space and the disorder those systems inevitably fail to contain is often personified by the presence of a grid. Join us for an artist talk in our current exhibition time is a flat circle. Participating artists Erick Antonio Benitez, Ricardo Cabret, and Umber Majeed will be in conversation with co-curators Valerie Oakley (bitforms gallery) and @_vera_petukhova_ , founder of @rip__space , a Los Angeles-based curatorial platform dedicated to future-oriented creative practice and emergent art forms. RSVP through the link time is a flat circle is open through August 1. luma.com/va32hbjs