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he/him | calarts 26’ | https://xitter.cf/t.co/hqDXNNx4N7

Joined April 2017
Photo by Luke Lee (@binsolee)Photo by Luke Lee (@binsolee)Photo by Luke Lee (@binsolee)Photo by Luke Lee (@binsolee)Photo by Luke Lee (@binsolee)Photo by Luke Lee (@binsolee)Photo by Luke Lee (@binsolee)Photo by Luke Lee (@binsolee)Photo by Luke Lee (@binsolee)Photo by Luke Lee (@binsolee)
宮崎駿監督が1978年12月に描いた『赤毛のアン』オープニングのイメージボードです。
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She was Hayao Miyazaki's "right-hand" collaborator from the '70s onward. Her name was Michiyo Yasuda -- the best color designer in animation. Yasuda's eye for color gave Ghibli's work a totally different look. We explore her methods: ─➤animationobsessive.substack.…
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From: Dore Dore no Uta (2005), dir. Osamu Tanabe, Studio Ghibli
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Luke Lee retweeted
my calarts thesis film “GiRL DOG” is out now on youtube! if u have 10 minutes to spare pls check it out! youtu.be/1_UD16XRb54?si=sdWN…
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Luke Lee retweeted
My Final CalArts Thesis film CRUMBLE CITY is up on YouTube! Thank you to all my friends and peers, and instructors here at school much love to you all ❤️‍🔥 youtu.be/TTDRsLvShu0?si=6RpW…
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Luke Lee retweeted
with the amount of animatic based projects i see online these days my mind keeps going back to something filmmaker Inga Raschka said in 2018 for Transfiguration International Film Festival, can't get this out of my mind
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Luke Lee retweeted
one more shot from my graduation film
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for what the monkey considers business the horse considers play
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In the '70s, Hayao Miyazaki tried to revive the cartoons of his youth. And he kept mentioning Fleischer's Mr. Bug Goes to Town. He loved its animation and use of "space," and the physical way its characters navigate its world. We look into the story: ─➤animationobsessive.substack.…
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From July, Little Tokyo
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Some of my cuts for Dandadan 15 #ダンダダン
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Wilbur & Harold are HERE! Please enjoy✨
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From: Crac! (1981), dir. Frédéric Back, Radio-Canada
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