men got this weird thing in their head about being "mogged" by other dudes. but they have no idea the levels of mogging that women deal with
Spoken, the Sneer God retweeted
The socially awkward sci-fi author who smokes like a chimney and does a ton of drugs which results in him dying in middle age but also leaving behind dozens of esoteric forward-thinking novels no longer exists.
Science fiction has never been the same since.
Spoken, the Sneer God retweeted
“i asked chatgpt” “i asked grok”
well, I asked God using TempleOS and I’m still trying to interpret the answer
Spoken, the Sneer God retweeted
never been to lowes because i live in an apartment so i went just to feel what its like. these tiles were only 30 cents so i grabbed a few
Spoken, the Sneer God retweeted
The sexiest thing you can do in front of a woman is when you’re really mad break something with your fists like a dry wall or tv to show her how strong you are.
Spoken, the Sneer God retweeted
“Holy shit nice car” thanks I called an 8 year old the n word last week. By the way you have a beautiful home. “Thanks my son stabbed a kid to death”
Spoken, the Sneer God retweeted
Take shots at me on the internet and know this is the beast you might awake. Tread lightly.
Spoken, the Sneer God retweeted
People often ask me what kind of music influenced me when I was making Streets of Rage. Honestly, there are just too many to name. But more than listing specific tracks, what I really want you to understand is that the music itself was a message. I poured my heart into the tracks so Western gamers could feel how much I was inspired by the popular music of that time. Many of those songs featured distinctive brass and string phrases, and a lot of DJs were sampling beats and bass licks from old jazzy vinyl records. Around that time, club genres like house and techno were emerging, shaping a whole new era of sound. I was deeply influenced by all of that and tried to recreate the style as authentically as I could. For me, it wasn’t just about making cool tracks. It was about honoring the music and culture that had inspired me so deeply. I’m also grateful to SEGA for giving me the opportunity to share that sound with the world through the Mega Drive and Genesis, especially in the West.























