Cyrill | Artist, Photographer, Collector | Dark street photos | Nature and city landscapes | No AI | https://xitter.cf/t.co/jU8VofVJYh | https://xitter.cf/t.co/nX9qnpOMqa
Joined March 2021
- Tweets5.1K
- Following771
- Followers695
- Likes30.5K
Pinned Tweet
It's still nice to look at when the render is almost indistinguishable from the photos of the completed project.
T.me/artnwayclub
@CoronaRenderer
Cy Artnway retweeted
It's still nice to look at when the render is almost indistinguishable from the photos of the completed project.
T.me/artnwayclub
@CoronaRenderer
Cy Artnway retweeted
The second artwork. "Waiting"
At first, it was simple an image of silence. A place where nothing disturbs you. Where, by closing your eyes, you can shut out the external noise while waiting for new thoughts to emerge. And time goes about its business, shedding the yellowed leaves of old hopes.
A feeling of melancholy is born, i don't you think?
But I understood: this state heralds the birth of something new. After the old stopped working and everything was falling apart, this very silence was needed. It was necessary to slow down. For me, it felt like aparthy. Exhaustion led me into a state of waiting. I didn't want to do anything from the usual to-do list. I had to give myself time for this "doing nothing" in order to see something new.
And at that moment, I came across a book. The one that had been sitting on the shelf for 2 years, never progressing past the first chapter, but now I've almost finished reading it. It helped me look withim. To open something new. To remember the old. To catch insights.
And then the images came too. Sometimes the unconscious shows them very vividly. Among them were two states of exhaustion before this lull and after. They had changed so much. Someday I will depict them.
This state of lull was like a stage of renewal. One that was so very needed.
A story about how our unconscious knows the path in advance. While the conscious mind needs time to catch up and understand.
So, let's begin. June 2025
That month began with a feeling of weariness. Not physical fatigue, the kind you can sleep off. It was something else. It still defies precise description. If that weariness back then could be measured, it would have been 25/100. But the September-October weariness was 150/100. Yet, surprisingly, the energy for creativity was there. And the series "The Quiet Room" appeared on its own.
I didn't plan the details. I didn't construct the composition. It was the unconscious, which somehow very actively showed me a map of the path I was only about to step onto, a path that is still ongoing but has already revealed so much of interest withim itself.
And so, the first art "Last Thoughts"
An elderly man. Resembling a departing Sage. He is the embodiment of an old identity that has grown weary. A pipe, from which smoke emerges, resembling old thoughts, beliefs, rules. They are dissipating because they have ceased to be significant.
This is not just an image. It is the process of losing oneself, which must happen to make space for the new.
The state of this art caught up with me in September-October. The feeling when you stop recognizing yourself in your own actions.When you try to do things "like everyone else", "the right way", and in return get hundredfold weariness and a feeling of begin numb, cotton-like. This state spurred the search for energy, and from this, something else began to be created. That is already a different story, but those who follow, know.
P.S.
Why didn't I talk about this back then, in the midst of it? It's simpel: I didn't understand what it was, I wasn't aware of what was happening. Even now, describing it is difficult because in sharing this with you, new details and insights in other parts keep revealing themselves.
GM fam.
I've been missing for a long time, I know.
I'm in big trouble right now and I need your support.
I am engaged in 3D visualization. I am urgently looking for orders, I work with all countries.
My portfolio on my website:
artnway.com/en
RT PLS
My name is Kirill Bragin, and for more than 12 years I have been creating worlds in 3D. I work with interiors, architecture, and product visuals — I love when ideas come alive on screen and begin to “breathe” with light, textures, and atmosphere
