Design & Art Direction, DJ. NYC

Brooklyn, NY
Joined March 2010
early cut of Enter the Void opening credits by designer Tom Kan. After 15 years its still one my favorite movie opening credits
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he’s on dafont, corrupt the font files. send 12 new slack messages. now an email asking to make the logo bigger. he’s opening photoshop, tell him the subscription is expired. leave 4 client comments in figma that just say “?” he’s about to finish the design, restart his computer
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02.17.25 — “jazz cigarettes” at big bar in east village. - myself & @antonpearson will be holding it down playing oddities of jazz, funk, soul, disco, trip-hop and rap records from 9pm-12am. act accordingly.
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😂😂😂😂😂😂😂😂😂
Hours
@hours31 Jan 2025
designers aren't artists
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selecting the right font
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tonight, “jazz cigarettes” at big bar in east village. @antonpearson and i will be playing a selection of disco, funk, rap, soul, psych rock and jazz records from 9pm-1am. act accordingly.
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RIP David Lynch (1946-2025) I am in utter disbelief right now... Can't accept that he is no more... I don't have the words to describe how I feel. We will never ever see anyone like him ever again.. Here is his advice to youngsters.
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This is like the Great Library of Alexandria going up in smoke
Legendary producer Madlib and his family have lost their home to the California wildfires. "Decades of music and equipment" have been lost...
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larry clark “92-95” - tonight’s the opening reception of photographs from 1992-1995 that are curated by leo fitzpatrick at the ruttkowski;68 gallery. to follow, i’ll be playing a selection of 90s rap/hip-hop at the afterparty held at the roxy hotel from 8-10pm.
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I brought a crate of records down to Miami to play at Dante’s this weekend and I was lugging it thru the airport like “damn we really used to carry this shit around??!!?” 😂😂 People think vinyl is cute now. That shit used to be hell, trust me lol
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plotting moves for 2026
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EL-P appreciation tweet
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Can someone explain why there is scaffolding EVERYWHERE in NYC despite the buildings not being under construction? I don’t get it. What’s going on here?
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12.06.24 — i’ll be closing out the evening with a set that’ll be full of gems for MoMA x uniqlo “NYC NIGHTS” from 6pm-8pm. for more info on how to attend, hit the link: moma.org/calendar/events/932…
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these dudes @antonpearson & @sgld low key got one of the best residencies in NYC w/ Jazz Cigarettes at Big Bar in E Village on rotating Mondays. (can never remember if it’s like 3rd of month or some shit)
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tonight, @antonpearson and i will be playing a variety of soul, funk, disco, hip-hop and jazz records at big bar in east village from 9pm-1am. act accordingly.
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Asked Anthony Edwards what he would say to someone who thinks he's shooting too many 3s...
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Happy Halloween @SadeOfficial 🎃
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DJ Clark Kent founded the Supermen DJs (DJ Scratch, Daddy Rich, Plastic Man, etc.) in the 1980s. At that time, they were the world’s most loved, envied, and, to a degree, hated DJ crew (not because they sucked but because they were so good). DJ culture was so different back then, though. You stuck to your inner circle and “to hell with everyone else.” It’s not like the way it is now, where dudes fake like you when they see you in person, asking to take a selfie with you and all, only to talk trash about you the minute you walk away. Nah, DJs knew who they were and were not cool with and we all respected those boundaries. The fun fact is that Steve Dee and Sean C formed the X-Men (later known as the X-Ecutioners) solely because we saw the Supermen as our rivals! We wanted to battle Clark and his crew with a passion. That healthy (and sometimes no-so-healthy, if I’m being honest) competition was what inspired me to come up with routines like my “Nobody Beats The Biz” because to be the best, you have to beat the best! Thank you, Clark. Thank you for teaching me how rivalry motivates me to be a better version of myself. The Supermen’s DJ skills helped the X-Men define who we are and how far we want to take our DJ careers. Each member of your crew’s standing within the DJ community kept my crew focused and committed to improving as DJs. The Supermen, led by DJ Clark Kent, were the first superheroes of turntablism, while the X-Men were their arch-enemies. Although it may not have always looked like it on the surface, our rivalry existed because we respected Clark and his crew, and I’m blessed that the energy that made us rivals ultimately transformed us into great friends. Rest in peace.
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