On the Interface Gallery team β¦
Joined May 2021
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Anna Cristina Caputi retweeted
CORPORATE DUBSTEP SAVED MY LIFE
An excerpt from @TaborRobak's exhibition with Super Dakota in 2024 π₯
Anna Cristina Caputi retweeted
We cordially invite you and your friends to the opening of the exhibition on October 15th, 2026, 7 p.m.
Opening of the Exhibition
FRANKE / JΓGER. KUNST UND KONSTRUKTION
Museum Folkwang
Words of Welcome
πͺPeter GorschlΓΌter (Director Museum Folkwang)
πͺThomas Seelig & Noa Lohrmann (Curators of the exhibition)
πͺElke Seeger (Professor Folkwang University of the Arts)
@Foundation_HWF
ALT Herbert W. Franke: Oszillogramme (1954-58)
Anna Cristina Caputi retweeted
First it went slowly. For decades Vera Molnar worked with her machine imaginaire, then with actual computers and plotters, quietly building one of the foundational practices of algorithmic art while major institutions mostly looked the other way. Then itβs happening all at once. As @michaelspalter noted: the canon has shifted. Algorithmic code now stands beside paint and stone.
A watershed moment: Vera Molnar is showing across 4 titans at onceβ
@GrandPalaisRmn, @newmuseum, West Bund x @centrepompidou, & @V_and_A.
With 2 major books out this Nov, the canon has shifted.
Algorithmic code stands beside paint and stone.
The gates are wide open.
"In the 5 & 10 cents stores we discovered the beauty of washers and bobby pins: Enchanted we stood before kitchen-sink stoppers and glass insulators, picture hooks and erasers."
Anna Cristina Caputi retweeted
Big news: @harmvddorpel presents Entfaltung at @ArtBasel Miami Beach 2026, a joint project of Interface Gallery and Lohaus Gallery in Zero 10.
A living drawing, computed live on Ethereum, from Emma Kunz to Vera MolnΓ‘r and Manfred Mohr.
Making its debut at Zero 10
Art Basel Miami Beach Zero 10, led by
@karenarchey
@eli_schein
&
@nicoleasales
Anna Cristina Caputi retweeted
Vera Molnarβs legacy keeps unfolding. On 17 November 2026, Radius Books publishes Vera Molnar: Variations. A new monograph on one of the foundational figures of computer and generative art.
Anna Cristina Caputi retweeted
Harm van den Dorpel
De Stijl, from βStained Unravelβ, 2026
Collected by @zaphodok
Presented in collaboration with @Interface_art
Anna Cristina Caputi retweeted
Thank u everyone who supported this show. Even if it was just a like. Itβs really hard doing this on your own. (With awesome team at verse providing platform) hate how dominant energy revolves around sales. But super grateful 4 all the great wider dialogue that came out of this.
Anna Cristina Caputi retweeted
Minting on Verse this week
Kevin Esherick, Homages
From @heft_gallery
Patrick Tresset, Seven Traits
From @hash_gallery
Tabor Robak, Human Resources
From @solos_gallery
Minting now open β
Anna Cristina Caputi retweeted
πππππ
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Anna Cristina Caputi retweeted
We are pleased to announce that Counterspace by @dotjiwa will be released on Met Digital next Tuesday, February 24. It will be the first series to be minted directly on Galerie Metβs new digital platform. Thank the team at @verse_works for helping to implement the powerful Verse Tech Suite!
Allowlist sale:
Tuesday, Feb 24, 9AM PST / 6PM CET
ntent.genesis, Axo, & 1/1's holders - 1 reserve per work
Wednesday, Feb 25, 9AM PST / 6PM CET
DDUST and Portraits I holders - 1 reserve per work
Public sale:
Thursday, Feb 26, 9AM PST / 6PM CET
Reducing supply mechanics: 1 work reduced 2 hours, 12 works reduced per day
Price: 150 USD
View the works here:
digital.galeriemet.com/serieβ¦
Anna Cristina Caputi retweeted
5/7 Evil Biscuit represents the generation that inherited this lineage. Emerging out of the Web3, his digital collages compress a dizzying number of references and images into new, unstable compositions embracing the network's logic of appropriation, recombination, memetic mutation.
ALT Evil Biscuit shizuku milady card , 2026 uv print on cardstock 8.9 x 6.3 cm (3.5 x 2.5 in)