
Also writing as Hope Adams. Forthcoming novel The Lost Portrait coming from Michael Joseph in April 27. Past X history visible on @adelegeras
Joined July 2026
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Sorry! Should have added @AShulman2 !
I’m 70% through this collection of essays by the ex-editor of @voguemagazine and I’m really loving it! I’m still pondering what Shulman has to say about white jeans all year round…perfect Christmas present!
I’m 70% through this collection of essays by the ex-editor of @voguemagazine and I’m really loving it! I’m still pondering what Shulman has to say about white jeans all year round…perfect Christmas present!
Adele Geras retweeted
Periodic reminder that a 23-year-old created this masterpiece using only a hammer and chisel
Adele Geras retweeted
The King Oak - Sevenoaks, the Kingdom of Kent
The only one of the original ‘seven oaks’ to survive the hurricane of 1987
The other six have since been replaced, so no longer the town of ‘Oneoak’
Adele Geras retweeted
The perils of choosing a baby name spectator.com/article/the-pe…
Adele Geras retweeted
'Speakeasy Corner.' (1928) Martin Lewis died in obscurity in 1962; he found some success in his early career, but was largely forgotten after the Great Depression leaving him to spend last three decades teaching etching including his famous pupil Edward Hopper.
Adele Geras retweeted
I love the story behind this painting.
The man who made it had failed twice at the most important art competition in France. Instead of trying again, he went home to his village and painted the farmers he had grown up with. And that’s what made him famous...
It’s called October, painted by Jules Bastien-Lepage in 1878. In a wide, open field, a young woman bends forward to tip a basket of freshly dug potatoes into a big sack, and her face is so alive it almost seems to lean out of the canvas toward you. Behind her, another woman kneels in the brown soil, smiling as she gathers more into her basket, while potatoes lie scattered all around them and a few more workers are dotted across the hillside under a cloudy autumn sky. Nothing in the scene has been dressed up for the viewer. It’s simply the harvest, the ordinary work that had to be done every October before winter came.
Bastien-Lepage knew this world from the inside: he grew up in that same village, Damvillers, among the families who worked these fields, and he even wrote its name in the corner of the canvas, just above his signature.
Paris loved it, and when it was shown at the Salon of 1879, it became one of its great attractions. A few years later, the painter Vasily Surikov wrote to a friend that, in an entire Paris exhibition, only a handful of works had “true dignity.” Out of all the grand paintings on those walls, the first one he named was this simple harvest scene...
Just watched final episode of #TheDiplomatS4 Oooh! Nicely set up for Series 5!!
Adele Geras retweeted
'Lunch.' (1988) Joanna Carrington reinvented herself as a naïve painter after seeing the pictures of Alfred Wallis. She signed her work using the pseudonym Reginald Pepper and went on to huge success even after her real identity was exposed by the Sunday Times in 1981.
Very sad to hear of the death of David Perman. He published a book of my poems long ago called ‘Voices from the Dolls’ House.’ May his memory be for a blessing.
theguardian.com/media/2026/o…
Adele Geras retweeted
Contemporary UK printmaker Annie Soudain #WomensArt
Adele Geras retweeted
During a clear up and rummage in my studio (shed) I found a cache of my book of paintings, Illuminating The Everyday. I can offer them for £25 each plus postage DM me if interested or email [email protected]
Lovely to hear my favourite lines from the Tempest recited by @j_amesmarriott on @hugorifkind s show! Beautiful stuff! Let’s have that sonnet next time. @TimesRadio






















