"The Odyssey" translator Emily Wilson doubles down on criticizing Christopher Nolan's movie, this time calling it "emotionally empty." “Nolan’s 'Odyssey' is itself a kind of Trojan horse. The script grandly insists on the importance of human kindness, while the camera shows us an entirely different set of values. In these times of hatred and misinformation, we need more than the ‘apparent magic’ of deceptive images. We need art that is truthful about the costs and the necessity of compassion, and that recognizes that a sense of spiritual superiority may not protect us from lies. These lessons are legible in Homer and Virgil, but are elided by Nolan’s visually stunning, emotionally empty film.” “What matters cinematically are the logistics: the rolling of the horse uphill and the claustrophobic, waterlogged interior. Once the ambush of the Trojans begins, the camera lingers repeatedly not on the human actors but on the enflamed, toppling buildings and the great gates of the city, whose slow-moving mechanism is observed at great length. The script tells us loudly that people matter, but the camera shows us that what matters is the mechanical challenge of moving objects through space.” (via The Atlantic) variety.com/2026/film/news/t…