introducing the storage fund
i'm starting a grant program. it walks artists through storing their work on bitcoin permanently and covers the inscription costs.
the storage fund is entirely self-funded, costs artists nothing, and takes no cut of any sales.
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I made a film.
Every chapter of technological modernity has searched for an aesthetics adequate to its time.
Time and again, the pursuit of the new and the beautiful has involved looking back to the past.
There has never been progress without nostalgia, or novelty without tradition.
The film tells this story through the history of architecture and design, from the mid-nineteenth century to present-day Silicon Valley.
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Parker Ito, from JstChillin and Cheeto to Drilady and Horses?7.
Our new Artist Profile traces two decades of image-making across online communities, painting, installation and on-chain systems, with original conversations with the artist.
Read: automat.art/profiles/parker-…
Our new website is live
The foundation to go crosschain
-Collections
-People
-Multi-Wallet collection galleries
-1/1s
-Open editions
-Series + 1/1 auctions
-RWA drops
Bookmark collections for later
Read texts about and by the scene
Maybe more tmrw just to feel something 🫦
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ARTXCODE (@artxcode_io), in partnership with Rhizome (@rhizome), is pleased to announce the artists of WEBSITES WEBSITES WEBSITES! (WWW!), a group exhibition curated by Sofia Garcia (@sofiagarcia_io) of ARTXCODE and Vienna Kim (@bennavkim) and Benoît Palop (@benoit_tokyo_) of LAN Party, celebrating the website as an artistic medium and marking the 30th anniversary of Rhizome, the pioneering institution for born-digital art and culture.
The exhibition features works by 0xfff, Chia Amisola, Kim Asendorf, Mika Ben Amar, Petra Cortright, Vuk Ćosić, Damjanski, Simon Denny, EXONEMO, Sarah Friend, Auriea Harvey, SHAWNÉ MICHAELAIN HOLLOWAY, Jan Robert Leegte, LIA, Maya Man, Lorna Mills, Nolen Royalty, Rafaël Rozendaal, Luke Shannon, and Molly Soda.
Together they span three decades of practice on the web, from the playful interventions of 1990s net.art pioneers to the poetic web experiments of artists navigating today’s algorithmically saturated internet.
Presented as live websites installed physically across the gallery and online, WWW! bridges generations of artists to show how the website remains a radical artistic space: one that belongs to no platform and answers to no algorithm.
On view September 21–27, 2026, with an opening reception on Monday, September 21, 6–9PM, at 39 Great Jones St, New York.
Works will be available for direct acquisition throughout the run of the exhibition, in-person or online, via Fellowship (@fellowshiptrust), with a portion of proceeds benefiting Rhizome’s work as a memory institution for digital art.
The venue for this exhibition was graciously provided by New International Picture Company.
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"Lowbie and Duc de Berry on LOG and the NFT-to-Zine Pipeline" by @vvvdotso with @archivepilled & @DucDeBerrry
The artists on creating LOG (@l______o______g) and turning NFTs into zines
👍 lerandom.art/editorial/lowbi…👍
Mentions: @egfreid @fairybaby420 @Yeche_Lange @innenbooks @bis__cut @johnsolnft @Gremlins2Movie
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Right about now marks the first day of Spring in the southern hemisphere and the first day of Autumn in the northern hemisphere 🍂 🍃
Phenology studies the natural phenomena relating to the rhythmic biological nature of events. In this series, phenology merges with wave and vibrational phenomena, known as cymatics; where biodata (electrical conductivity) is recorded from the botanicals at the time of each respective season, are sonified into frequencies with the emergent patterns fixed to paper.
You can read more about the layered process in the link below.
Spring, dry pigment on Hahnemühle etching paper, 80cm x 120cm, Col. @__proper
Autumn, dry pigment on Hahnemühle etching paper, 80cm x 107cm, Col. @JacCourtney
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Coming Tomorrow:
Espressoids by Helena Sarin
The artists long awaited espresso cups will be available in two sizes for 1 week only.
Official link with all information to be posted tomorrow!
card nft 2
Card NFT 2. 🤩
Released by @bis__cut during the deepest, DARKEST depths of the bear market that we've ever seen.
Sold-out within an hour: secondary holding 4x from initial pricing. It's series like this that ya' should keep your attention towards.
No crypto-momentum was necessary because the art is PHENOMENAL. Learn your signals.

































