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Replying to @tferriss
One of the most beautiful sentence is from the book: “We must learn to reawaken and keep ourselves awake, not by mechanical aids, but by an infinite expectation of the dawn, which does not forsake us even in our soundest sleep.” 🌅❤️
A closer look at a campus classic 📚🤘
Step inside the UT Tower’s library with historic preservation planner Kim Barker for a fresh perspective on this campus icon’s history and plans for its restoration.
Learn more here - utex.as/484DPkz
Roadster xitter.cf/i/broadcasts/1yKAPwNgg…
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Tesla
Roadster
Touring the Tower - The Ground Floor youtu.be/QdejB5qHUC8?si=UYXb… via @YouTube
Yuta Yamaguchi retweeted
The way Steve taught us to care about every detail, every experience, every person, still guides our work today. Forever grateful.
Yuta Yamaguchi retweeted
🚨 MAJOR ANNOUNCEMENT: YouTube will start prioritizing original content and reducing re-uploads (RIP clipping)
YouTube has just announced one of the most impactful changes to its short-form algorithm. Its recommendation systems (the algorithm) will start to further prioritize original content and reduce the reach of content re-uploaded from other creators without adding anything of your own.
They highlight this shift toward originality, where channels with primarily re-uploaded content will see less distribution within the Shorts feed.
It also seems like they’re really trying to put the focus on content with real value, while highlighting that YouTube doesn’t want as many “minor technical edits” or “template-based” changes. Which is basically all that clipping was in this industry.
Overall, while this will piss off some people whose entire careers were built on the premise of other people’s content (mostly clippers), the change itself is amazing and will finally address the overall quality issue we’ve been seeing.
Yuta Yamaguchi retweeted
Update on Tower restoration at @UTAustin 🤘
•439 windows have been restored. That’s 40% of the Tower’s nearly 1,000 windows.
•54,000 sq ft of the Tower's granite and limestone masonry have been cleaned and repaired, restoring the building to it's original color.
•114 alphabet characters have been regilded. Each letter is decorated by hand with gold leafing.
•16,000 linear feet of scaffolding have already been built around the tower. Lined up end to end, that equates to 3 miles.
•The Main Building and Tower will have scaffolding on various facades through the spring of 2028.
•The south-facing facades should be free of scaffolding in the summer of 2027.
#HookEm 📸UT
Yuta Yamaguchi retweeted
Claude has discovered a previously unknown enzyme system hidden in the DNA of bacteriophages. Beside the enzyme’s gene sits a long array of repeating DNA—a structure that looks somewhat similar to CRISPR.
We don’t yet understand what this system does, but only a handful of known systems share its features, and all of them are able to cut, copy, and paste DNA. Historically, the discovery of such programmable systems has helped revolutionize medicine. CRISPR, for instance, is now the foundation of genetic medicines. But it will take much more work to learn what this system does, and whether it can be put to similar use.
Read more: anthropic.com/news/claude-di…
Yuta Yamaguchi retweeted
Please teach your kids about investing, compounding, and capitalism, not about me.
Replying to @MichaelDell @adamscrabble
My kids received their $250. I will make sure they know your name and your story
Yuta Yamaguchi retweeted
Garrison Hall is a special building on the Forty Acres. For a century, it has been the place where history comes alive — and where so many Longhorns have been shaped and inspired, including me. Proud to honor this historic and iconic building as it turns 100. 🤘
Yuta Yamaguchi retweeted
I don't usually celebrate album anniversaries. I have a hard time perceiving the past. I like now, and what's to come. But this album, that turns 20 today, changed my life. I'd had success already, but everything clicked into place on this album. I met some of the greatest musicians and engineers in the world and learned so much about making records from them. When I think back on what made the album so special, some thoughts come to mind, and they're worth my remembering: Life came into the room. I rode bikes on the beach. I was goofy - most of the images from these years are of me doing something wacky. The record took time. Months of writing, giving up on lots of songs, writing new ones, moving studios, taking breaks. As I get older l tend to expect results faster. I get frustrated a little easier. But it's always been the same; you work weeks and months on songs. Some don't make it, but it's never a waste of time. You live more life, you write more songs, and the process starts again. You cherish the tight little list of tunes that matter. When just one joins the ranks, it's a blessing. Joy wins out over discouragement. You have fun with your friends, who are all on the journey of exploring the unknown with you. Great albums are built in layers. You have to become different versions of yourself to create a lasting body of work. Nobody cares how long it takes if the music is meaningful. If you want to make something truly special, you have to bring talented people in the room to contribute. Steve and Pino. Chad Franscoviak and Joe Furla engineering along with Don Smith and Dave O'Brien. Martin Pradler editing vocals. René Martinez handing me the guitar. Ricky Peterson on keys, @jamesbvalentine played some guitar on Stop This Train. Larry Goldings played B3 and @aliciakeys sang backgrounds on Gravity. Roy Hargrove played trumpet.
Charlie Hunter played on In Repair. @BenHarper played slide guitar on Belief. Willie Weeks played bass with Pino on I Don't Trust Myself With Loving You. The right music with the right people at the right time in my life. That's all you can ever hope for. And thank YOU, dear reader, for giving life to these songs. Onward...
























