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The finale of the brilliant historical sitcom Blackadder left many of us in tears. It remains just as powerful today, and so it should. Lest we forget.
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El rock actual está muerto y este riff lo demuestra. Podés meter 200 filtros y autotune, pero jamás van a superar los primeros 5 segundos de Sweet Child O' Mine.
¿Qué tema de hoy tiene este nivel o ya no se banca la música real? Los leemos 👇
#GunsNRoses #MTV
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The happiest movie ending in history suddenly turns into the most terrifying realization in cinema.
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56 years ago today, Led Zeppelin's "Immigrant Song" was released as a single.
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An absolute Stones classic…
Nearly six decades on, the song’s legacy speaks for itself. Continuing to inspire new generations - Sam Fender is the latest artist to offer his own interpretation of ‘You Can’t Always Get What You Want’, released today.
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The “STELLA!” scene in A STREETCAR NAMED DESIRE. Elia Kazan had Marlon Brando play it as raw neediness, like a reconciliation. Censors found so Kim Hunter's response as Stella so sexually charged that parts of it were cut from the film for years.
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Patrick Stewart in the final scene on Star Trek: The Next Generation.
It’s extremely simple, but reveals so much of his character if you watched. Somehow his sense of duty and sensitivity, along with the admiration of his crew shines through.
RIP Captain.
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Martin Scorsese has never been interested in plot as much as character. He points to VERTIGO (1958), whose story sounds absurd on paper, yet Hitchcock makes it hypnotic. The plot is just the framework. The real magic is what happens beneath it.
