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I’m excited to share the cover art for The Deadline Saga Book 2: The Expanse!
This is the next step in a much bigger adventure, and I can’t wait for readers to see what lies beyond the horizon. The Expanse will be available in July 2026, with the exact release date TBA.
Tom B. Free retweeted
This is on the right track.
But the AI is limited by the capabilities of the human. In this case, there's a principle of storytelling that would help the writer out, here.
Cut the "I wasn't... I really wanted..."
Cut the first shot with the tears.
Just show her storming back to her bedroom, stone-faced, then throwing herself on her bed and crying. Close with "Stupid Potter".
Why?
Two reasons. First one's the easy one. Fictional characters can't see the audience. So they don't explain things to audiences or empty rooms. Realism problem. Breaks immersion.
Second's the real storytelling principle I was talking about :
A truth the reader tells himself hits harder than a truth the reader is told.
The main idea here, and therefore the one that's supposed to be impactful, is that she wants to go to the ball with him, and she's too proud to admit it.
So instead of having her say it, make it obvious from her actions instead. So that the reader says it, to himself.
Oh, I see! She wanted to go with him!
This will make the pivotal moments in your stories 10x better.
But it means trusting your audience to figure it out, and yourself to get your point across without having to say it.
Poor confidence leads to poor writing.
This is better content than anything HBO has put out in the last decade. A non-anime take on female Malfoy in Harry Potter. Obviously it has AI artifacts and isn't perfect but this is not slop at all. People can finally tell the stories they actually want without being gatekept. It's only going to get better from here.
So I just received the most interesting spam phone call ever. This lady had a very heavy accent, knew me by name, and claimed she wanted to represent my book in a project this fall. I just laughed before congratulating her on the novel scam idea and then hanging up. 😅
Hyperphantasics are capable of mentally envisioning in vivid detail exactly what they intend to create, but they're < 6% of the population. The inability to clearly visualize things in your mind's eye is called aphantasia. Others have hypophantasia (dim or blurry mental images).
My 13-year-old son Judah created the art for The Deadline Saga. Yet he needed me to create references for him to sketch, not just a vivid description, because he's a typical vusualizer. He also suffers from Anomalous Trichromacy where color gradients blend together.
Pffft. We all said it was just a fad. It simply stopped being a trendy way to stand out at school and on social media after too many started doing it.
Duh.
Tom B. Free retweeted
As someone who was raised on the books first before the movies, I take issue with the "Malfoid and Harry holding the wand together" concept, and it's the one thing I hate most about the movie. For the sake of an "epic, cinematic final battle", Yates turned what was an emotional fight and intense payoff into just another moving setpiece.
For those who don't know, the way it played out in the books was that nobody knew Harry was still alive, yet they fought anyway. Harry himself escaped Hagrid's arms in a moment of confusion, and spent most of the battle hiding under the invisibility cloak (thus solidifying his connection to the "wisest" of the Deathly Hallows, and the third brother, Ignotus) and firing nonverbal protective charms at his allies.
It is not until Molly Weasley destroys Bellatrix Lestrange, Voldemort's top lieutenant and the closest he has to anything like a consort, and in retaliation he prepares a deadly curse to hurl at Molly, that Harry reveals himself with an exceptionally powerful protego.
Harry then launches into an entire explanation of why he'd accepted death, why Voldemort could never comprehend it, why none of the Death Eaters' curses seemed to be hitting their marks any more, and why and how Harry himself came to be the master of the Elder Wand.
There was no battle of wills, there was no "DBZ ki-blast struggle", as I call it. Instead, there was a resurgence of hope within a bitter, hopeless battle. There was a final showdown, with Harry and Voldemort circling each other, and with Voldemort's defeat only the only logical outcome precisely due to his failure to understand (or perhaps willful ignorance of the fact) that the loyalty of the Elder Wand could be decided by a struggle with someone he likely saw as one of the weakest of his followers.
Voldemort's curse rebounded instantly, killing him.
I know you all like the idea of "the power of love" defeating Voldemort. And indeed, it makes sense, in a way: if ever there was a magic that could - and had already - defeat him, that would be it. But it is based on a scene in the movie that I don't hold to be canon, and one I will never accept.
I don't know where Malfoid would fit into that, but I'd like to think she's certainly among the onlookers as Harry explains to Tom why his wand won't obey him.
I'm working on a children's book titled The War Of The Three Little Pigs. I couldn't help but reference one of my favorite anime...
My wife just randomly started saying "thank you bae" all the time and this is the most appreciated I've felt in years.
Goodreads allowing half star ratings should allow readers to be more precise. Sometimes you can love a book, but don't feel it quite deserves the five star rating. 4.5 is a happy medium in such cases, and the written review can explain why.
Chapter 9: Shifters of The Deadline Saga Book 1: The Great Journey is now live on Royal Road!
@royalroadl
royalroad.com/fiction/184494…
This is Archon the Shifter. He's introduced in The Deadline Saga: The Great Journey. His character is aloof and detached largely because he's a walking spoiler. He has good reasons for keeping his cards close to his metal chest, which makes him interesting to write.
I did digitally retouch the sketch a bit. Besides the border, I mostly added more detail to the crystal greatspear and the desert scenery, but I also adjusted the face to make it more of a death mask. Otherwise, it's all my son's work. Here's the original sketch scan.
The inspiration for the first person perspective came from this @Ironlilyart Perlweiss art. I happened to be writing that Archon aura farming scene at the time and it occurred to me that showing Archon's dramatic entrance from Juno's perspective would be ideal.
If I was publishing two books a week, all my time would be spent on formatting, illustrating the cover, and setting up the listings. I wouldn't even have the time to read whatever the AI spat out.


















