I'm such a destination whore. On to the next local. Peace out AB. You are expensive and a low wage hole compared to your original glory. Gypsy powers — activated!
I was that guy in High School who'd smoke and party with the skids, play magic cards -D&D- and video games with the nerds, and some how fit in for moments with the jocks. I'd hit up all parties, and go to all other parties. It was not perfect, but I was everywhere, and involved in everything out of the gates as a teenager. And I spent my childhood breaking up neighbourhood feuds and bringing people together. That's my default.
The true measure of if music is good is to run it by the festival attendees and the night club scene. Banger culture lies in the fires of their judgement and nowhere else.
No offence, but unless you're a creator who makes actual OG content/technology, or you've been to a festival and hit some LSD, or just partied at Burning Man straight edge, been to some Metallica shows/been to a multitude of concerts, you are not cool, you are not fire, you are not hip nor are you edgy. You can keep pretending you vibe, but the masses are built to see through this shit from a mile away. Just like a man can't fake confidence, you can't performative your way out of being a dork. One thing that has remained certain all these years, birds of the feather flock together. Rats will be rats, dorks will be dorks, and the cool people are all the world cares about. Like Tate says - money only enhances what the man already is. If you get rich and your a dork to start, you just a dork supreme as you move forward.
Another thing I have seen time and time again - Money enhances arrogance to the ninth circuit of hell. So many of the cool nerds become absolute judgemental psycho's as they build their wealth. The become the exact thing that bullied them when they were young. Few are immune to this.
Time Curator retweeted
“Kiss from a Rose” was written by Seal around 1987 but only became a worldwide phenomenon after its inclusion in the 1995 film Batman Forever. Originally released on his 1994 album Seal II, the song attracted only modest attention before director Joel Schumacher insisted on featuring it during the film's end credits and in its promotional campaign.
The renewed exposure propelled the song to #1 on the Billboard Hot 100, while it also reached the Top 10 in the UK and several other countries. At the 1996 Grammy Awards, it won Record of the Year, Song of the Year and Best Male Pop Vocal Performance.
Time Curator retweeted
This scene has changed everyone's perspective about dragons.
Drogon finds his mother dead. He nudges her like "wake up." Like a dog that doesn't understand why his person won't move. That little whine he makes.
Then he looks at Jon. He KNOWS Jon killed her. You can see it in his eyes. He could burn Jon alive in a second.
But he doesn't. Because dragons are smarter than men. He knows it wasn't Jon. It was the Throne. That ugly chair that she wanted since she was a baby. The thing that drove her mad, that took everyone from her, that made her burn a city.
So he doesn't kill the man who killed his mother.
He burns the reason she died.
He melts the Iron Throne — 300 years of history, forged from a thousand swords, the thing every Targaryen bled for — into lava. Because as long as it existed, people would keep killing for it.
The last Targaryen Queen died for a chair. So her dragon made sure no one could ever sit on it again.
Best final scene of Drogon. Not a beast. A grieving son.
not all days can be perfect. Skrillex has proved here that he deserves to be at the top with this kind of humility.













