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ALT The launch graphic for Ink Cypher Round Three, which has a teal coloured background. At the centre top of the image running from left to right are the words “Ink Cypher”. The font looks quite slimy and each letter has drips falling off it; the font is mustard in colour and each letter has a thin black outline around it. Underneath (in a smaller font) are the words "ed. by Ian Abbott" in a similar font. In the middle centre and the bulk of the image is three rows of five square photographic portraits of the contributors to Round Three. The 15 people are aged from their mid 20s to mid 50s, have different ethnicities, hairstyles and are mostly smiling whilst looking at the camera. At the bottom of the image running from left to right are the words “Round Three” in the same font as Ink Cypher.

ALT A British Muslim woman looks towards one of the graffiti boards she has designed/created describing the intention behind it whilst a young British Muslim boy also looks towards the graffiti board and listens on intently. We cannot see either of their faces, but the woman is wearing a nude hijab, rose gold aviator sunglasses on the top of her head and a black and white patterned top. The boy has short black hair and a royal blue puffer coat. The Graffiti board has a sunset background which bleeds from red to orange, to yellow through to light purple. There is a large, cursive Urdu word sprayed across the centre of the board in deep purple, which has a light pink outline and a black outline. Underneath this word is the English translation woman.

ALT 4 bboys (Bobak, Faraz, Iti and Shazad) of British Muslim faith and/or heritage pose with pride in front a white scrim wearing bright yellow t-shirts which have the Salaam’O’Salaam logo on translated in English and Urdu. The 2 bboys at the back are standing up facing away from the camera with their backs to use with both arms raised at shoulder level with thumbs pointing towards their back. The 2 bboys at the front are knelt down with one forearm resting on their knee in a mirror image of other.

ALT Bboy Bobak Champion sits on a black leather sofa (left centre of photo), being interviewed by the BBC Look North reporter Beth Parsons (right centre) who looks towards him. The camera operator Jenny Williams (extreme right centre) is stood up looking into the video camera recording the interview. The background is a series of large glass windows looking out to green grass and bushes. Bobak (a man in his early 40s of British-Iranian heritage) wears a blue baggy patterned short sleeved jersey with mountains and pine trees on it, blue trousers, a burgundy cap with a B on it and has a some black and grey dappled in his short beard. Beth (a White British woman in her mid 30s) wears a blue and white lumberjack checked shirt and black leggings and has mid length blonde hair styled in a pony tail. Jenny (a White British woman in her early 40s) wears a black short sleeved top and khaki trousers.

ALT A yellow marketing graphic for Salaam’O’Salaam – a Hip Hop and breaking project for British Muslim men. At the top centre in bold, capitalised 3D letters with a slight shadow are the words: “Salaam’O’Salaam”. Underneath them in a smaller, sans serif black font are the words “Workshops – Lab – Jam – Summer 2023”. There are four illustrated male figures in brown beneath the text, with a thin black outline, all wearing caps. Two of whom are standing at the left and right edge of the graphic looking towards the centre where another is doing a breaking move called a freeze, as he is balanced solely on his right arm and his legs are above his head. The other figure is on the left kneeling down with his right elbow on right knee cradling his chin. At the bottom of the graphic is a brown strip which has the words “supported by” followed by logos for Arts Council England, Kala Sangam, AMAL and The Lowry.

ALT A square, burgundy marketing graphic with white text for the Discovering Collections Discovering Communities 2023 conference. It has the logos of the British Library, The National Archives and Jisc across the top, "DCDC23" below that, "Radical reimagining: interplays of physical and virtual" below that and #DCDC23 in the bottom right hand corner.