
ALT The post background is a soft lilac colour. The image in the centre is of the cover of The Capilano Review's Fall 2025 issue, featuring artwork by Malena Szlam: detail of a still from ""Archipelago of Earthen Bones". The still is covered in starry lights, showing a soft pink and purple sunset through a gap in a cave.

ALT The post is framed by a thin lilac border. It features the names of contributors to Issue 4.5: Basel Abbas, Ruanne Abou-Rahme, Francesca Bennett, Vida Beyer, Nasrin Himada, Hanako Hoshimi-Caines, Douglas Kerr, Roy Kiyooka, Shiv Kotecha, Suvendrini Lena, A Jamali Rad, Rhoda Rosenfeld, Gail Scott, Gerry Shikatani, Hannah Azar Strauss, Malena Szlam, Henry Tsang, Rhayne Vermette

ALT The post is framed by a thin lilac border. Text reads: Subscribe today to receive our biannual publication delivered right to your mailbox. www.thecapilanoreview.com/subscribe. $35 for two issues. Plus shipping: $10 Canada / $15 USA / $40 International. Or online: shop.exacteditions.com/ca/the-capilano-review. Purchase or renew your print subscription by September 15th through Brick's shop to receive a Brick x TCR bundle deal! Link in our bio.

ALT The post is framed by a dark blue border. Centred is a photo pinned to a gallery wall, depicting a section of the apartheid wall in Bethlehem, depicting murals of George Floyd, Razan al-Najjar, and Ahed Tamimi, beneath the writing "Palestine will be free" and "we refuse to die."

ALT The post is framed by a blue border. Text in the centre reads: " Time expands in the sway of Palestinian flowers while moments become sensations that exceed the duration of a checkpoint line, an apartheid wall, an eye meeting the end of a gun." – Maliv Khondaker, excerpt from "On Rehab Nazzal's Driving in Palestine"

ALT The post is a dark maroon, with a thin black border near the edge of the post. On the top left corner is a photo of of a tote bag against a concrete wall. The tote bag is an organic cotton with a pale grey design featuring hand-drawn capital letters in a cluster. Text beneath reads: "The Capilano Review. "Early English" 1/17/80 by bpNichol. Issue 2.4 (Winter 1990)". White text on the bottom right reads: Gift a bpNichol "Early English" tote

ALT The post is a dark maroon, with a thin black border near the edge of the post. On the top left corner is the cover of Issue 4.5 Dedications: featuring artwork by Malena Szlam: detail of a still from ""Archipelago of Earthen Bones". The still is covered in starry lights, showing a soft pink and purple sunset through a gap in a cave. White text on the bottom right reads: Gift The Capilano Review

ALT The post is framed by a pale yellow border. Text at the top reads: From the Archives. Issue 2.3 (Fall 1990): Pacific Windows. "A Photoglyphic Narrative of a Neighbourhood with Autobiographical Images" by Roy Kiyooka. Beneath is a black and white photo pulled from the issue. The lens points through broken glass to show a sliver of Vancouver's skyline: railway tracks leading to Waterfront station, the brick buildings of East Vancouver, and the urban skyline of the downtown core in the distance.

ALT The post is framed by a black border. Centred is a photo of a tote bag against a concrete wall. The tote bag is an organic cotton with a pale grey design featuring hand-drawn capital letters in a cluster. Text beneath reads: "The Capilano Review. "Early English" 1/17/80 by bpNichol. Issue 2.4 (Winter 1990)"

ALT The post is framed by a golden border. Text reads: The Capilano Review Fall 2025 Writing Contest. Judged by Hari Alluri. Connective | Uncontainable. Submit by December 12, 2025. On the left is a photograph of Hari Alluri wearing a beige coat and sunglasses, head tilted as he exhales smoke while staring directly at the camera.

ALT The post is framed by a black border, and the background is a pastel green. The Capilano Review's heading is on the top left, followed by the text: Open Call for Submissions 2025: September 15–30. **Update: Submit your work to [email protected]

ALT Image description: The post is framed by a yellow border. Against a white background, black text reads: From the Archives / On the Ecosystem of Innovation By Millie Beatch and Livia Pica Beneath it is an image of a music score: three lines of score, with two large number "4"s stacked one on top of the other on the left side, and the numbers 1-4 beneath the first section of score, with a gap between numbers 2 and 3. The caption beneath the image reads: Don Druick, A Sacred Mole, Sacrificed, 1973. From The Capilano Review 1, no. 5 (1974).

ALT Image description: The post is framed by a yellow border. Against a white background, black text reads: From the Archives / On the Ecosystem of Innovation By Millie Beatch and Livia Pica “The attentive reader breathes the poet's rhythm, breathes with the poet's lungs.” – Sharon H. Nelson From "A JUST MEASURE: breath, line, body in the work of bill bissett" Issue 2.23 (Fall 1997)

ALT Image description: The post is framed by a black outline. In the top left corder is the image of a page of text set against a dark background. The text reads: "'Grail' for Norma Cole / There is no grail / But poetry makes / of us a grail every / moment / Et ceci, dans / plusieurs langues" Next to the image is text reading: Embodying Translation: Poetry's Lea(r)nings Beneath it are the details: Saturday, October 4, 2025 2:00 – 4:00pm In-person at Western Front Registration required






