Replying to @TheCFormula @imagine
Hi @TheCFormula ! I thought the characters were amazing, so I made this artwork. Hope you like it!😊
Replying to @TheCFormula
@TheCFormula Love what you did with this image!
Thank you! 💙😊
@TheCFormula credo. retweeted
La vida útil de los modelos GPT cada vez es más corta:
GPT-1: vivió 248 días
GPT-2: vivió 469 días
GPT-3: vivió 916 días
GPT-3.5: vivió 104 días
GPT-4: vivió 237 días
GPT-4 Turbo: vivió 189 días
GPT-4o: vivió 290 días
GPT-4.5: vivió 46 días
GPT-4.1: vivió 115 días
GPT-5: vivió 97 días
GPT-5.1: vivió 29 días
GPT-5.2: vivió 84 días
GPT-5.4: vivió 49 días
GPT-5.5: vivió 77 días
GPT-5.6: vivió 56 días
GPT-6 Astra: vivió 19 días
GPT-6 Sol: vivió 7 días
GPT-6.1 Sol: acaba de nacer hace 7 días
Antes un modelo duraba años.
Luego meses.
Ahora semanas.
Qué locura.
@TheCFormula credo. retweeted
Replying to @NyobiumGames
@NyobiumGames
Enjoy the vibe.. Nice work..
🤖 Made with AI
@TheCFormula credo. retweeted
Here are the 4 artists and posts that surprised me on the one word prompt, Freedom:
@WickeyPixels
@NyobiumGames
@QnasS10348
@HTransmiss53320
Thank you all for sharing!
I want to take a moment to support this community and the emerging artists here!
Keep creating, it really matters!
@TheCFormula credo. retweeted
Lost in the song… a wanderer, a violin, and one swan that stayed to listen.
@TheCFormula credo. retweeted
TALES OF GRIMWICKE — Chapter I is 22 minutes of AI fantasy animation inspired by the many anthropomorphic animal stories I read as a kid, with a dark twist:
The model: Seedance 2.5 (@ByteDanceSeed_ ) via @Segmind_ai. 847 takes generated, mostly 30-second multi-shot prompts, over 5 hours of footage. 127 clips made the cut. About $4.5k in generation, four weeks from first take to publish.
Characters and locations came out of @midjourney. Using MJ for the location plates was a revelation: the cinematography and art direction are a level above, and it renders far better as a plate than Nano Banana or GPT Image. Nano Banana (@GoogleDeepMind run on @fal) did the heavy lifting editing those plates, building anchor frames and turning MJ characters into turnaround sheets. Then I let Seedance do as much of the framing and camera operating as possible. That gave the best results.
A lot of what I do in my Unreal Engine films came with me: a handheld, imperfect camera operator instead of smooth moves, focus hunting, and above all weather and atmospherics. The model does water, snow, smoke and rain really well, and leaning into that is what keeps it from looking like a Temu Pixar film.
The tools I built: a portal (Node on @flydotio) that holds the bible, the refs, every prompt and every take, with a Claude agent (@claudeai) that writes the prompts to the house rules. A Premiere Pro (@AdobeVideo) panel that browses the archive, drops selects on the timeline, versions the project, strips music, and sends fixes back to Seedance. Everything is done in 720p with no upscaling, because it looks terrible. Narration is my own voice through @ElevenLabs speech-to-speech. Music from @Artlist_io.
None of this would exist without @PJaccetturo and @Kavanthekid. Their narrative work, Nexus and Chronicles of Bone, proved long-form AI film was possible, and their podcasts, newsletters and X posts, updated constantly as the workflow changes under everyone's feet, showed how to actually do it.
Chapter II is currently in the works and I will release it initially on my YouTube channel, The Darkest Age (@CharlieDriscollAI). Consider subscribing there to see it as soon as it drops!
@TheCFormula credo. retweeted
Even if the fireworks aren't for you,
that shouldn't stop you from enjoying the view.
It may not be your turn to be in the spotlight,
just make sure you're doing what's right...
@TheCFormula credo. retweeted
A wonderful tribute to the victims of 9/11 by Sky Element Drones, 2,977 Lights over New York Harbor. One light for every life lost.





















