
ALT Dadās Death Turns Three Ginger Ayla It has begun walking. It has said its first words and they are roundabout and rowboat. Hail and catapult. It likes rhyme. Alliteration. For months itās been able to sing itself asleep. Still I am always checking for signs of life in the night. Iāve started to wonder who itāll grow to be. Its sharp teeth lost to a softer surface underneath. We drive west to Crescent City and meet thousand-year-old trees, retrace steps to places Dad once took me. At the headwaters of the Mississippi, the same obsidian leeches find homes in-between

ALT our toes. It has forgotten the pandemonium of its birth. Days all its eyes could see were more eyes. It has started to wonder how I meant things; if I ever lived without it. We tour the crystal caves of the Dakotas, experience total deprivation of sight. We donāt talk about our feelings after 10pm, itās a rule. I build us a house out of quicksilver and slate. We stay up most nights and talk about the universe. How it moves like catapulting hail. Sublime. Generous.

ALT ON DISSOCIATION āāafter Marie Howe It is for this I leave you: endless February behind my last apartment, another city, the fickle snow sticking, for once, dead finch cemented to the ice beside the Honda; my old love harrowing the trash in search of a ginkgo leaf I picked one afternoon, tattered now between its filaments like a chapel window blasted in the siegeā or the jaundiced, abstract August after leaving, when he crashed his bike and shredded half his thigh, woke bloody in the street, remembered nothing of that week, just said he hadnāt meant to scare meā or the dream I have one night a week at least, where the kitten I abandoned to the shelter is still mine, though Iām still me, the place vacant for years, just scattered litter, a blanket nest. I turn the key. The empty foyer chokes on dark and fumes, and though she doesnāt gambol up, I feel the air displaced, her shallow breath. She is like so much was back then: alive,

ALT but only just. Too late to run, I pick my way along the wall toward her black tongue, distended belly, what Iāve done. Outside, the oak trees cinch black mesh around the orange moon. How to explain that ever since, all real events, even pleasure, are a long concert I am being subjected to? You turn me so Iām face down on the bed. The dark thrusts in again, in time with you. My old love throws the kitten above his head and catches her, ignoring her thin protestations, the brutal weather of that time and place flying and falling softly in his arms. My eyes adapt to the dark as though the dark were an animal, afraid of me at first, and then approaching to sniff my outstretched palm.

ALT INTROCEPTIVE BUFFER SATURATION How do you experience time? Iāll go first. While reading, I lose an eyelash at the end of a poem. The black fiber clings like a hoofprint to the mountain. Little comma, pausing, apostrophe in a hurry. I love the way it looks, alone in the white expanse. I turn the page without brushing it away. Fifty years from now, I abandon my robot child in a forest. When I turn back, the eyelash is reborn, the animal of the fossil. Yesterday, Andrew said indifference means living in the now. When you donāt care what happens, you relinquish the future. I can only intimate to him everything my body has forgotten. Power surges fry the boiler. Cold bleaches the street. The moon rises early and ends the day by accident. What Andrew said is true, I mean neurologically. Being indifferent, to the body, is a continuous present. On my fingertip, the eyelash is being a small, empty bowl. On a craggy rock, three hungry goats are mostly staying still.

ALT Since the inception of The Boiler, we have published diverse voices. We are dedicated to normalizing the elevation and amplification of underrepresented voices and are always seeking to do better under pressure. We support the Writers Against the War on Gaza statement, and the open letter from Jewish writers. We grieve the 18,000 Palestinians and 1,200 Israelis killed and are horrified by the unfolding humanitarian crisis in Gaza.

ALT We denounce the rising anti-Arab violence, Islamophobia, and antisemitism in the U.S. and are outraged by the murder and violence committed across the U.S. We denounce the conflation of anti-Zionism with anti-Semitism. We reject the ongoing suppression of Palestinian writers in the U.S. and abroad. We join global calls for the liberation of Palestine and for an end to Israelās U.S.-funded genocide in Gaza.

ALT Our editors made up of volunteers, have not been silent behind the scenes and would like to share our public stanceāwe reaffirm our values and welcome submissions that dismantle, complicate, and/or question the power structures of white supremacy, colonization, capitalism, patriarchy, and imperialism. We join with those envisioning a free Palestine and reaffirm artās political commitments, and we will continue to uplift writers speaking out for Palestinian freedom, as well as safety and liberation for all people.

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