
Writer/producer - screen & print. VO/audiobook/film. WGGB. Folk horror shorts collection BLACK GATE TALES #1 seller on Amazon in horror category Jan/Aug '22.
UK
Joined April 2012
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Paul Draper retweeted
If AI does kill the human race, I think this is the most likely scenario for how it happens.
Why AI-designed superviruses outweigh every other risk in the world right now:
noahpinion.blog/p/heres-how-…
Paul Draper retweeted
There’s a scene from the 1960 film version of The Time Machine that has been haunting my dreams of late.
In the film, the Time Traveller (Rod Taylor) has traveled almost a million years into the future, expecting that when he arrived he would find an advanced civilisation marked by the pursuit of learning. Instead, he finds the Eloi, a race of simple creatures in togas who are bred like cattle, and eaten, by the subterranean Morlocks.
In the film’s most harrowing scene, he’s taken by one of the Eloi to a centuries-old library housing the last books in existence, which crumble to dust in his hands.
“What have you done?” the Time Traveller demands, as the dreams of centuries turn to ash. “Thousands of years of building and rebuilding, creating and recreating! A million years, the sensitive men dying for their dreams, for what? So you can swim, and dance, and play.”
In the last couple weeks I see a lot of men on this platform arguing with a straight face that we should let AI generate our writing for us, that it’s the future, that there’s no fighting it. And I need you all to know that THIS is the ultimate end of a world in which everyone has machines write for them. There will be no more thinking, no more creative expression, no more art or literature. It’s what C. S. Lewis called “the abolition of man.” We will be no different from cattle and our libraries will turn to dust.
When ease and entertainment become the highest good, it’s not shocking that people will find clever ways to avoid work and study. But nor should it be surprising when the ultimate fate of the Eloi becomes our own.
Paul Draper retweeted
EXCLUSIVE: 'PHANTASM' may be headed to television.
Dread Central has learned that a TV adaptation of Don Coscarelli's horror classic is in the works, potentially bringing the Tall Man to a whole new generation of victims.
Read more: [dreadcentral.com/exclusive/5…]
Paul Draper retweeted
This should inspire us all.
‘BACKROOMS’ has crossed the $300M mark at the worldwide box office, becoming the first A24 film to do so.
Paul Draper retweeted
Clearly we humans have lost our sense of perspective and have exaggerated our usefulness to the Bond villain class.
Amazon founder Jeff Bezos says human water consumption is limiting Al's potential
Readers added context they thought people might want to know
Jeff Bezos did not say that human water consumption is limiting AI's potential; the attributed quote was erroneous and removed from the source article after correction. theprint.in/feature/jeff-b… youtube.com/watch?v=Bj7QIR…
There are very few ultra rich in the UK, says reprehensible end-state capitalism cheerleader @ShelaghFogarty on @LBC, loftily dismissing a caller's genuine point on wealth inequality before pressing a button to cut her off.
Literally just done the same with @supergirl
£18.55 tickets
Blue light £8.75
Odeon booking fee10.00
Total 18.75£
They do this with meerkat and amazon took
Bloody ridiculous
Seeing #projecthailmary today at @ODEONCinemas. Price comparison:
Standard iSense cost £14.49
----
@bluelightcard voucher £8.35
@ODEONCinemas surcharge £6.00
#ServiceSeats TOTAL - £14.35
Conclusion, @ODEONHelp does not really support the Service Seats programme.
Shady tricks.
Lovingly curated by @HelloFreshUK, unfortunately 'delivered' by @DPDCare.
Paul Draper retweeted
Elon Musk has today updated the formula that decides if you see this tweet.
Each tweet is scored.
S=Σ (probability of reaction × value of reaction)
A like = 0.5 points.
A reply = 13.5.
A full argument? 75+
That’s why outrage travels faster than facts. thetimes.com/comment/columni…
Paul Draper retweeted
Remember what Leo said at the end of this film?
"The thing is, we really did have everything, didn't we?"
One of the most incredible and poignant final scenes you're likely to see –
🎬🎥📽️. Don't Look Up (2021)
Paul Draper retweeted
The Best 'Exposition Dump' in Film History. In 5 minutes, Spielberg lays out the characters, mythology, locations, artifacts and the entire narrative engine of the film. The audience discovers everything alongside Indy + each detail pays off later. A masterclass in storytelling.






























