Chatting about movies since 2013 - some good,some not so good. @scophi @pdoleary70 @THRIIIIKER https://xitter.cf/t.co/neOIEyN6Wz…

Joined January 2013
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Aberfan: A Village Forever Changed Rainbow Valley — telling the stories from the decade that shook the world On the morning of Friday 21 October 1966, children in the Welsh mining village of Aberfan arrived at Pantglas Junior School for the last day before half term. At around 9.15am, a colliery spoil tip collapsed on the hillside above them. A torrent of coal waste swept through the school and neighbouring homes, claiming 144 lives, including those of 116 children. In this episode of Rainbow Valley, we return to one of the darkest days of the decade, remembering the people whose lives were lost and the community left to carry an unimaginable burden. We follow the desperate rescue effort, as miners, parents and volunteers searched the wreckage, and consider the grief that reached far beyond this small village in South Wales. We also examine how such a catastrophe could happen, the questions of responsibility that followed, and the struggle to ensure that Aberfan’s suffering would never be forgotten. Above all, this is an episode about people: children with their futures ahead of them, teachers and neighbours, bereaved families, and those who survived. It is a story that deserves to be told with care, compassion and a lasting commitment to remembrance. This and all episodes of Rainbow Valley are available at: directory.libsyn.com/shows/v… #RainbowValley #Aberfan #RememberingAberfan #WelshHistory #1960s #SocialHistory #HistoryPodcast
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Taking the City to the Cleaners For our next outing on the Reel Britannia podcast, we are grabbing our mops and buckets for a wonderfully inventive slice of 1963 British comedy, Ladies Who Do. Directed by C.M. Pennington-Richards and penned by the writing duo of Michael Pertwee and John Bignall, the film follows a formidable crew of London charwomen—led by the irrepressible Mrs. Rubin (Miriam Karlin) and the commanding Mrs. Higgins (Peggy Mount)—who spend their evenings scrubbing the offices of the City's financial elite. When they stumble across lucrative stock market tips discarded in the wastepaper baskets, they team up with an eccentric, cigar-chomping retired Colonel (Robert Morley) to play the ruthless property developers at their own game. It’s not long before they cross paths with the unscrupulous James Ryder, played with delightful sleaze by Steptoe and Son’s Harry H. Corbett. Boasting an absolute powerhouse ensemble of beloved British character actors, including Dandy Nichols and Jon Pertwee, the film is a gloriously charming class-war caper and a fascinating time capsule of a rapidly changing London. The Reel Britannia team will be sweeping through the film in our familiar warm, conversational, and lightly irreverent style, marvelling at Morley’s effortless buffoonery and the sheer screen presence of our leading ladies. This episode, along with the complete Reel Britannia back catalogue, is available wherever you download your podcasts and at: directory.libsyn.com/shows/v… If you're enjoying the show, remember that special bonus episodes are available through the Reel Britannia Patreon, inviting listeners to support the podcast and enjoy even more of our classic film discussions. #LadiesWhoDo #RobertMorley #PeggyMount #HarryHCorbett #BritishComedy #BritishCinema #ReelBritannia #Podcast #ClassicFilm #1960sCinema
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All at sea with a slightly different crew! ⚓️ Episode 204 of Reel Britannia takes on Carry On Jack (1964), with Bernard Cribbins, Juliet Mills, Kenneth Williams, Charles Hawtrey and Jim Dale setting sail for a gloriously chaotic nautical adventure. Scott is joined by Steven, Tony and Mark to ask the big question: does the absence of familiar faces like Sid James and Joan Sims hurt the film, or do Cribbins and Mills make a refreshing change? 🎧 Listen here or wherever you get your podcasts: directory.libsyn.com/shows/v… Bonus episodes are also available via the Reel Britannia Patreon. #CarryOnJack #BernardCribbins #KennethWilliams #BritishComedy #CarryOnFilms #ReelBritannia #Podcast
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All at Sea with a Slightly Different Crew For episode 204 of the Reel Britannia podcast, we are taking to the high seas and hoisting the mainsail for the 1964 nautical romp, Carry On Jack. The story follows the earnest but hopelessly inept Albert Poop-Decker (the brilliant Bernard Cribbins), who takes a commission as a midshipman on the frigate Venus. Naturally, things go pear-shaped before he even leaves the tavern, leading to a frantic voyage involving a stolen identity, a remarkably resourceful young woman named Sally (Juliet Mills), and the decidedly cowardly Captain Fearless (Kenneth Williams). Directed by series stalwart Gerald Thomas, the film features a lively score composed by Eric Rogers and marks Talbot Rothwell's second Carry On script following his debut with Carry On Cabby. But what makes Jack a particularly fascinating watch is who isn't on deck. Scott is joined by Steven, Tony, and Mark to debate a crucial question for the franchise's history: does the film suffer from a lack of familiar faces like Sid James and Joan Sims, or do Cribbins and Mills make a thoroughly welcome addition to the family? Along with spotting Jim Dale (making another welcome appearance after Cabby) and enjoying Charles Hawtrey as the hapless Walter Sweetley, we'll be unpacking the picture in our familiar warm, conversational, and lightly irreverent style. This episode, along with the complete Reel Britannia back catalogue, is available wherever listeners download their podcasts and at: directory.libsyn.com/shows/v… If you're enjoying our cinematic voyages, please note that special bonus episodes are available through the Reel Britannia Patreon, inviting listeners to support the podcast and enjoy additional film discussions. #CarryOnJack #BernardCribbins #JulietMills #KennethWilliams #BritishComedy #BritishCinema #CarryOnFilms #ReelBritannia #Podcast
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Too Many Bonds and Not Nearly Enough Sense Episode 203 of Reel Britannia throws itself headfirst into one of the strangest artefacts in the whole 007 universe, the 1967 Casino Royale, a film that seems to have been made by several different studios who never once spoke to each other. David Niven's Sir James Bond is dragged from a comfortable retirement to face down SMERSH, and decides the cleverest way to win is to rename every agent in British Intelligence James Bond, regardless of who they are or what they look like. It goes about as well as you'd expect. Charles K. Feldman produced it, an army of directors and writers had a hand in it, and the cast reads like a fever dream, Peter Sellers, Ursula Andress, Woody Allen and Orson Welles all sharing the screen without ever quite sharing a film. Scott sits down with Steven, Tony, Mark and Hal to work out whether this is a cult treasure, a beautiful mess, or proof that too many cooks really can burn the whole kitchen down. Expect the usual warm, unhurried chat and a fair amount of head scratching along the way. Find this episode and the full Reel Britannia archive wherever you get your podcasts, and at: directory.libsyn.com/shows/v… Bonus episodes and extra late night film chat are available to Reel Britannia supporters on Patreon. #CasinoRoyale #JamesBond #DavidNiven #PeterSellers #SwingingSixties #BritishCinema #ReelBritannia #Podcast #ClassicFilm
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A Licence to Confuse and a Swinging Sixties Spectacle For episode 203 of the Reel Britannia podcast, we are tumbling down a deeply psychedelic cinematic rabbit hole with the delightfully baffling 1967 spoof, Casino Royale. The premise, should you choose to try and follow it, sees the original, legendary Sir James Bond (David Niven) coaxed out of a genteel retirement to take down the nefarious syndicate SMERSH. His tactical masterstroke? Confusing the enemy by renaming every single active agent—male or female—James Bond. Naturally, absolute chaos ensues. Produced by Charles K. Feldman and steered by a famously sprawling committee of writers and directors, the film boasts a dizzying, star-studded cast that includes Peter Sellers, Ursula Andress, Woody Allen, and Orson Welles. But the real question we’re asking this week is where exactly this extravagant behemoth fits into the 007 canon. Scott is joined by Steven, Tony, Mark and Hal to figure out if the film is strictly for the die-hard fans, an odd little cinematic curio, a completely disjointed mess, or simply a wonderfully unhinged snapshot of the swinging sixties. Expect our familiar warm, conversational, and lightly irreverent style as we try to make sense of the glorious excess of it all. This episode, along with the complete Reel Britannia back catalogue, is available wherever listeners download their podcasts and at: directory.libsyn.com/shows/v… If you're enjoying the show, do bear in mind that special bonus episodes are available through the Reel Britannia Patreon, inviting listeners to support the podcast and enjoy even more of our late-night film discussions. #CasinoRoyale #JamesBond #DavidNiven #PeterSellers #SwingingSixties #BritishCinema #ReelBritannia #Podcast #ClassicFilm
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A Licence to Confuse and a Swinging Sixties Spectacle For episode 203 of the Reel Britannia podcast, we are tumbling down a deeply psychedelic cinematic rabbit hole with the delightfully baffling 1967 spoof, Casino Royale. The premise, should you choose to try and follow it, sees the original, legendary Sir James Bond (David Niven) coaxed out of a genteel retirement to take down the nefarious syndicate SMERSH. His tactical masterstroke? Confusing the enemy by renaming every single active agent—male or female—James Bond. Naturally, absolute chaos ensues. Produced by Charles K. Feldman and steered by a famously sprawling committee of writers and directors, the film boasts a dizzying, star-studded cast that includes Peter Sellers, Ursula Andress, Woody Allen, and Orson Welles. But the real question we’re asking this week is where exactly this extravagant behemoth fits into the 007 canon. Scott is joined by Steven, Tony, Mark and Hal to figure out if the film is strictly for the die-hard fans, an odd little cinematic curio, a completely disjointed mess, or simply a wonderfully unhinged snapshot of the swinging sixties. Expect our familiar warm, conversational, and lightly irreverent style as we try to make sense of the glorious excess of it all. This episode, along with the complete Reel Britannia back catalogue, is available wherever listeners download their podcasts and at: directory.libsyn.com/shows/v… If you're enjoying the show, do bear in mind that special bonus episodes are available through the Reel Britannia Patreon, inviting listeners to support the podcast and enjoy even more of our late-night film discussions. #CasinoRoyale #JamesBond #DavidNiven #PeterSellers #SwingingSixties #BritishCinema #ReelBritannia #Podcast #ClassicFilm
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Bonus Episode - Reel Rude Britannia 007 - Naked Ambition: Britain’s Naturist Movie Boom Sunshine. Sea air. Healthy living. Good posture. And absolutely no other reason whatsoever for buying a cinema ticket. This time on Reel Rude Britannia – A Saucy History of the British Sex Comedy, Scott heads into one of the oddest and most wonderfully British corners of our film history: the naturist movie. Before the full-blown British sex comedy arrived, filmmakers had already discovered a very useful loophole. If nudity was presented as wholesome, educational and part of a healthy outdoor lifestyle, then perhaps the censor might be persuaded to look the other way. And for a while, that was more or less exactly what happened. This episode takes in eight gloriously peculiar examples of the form: Nudes of the World Sunswept World Without Shame My Bare Lady Take Off Your Clothes and Live! Eves on Skis It’s a Bare, Bare World! The Reluctant Nudist Along the way we meet the likes of Stanley Long, Arnold Louis Miller, Edward Craven Walker and Michael Deeley, and explore the strange mixture of censorship, entrepreneurship, social change, commercial opportunism and very straight-faced respectability that allowed these films to flourish. It’s a story of a country edging nervously towards permissiveness while insisting that everybody was only there for the fresh air, scenery and educational content. Eight films. One loophole. A lot of sunshine. Quite a lot of narration. And rather fewer clothes than usual. Reel Rude Britannia: from stiff upper lips to wobbly bits, sauce, suggestion and censorship. Available now exclusively on the Reel Britannia Patreon. tinyurl.com/4fs9bbf3 #ReelRudeBritannia #ReelBritannia #BritishCinema #BritishFilm #BritishFilmHistory #BritishSexComedy #SaucyCinema #ExploitationCinema #CultCinema #NaturistFilms #SixtiesCinema #1960sCinema #StanleyLong #FilmHistory #Podcast #Patreon
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"Mr Grimsdale!" reporting for duty. In episode 202, the Reel Britannia team heads to the front lines with the 1958 comedy classic, The Square Peg. We find earnest road mender Norman Pitkin and his perpetually exasperated boss drafted into the Pioneer Corps and accidentally parachuted into occupied France. The twist? Norman happens to be the exact double of a rather formidable Nazi General. Directed with energetic flair by John Paddy Carstairs and penned by Jack Davies, the film features Norman Wisdom at the absolute peak of his physical comedy powers in a brilliant dual role. He is joined by Edward Chapman and a pre-Bond Honor Blackman. It is prime Wisdom territory, blending his signature slapstick with genuinely clever doppelgänger hijinks, and we will be unpacking the whole chaotic operation with our usual warm and lightly irreverent banter. This episode, along with the complete Reel Britannia back catalogue, is available wherever you download your podcasts and at: directory.libsyn.com/shows/v… If you would like to support the show and enjoy even more film discussions, special bonus episodes are available through the Reel Britannia Patreon. #TheSquarePeg #NormanWisdom #HonorBlackman #EdwardChapman #BritishCinema #BritishComedy #ReelBritannia #Podcast #ClassicFilm
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Digging Up Trouble Behind Enemy Lines For episode 202 of the Reel Britannia podcast, we’re trading our civvies for khaki and marching straight into the chaotic world of a genuine British comedy icon. This time around, the team is discussing the 1958 Norman Wisdom classic, The Square Peg. Directed by John Paddy Carstairs and written by Jack Davies, the film follows the hapless road mender Norman Pitkin (Wisdom, naturally) and his perpetually flustered boss Mr Grimsdale (Edward Chapman) as they find themselves unexpectedly drafted into the Pioneer Corps. Before long, the pair are parachuted into occupied France, where Pitkin discovers he is the spitting image of a ruthless Nazi commandant, General Schreiber. What follows is a brilliantly executed dual-role performance that perfectly showcases Wisdom’s immense gift for physical comedy and timing. Supported by a wonderful cast that includes Honor Blackman and the glorious Hattie Jacques, it’s a masterclass in slapstick that cemented Wisdom’s place as a box office giant. The Reel Britannia team will be unpacking the film in our familiar warm, conversational, and lightly irreverent style, chatting about the ingenuity of the doppelgänger setup and the sheer, exhausting energy of Pitkin's war effort. This episode, along with the complete Reel Britannia back catalogue, is available wherever listeners download their podcasts and at: directory.libsyn.com/shows/v… Listeners can also follow the podcast on X at @rbritanniapod If you fancy even more film chat, special bonus episodes are available through the Reel Britannia Patreon. We'd love to invite listeners to support the podcast and enjoy our additional dives into the archives of British cinema. #TheSquarePeg #NormanWisdom #BritishComedy #BritishCinema #ReelBritannia #Podcast #EdwardChapman #ClassicComedy
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Stinking Pause Podcast retweeted
Digging Up Trouble Behind Enemy Lines For episode 202 of the Reel Britannia podcast, we’re trading our civvies for khaki and marching straight into the chaotic world of a genuine British comedy icon. This time around, the team is discussing the 1958 Norman Wisdom classic, The Square Peg. Directed by John Paddy Carstairs and written by Jack Davies, the film follows the hapless road mender Norman Pitkin (Wisdom, naturally) and his perpetually flustered boss Mr Grimsdale (Edward Chapman) as they find themselves unexpectedly drafted into the Pioneer Corps. Before long, the pair are parachuted into occupied France, where Pitkin discovers he is the spitting image of a ruthless Nazi commandant, General Schreiber. What follows is a brilliantly executed dual-role performance that perfectly showcases Wisdom’s immense gift for physical comedy and timing. Supported by a wonderful cast that includes Honor Blackman and the glorious Hattie Jacques, it’s a masterclass in slapstick that cemented Wisdom’s place as a box office giant. The Reel Britannia team will be unpacking the film in our familiar warm, conversational, and lightly irreverent style, chatting about the ingenuity of the doppelgänger setup and the sheer, exhausting energy of Pitkin's war effort. This episode, along with the complete Reel Britannia back catalogue, is available wherever listeners download their podcasts and at: directory.libsyn.com/shows/v… Listeners can also follow the podcast on X at @rbritanniapod. If you fancy even more film chat, special bonus episodes are available through the Reel Britannia Patreon. We'd love to invite listeners to support the podcast and enjoy our additional dives into the archives of British cinema. #TheSquarePeg #NormanWisdom #BritishComedy #BritishCinema #ReelBritannia #Podcast #EdwardChapman #ClassicComedy
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Bonus Episode - Reel Rude Britannia 007 - Naked Ambition: Britain’s Naturist Movie Boom Sunshine. Sea air. Healthy living. Good posture. And absolutely no other reason whatsoever for buying a cinema ticket. This time on Reel Rude Britannia – A Saucy History of the British Sex Comedy, Scott heads into one of the oddest and most wonderfully British corners of our film history: the naturist movie. Before the full-blown British sex comedy arrived, filmmakers had already discovered a very useful loophole. If nudity was presented as wholesome, educational and part of a healthy outdoor lifestyle, then perhaps the censor might be persuaded to look the other way. And for a while, that was more or less exactly what happened. This episode takes in eight gloriously peculiar examples of the form: Nudes of the World Sunswept World Without Shame My Bare Lady Take Off Your Clothes and Live! Eves on Skis It’s a Bare, Bare World! The Reluctant Nudist Along the way we meet the likes of Stanley Long, Arnold Louis Miller, Edward Craven Walker and Michael Deeley, and explore the strange mixture of censorship, entrepreneurship, social change, commercial opportunism and very straight-faced respectability that allowed these films to flourish. It’s a story of a country edging nervously towards permissiveness while insisting that everybody was only there for the fresh air, scenery and educational content. Eight films. One loophole. A lot of sunshine. Quite a lot of narration. And rather fewer clothes than usual. Reel Rude Britannia: from stiff upper lips to wobbly bits, sauce, suggestion and censorship. Available now exclusively on the Reel Britannia Patreon. patreon.com/ReelBritanniaPod… #ReelRudeBritannia #ReelBritannia #BritishCinema #BritishFilm #BritishFilmHistory #BritishSexComedy #SaucyCinema #ExploitationCinema #CultCinema #NaturistFilms #SixtiesCinema #1960sCinema #StanleyLong #FilmHistory #Podcast #Patreon
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The night the mail train stopped — and £2.6 million disappeared into the Buckinghamshire darkness. Rainbow Valley – bringing you the stories from the decade that shook the world. In the early hours of 8 August 1963, a Royal Mail train travelling overnight from Glasgow to London approached a red signal in the Buckinghamshire countryside. The signal was false. Waiting in the darkness was a gang of men about to carry out one of the most audacious crimes in British history. This episode of Rainbow Valley tells the extraordinary story of The Great Train Robbery — the meticulously planned raid that netted the thieves around £2.6 million, an almost unimaginable sum at the time, and immediately became front-page news around the world. We follow the story from the tampering of the railway signals and the stopping of the train at Sears Crossing to the violent attack on driver Jack Mills, the removal of the money at Bridego Bridge, and the gang's hurried retreat to Leatherslade Farm. It was there that an operation which had depended upon careful planning began to unravel rather spectacularly. We look at the men behind the robbery, including Bruce Reynolds and the soon-to-be-notorious Ronnie Biggs, the enormous police investigation that followed, the clues the gang left behind and the arrests, trials, prison sentences and extraordinary escapes that ensured the story continued long after the stolen cash had vanished. And we also consider how the Great Train Robbery became part of British folklore. Over the years the thieves were sometimes portrayed as cheeky, almost romantic rogues pulling off the crime of the century. The reality — particularly the brutal treatment of Jack Mills — was considerably less glamorous. It is a story of planning, nerve, greed, mistakes, manhunts and myth-making, played out against the unmistakable backdrop of Britain in the summer of 1963. Rainbow Valley – bringing you the stories from the decade that shook the world. All episodes of Rainbow Valley are available wherever you download your podcasts and at: directory.libsyn.com/shows/v… #RainbowValley #GreatTrainRobbery #GreatTrainRobbery1963 #BritishHistory #SixtiesBritain #1960s #CrimeHistory #TrueCrime #RonnieBiggs #BruceReynolds #RoyalMail
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Dublin soul, magnificent music and enough creative differences to sink a small record label. This episode was recorded a couple of weeks ago, before the terribly sad news of Glen Hansard’s death earlier this week. We remember him with great affection as Outspan Foster, one of the unforgettable faces and voices at the heart of The Commitments. Dublin has the music. Jimmy Rabbitte has the ambition. What he does not yet have is a band, any money, or the faintest idea how to keep a roomful of volatile musicians from throttling one another. This time on Reel Britannia, Scott is joined by Maurice in Melbourne, Kerry in Boston and Tom from just down the road for Alan Parker’s joyous, foul-mouthed and gloriously chaotic 1991 musical comedy. Based on Roddy Doyle’s novel, The Commitments follows Jimmy’s attempt to bring soul music to the working-class streets of Dublin by assembling a group whose talent is matched only by its ability to argue. The team discusses the film’s extraordinary cast, including Robert Arkins, Andrew Strong, Angeline Ball, Maria Doyle Kennedy, Bronagh Gallagher, Colm Meaney and Glen Hansard. There is also plenty of admiration for the thunderous soundtrack, the sharp dialogue and Parker’s knack for making the whole enterprise feel as though it might either conquer the world or collapse before the next rehearsal. So pull on your sharpest suit, warm up the brass section and try not to mention creative differences. The Commitments are ready to play, although whether they will all still be speaking by the encore is another question. This and all previous episodes are available wherever you download your podcasts and at: directory.libsyn.com/shows/v… #ReelBritannia #TheCommitments #AlanParker #RoddyDoyle #GlenHansard #IrishCinema #BritishFilmPodcast #FilmPodcast
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🎷 "We're a soul band! Not a cabaret act!" 🎷 Get ready to meet the Saviours of Soul! We are gearing up for Episode 201 of the Reel Britannia Podcast, and this time, we’re heading straight to the northside of Dublin. 🇮🇪🎬 Join us on our upcoming episode as we unpack Alan Parker's brilliant, BAFTA-winning 1991 musical comedy: THE COMMITMENTS. We'll be diving into Jimmy Rabbitte's grand vision to bring working-class soul to the masses. Expect plenty of laughs and fantastic tunes as we discuss: 🎙️ The phenomenal (and incredibly volatile) vocal chops of Deco Cuffe 🎺 The mysterious, Vespa-riding wisdom of Joey "The Lips" Fagan 🎸 The hilariously chaotic reality of building a band from the ground up 🎵 And, of course, that absolutely legendary, chart-topping soundtrack ("Mustang Sally," anyone?) Whether you've got soul or you're just looking for a brilliant laugh, you won't want to miss this one. Keep your eyes and ears peeled for the drop! 🎧 This upcoming release, and all previous episodes, are available right here: 🔗 directory.libsyn.com/shows/v… #ReelBritannia #TheCommitments #IrishCinema #SoulMusic #AlanParker #RoddyDoyle #FilmPodcast #MustangSally #MovieHistory #ClassicFilm #PodcastsUK
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💥 "You were only supposed to blow the bloody doors off... not record a podcast episode about it!" 💥 The latest episode of the Rainbow Valley podcast with Reel Britannia host, Scott. Get ready to join the Self-Preservation Society! Episode 43 of the Rainbow Valley Podcast is officially out, and we are diving deep into the swinging sixties to explore the making of an absolute British cinematic masterpiece: The Italian Job (1969). 🎬🇬🇧 Join us as we travel to Turin to uncover the behind-the-scenes secrets of Charlie Croker’s legendary gold heist. We’re unpacking everything that makes this film a timeless classic: 🕶️ Michael Caine reaching absolute peak '60s cool 🚗 The logistics behind those iconic, gravity-defying Mini Cooper chases 🎵 That incredibly infectious Quincy Jones soundtrack 🚌 And the real story behind how they pulled off one of the most famous literal cliffhangers in movie history! ("Hold on a minute, lads, I've got a great idea...") Whether you're a long-time fan who can quote every line or a first-time viewer, this episode is packed with production trivia, cast stories, and pure retro nostalgia. 🎧 Tune in now! This and all previous episodes are available at: 🔗 directory.libsyn.com/shows/v… #RainbowValleyPodcast #TheItalianJob #MichaelCaine #ClassicCinema #1960s #FilmPodcast #BritishFilm #MiniCooper #SelfPreservationSociety #MovieHistory
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Breaking OUT is hard, but breaking BACK IN is a comedy masterpiece! The Reel Britannia Podcast has officially hit a massive milestone... EPISODE 200! 🎉 And to celebrate our double-century, we’re heading straight to the cells of HMP Slade. Join us as we review the brilliantly funny big-screen outing of a British television legend: PORRIDGE (1979). 🎬🇬🇧 Ronnie Barker and Richard Beckinsale return as the iconic Fletch and Godber in a feature-length escapade that has it all: a celebrity football match, a cunning escape plan orchestrated by Mr. Oakes, and the ultimate prison dilemma—accidentally escaping and having to break back into jail before the terrifying Mr. Mackay catches them on the outside! It’s prime British comedy that still holds up brilliantly today. "Little victories, Godber. Little victories." Whether you’re a first-time offender or a long-time listener, come and do some time with us. 🎧 Listen to Episode 200, plus our entire back catalogue of British cinema deep dives, right here: 🔗 directory.libsyn.com/shows/v… #ReelBritannia #PorridgeTheMovie #RonnieBarker #RichardBeckinsale #BritishComedy #BritishFilm #FilmPodcast #Episode200 #ClassicCinema #PodcastsUK
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"Just remember this - in this country they drive on the wrong side of the road" In 1969, British cinema delivered one of its most enduringly cheerful acts of grand larceny. The Italian Job had Michael Caine, three Mini Coopers, a coach balanced rather inconveniently above a precipice and a plan that looked perfectly sensible provided nobody examined it too closely. In this episode of Rainbow Valley, we go behind the scenes to explore how this much-loved crime caper found its way onto the screen. Written by Troy Kennedy Martin, directed by Peter Collinson and produced by Michael Deeley, the film followed recently released criminal Charlie Croker as he assembled an unlikely team to relieve Turin of several million pounds in gold. The authorities, the Mafia and the Italian traffic system all had other ideas. We discover how Michael Caine came to play the immaculately dressed Croker, alongside Noël Coward as the wonderfully imperious Mr Bridger and Benny Hill as Professor Simon Peach, a computer expert whose enthusiasm for large ladies required rather more explanation than most job interviews would allow. Behind the camera, meanwhile, French stunt coordinator Rémy Julienne and his team set about turning the streets, rooftops and staircases of Turin into an obstacle course for three small British cars. There is also the film’s distinctive musical world, created by Quincy Jones and crowned by “On Days Like These” and “Getta Bloomin’ Move On”, better known to generations of viewers as “The Self-Preservation Society”. It was a soundtrack that somehow made traffic jams, bullion robbery and municipal vandalism feel positively uplifting. The making of The Italian Job captures Britain at the end of the 1960s: confident, stylish and slightly cheeky, yet already looking back at a decade whose optimism was beginning to wobble. It is a story of inspired casting, audacious stunt work, nervous studios and a famously unresolved ending that has kept viewers arguing ever since. So settle into the passenger seat and join us for a journey from London to Turin, accompanied by Minis, gold bars and one very precariously parked coach. Rainbow Valley – bringing you the stories from the decade that shook the world. This episode, along with all previous episodes of Rainbow Valley, is available wherever you get your podcasts and at: directory.libsyn.com/shows/v… #RainbowValleyPodcast #RainbowValley #TheSixties #1960s #HistoryPodcast #TheItalianJob #MichaelCaine #BritishCinema #ClassicFilm #MiniCooper #Turin
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"Just remember this - in this country they drive on the wrong side of the road" In 1969, British cinema delivered one of its most enduringly cheerful acts of grand larceny. The Italian Job had Michael Caine, three Mini Coopers, a coach balanced rather inconveniently above a precipice and a plan that looked perfectly sensible provided nobody examined it too closely. In this episode of Rainbow Valley, we go behind the scenes to explore how this much-loved crime caper found its way onto the screen. Written by Troy Kennedy Martin, directed by Peter Collinson and produced by Michael Deeley, the film followed recently released criminal Charlie Croker as he assembled an unlikely team to relieve Turin of several million pounds in gold. The authorities, the Mafia and the Italian traffic system all had other ideas. We discover how Michael Caine came to play the immaculately dressed Croker, alongside Noël Coward as the wonderfully imperious Mr Bridger and Benny Hill as Professor Simon Peach, a computer expert whose enthusiasm for large ladies required rather more explanation than most job interviews would allow. Behind the camera, meanwhile, French stunt coordinator Rémy Julienne and his team set about turning the streets, rooftops and staircases of Turin into an obstacle course for three small British cars. There is also the film’s distinctive musical world, created by Quincy Jones and crowned by “On Days Like These” and “Getta Bloomin’ Move On”, better known to generations of viewers as “The Self-Preservation Society”. It was a soundtrack that somehow made traffic jams, bullion robbery and municipal vandalism feel positively uplifting. The making of The Italian Job captures Britain at the end of the 1960s: confident, stylish and slightly cheeky, yet already looking back at a decade whose optimism was beginning to wobble. It is a story of inspired casting, audacious stunt work, nervous studios and a famously unresolved ending that has kept viewers arguing ever since. So settle into the passenger seat and join us for a journey from London to Turin, accompanied by Minis, gold bars and one very precariously parked coach. Rainbow Valley – bringing you the stories from the decade that shook the world. This episode, along with all previous episodes of Rainbow Valley, is available wherever you get your podcasts and at: directory.libsyn.com/shows/v… #RainbowValleyPodcast #RainbowValley #TheSixties #1960s #HistoryPodcast #TheItalianJob #MichaelCaine #BritishCinema #ClassicFilm #MiniCooper #Turin
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