Photographer | Photo Editor | Web Developer | Building Community with Passion, Integrity & Respect

USA
Joined March 2011
January 1, 2021 to April 6, 2026. Centralized Money - @Nasdaq up 70% - @DowJones up 52% - @Bitcoin up 135% - @ethereum Up 63% Decentralized Assets - Total NFT Volume down -91% - Top NFT Floor Prices Down -88% - Drawdown -90% β€œDip” We are early For the culture Beanie Babies
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π•Šπ•₯𝕒π•₯π•šπ•” 𝕄𝕠π•₯π•šπ• π•Ÿ retweeted
Art Share 🎨 Collectors are watching πŸ‘€ It’s been a while.. let me see what you’ve been up to!πŸ₯° πŸ”ΉShare your latest #nft πŸ”ΉShare your latest #WIP πŸ”Ήlike, comment and share🫑 Artist Spotlight: Untitled WIP by @eliznicole_ Give her a follow and welcome herπŸŽ‰ #artshare
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But… WAGMI. Embrace freedom and universal acceptance is coming… πŸ˜†πŸ˜†πŸ˜†
🚨BREAKING: The first half of 2026 was the most hacked six months in crypto history. 212 exploits drained $1.1 BILLION, 3.4x more incidents than all of 2025. North Korea's Lazarus Group was behind 55% of all losses, roughly $609 MILLION. Their two biggest hits, KelpDAO ($292M) and Drift Protocol ($285M), totaled 577M. Compromised private keys caused 74% of all dollar losses. The Blockaid security report also flagged the first ever AI prompt injection exploit, where an attacker tricked an AI agent into approving a $216K transaction.
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For the culture…
After an incredible journey, Exchange Art will officially cease operations on 08/01/26. The platform and its services will no longer be available after this date. Building Exchange Art and fostering an art community on Solana has been an honor and privilege, unfortunately we could not find a viable path forward as a company fiscally during this prolonged bear market for art on chain. Users are encouraged to access their accounts and retrieve any necessary information they may need prior to shutdown. All artworks and/or currencies currently held within Exchange Art sales & escrow contracts will be released by Exchange Art to the proper owners prior to the platform’s closure. All artwork is minted to the Solana blockchain and will be available to import on other marketplaces. No extra steps are needed from artists or collectors to ensure their artwork is secure and lasts on. We are deeply grateful to every artist, collector, curator, and supporter who helped shape what this platform is to its core. Exchange Art will officially shut down and be inaccessible on Saturday, August 1; 08/01/26.
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π•Šπ•₯𝕒π•₯π•šπ•” 𝕄𝕠π•₯π•šπ• π•Ÿ retweeted
I will soon be introducing a bill to give the public a 50% ownership stake in the largest AI companies in America. This would guarantee that the trillions created by AI are used to improve the lives of all of us β€” and block oligarch decisions that harm the American people.
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π•Šπ•₯𝕒π•₯π•šπ•” 𝕄𝕠π•₯π•šπ• π•Ÿ retweeted
Mario Nawfal was unfollowed by Elon, who accused him of spreading fake news. What Elon doesn't realize is that the account he made famous through constant retweets has extracted millions from its followers through crypto. A thread on some of the biggest grifts promoted by him🧡
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π•Šπ•₯𝕒π•₯π•šπ•” 𝕄𝕠π•₯π•šπ• π•Ÿ retweeted
I just listed the last available piece in the original CYANO ART Collection on #ETH "STRING" Cyanotype x Animation Facts: Minted: August 8th 2021 1st Animated Cyanotype Series on the Blockchain Last of 101 original Pieces left! Own a piece of history! For sale: 1 $ETH Link⬇️
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Watching people pump garbage like this reminds me of influencers pumping a shitcoin. Trying to watch this for a few minutes was torture - and I’m not going to lower my entertainment expectations because β€œit’s cool that some average dude can use Ai to make a movie.” No thanks…
This quoted post is unavailable.
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π•Šπ•₯𝕒π•₯π•šπ•” 𝕄𝕠π•₯π•šπ• π•Ÿ retweeted
I haven’t heard from @maryam_baghbani since February since the escalation of the war in #Iran. I hope you are well, and safe, my friend. In the meantime - I’m gonna share her art. ❀️ Feel free to share yours (and this post) as well. Much love to allβ€οΈπŸ™ #artshare #nftshare
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Probably because communities with over 5k members were literally just filled with bots. β€œNo Matt! That’s not true!” Yes. It is. I check everything. Be better.
Today we're announcing two product changes for organizing communities on X: 1. XChat now supports joinable links for groupchats. Create a public link & share direct to Timeline. With support for 350 members per chat (and growing), Groupchat Links are the fastest way to bring people together on X. 2. Due to declining usage, we're deprecating X Communities on May 6. To migrate your Community's members, pin your groupchat link so people can join it over the next 2 weeks. This is part of our broader effort to simplify the experience on X. Make no mistake: we are investing heavily in niche communities with the launch of Custom Timelinesβ€”and much more to come.
Readers added context they thought people might want to know
Communities' purpose is different from chat. Communities works asynchronously, meaning members can browse posts and choose which ones to engage with. help.x.com/en/using-x/com…
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I almost didn’t say anything, but I feel like I have to share this so it doesn’t happen to anyone else. Yesterday I was contacted by someone claiming to be from Forbes. Now for context - I’ve actually followed the Forbes account on X for a while - so this didn’t immediately feel out of place. They referenced my work, my NFT collections, even specific pieces. It all checked out. They knew who I was, and they were impressed by my 100’s of sales on @objktcom totaling 10’s of dollars. They told me Forbes was putting together a feature on β€œemerging digital asset visionaries” and wanted to do a live interview. They said the interview would be conducted via Calendly. Not scheduled through Calendly - conducted through it. They sent me a link, and when I opened it, it looked like a normal booking page… except there was a live countdown timer and a note that said: β€œSpecial Guest: Taylor Swift (Collector Spotlight Segment)” At this point I should have known something was off, but they explained that Taylor had recently been β€œquietly acquiring digital art” and wanted to surprise creators live during interviews by purchasing full collections. Yes. My entire collection. During the call. On Calendly. I clicked β€œJoin Interview” and it opened what looked like a hybrid between a Zoom call, a Shopify checkout, and… I swear… a Spotify player in the background playing β€œBlank Space.” There was a Forbes logo, a host introducing me, and then a video feed of β€œTaylor Swift” waving and saying she loved my work and wanted to β€œape the whole thing.” Then the screen froze. A message popped up saying: β€œYour wallet is not verified for celebrity-tier transactions. Please connect all wallets, all chains, and sign to enable full collection purchase.” And that’s when it hit me… If I don’t connect my wallets now… Taylor won’t be able to buy my beautiful amazing pictures. I of course connected my first wallet, then another wallet, then another. It took about 15 minutes total - but all wallets, all chains connected just like the host asked. It made sense in my head. What could go wrong right? Then boom… all my money gone… all my NFTs gone… I closed everything immediately. So much damage done, but honestly… it was so convincing in a completely absurd way. Moral of the story: If Forbes, Calendly, and Taylor Swift are all in the same sentence - you are 100% being scammed. Stay safe out there.
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π•Šπ•₯𝕒π•₯π•šπ•” 𝕄𝕠π•₯π•šπ• π•Ÿ retweeted
Replying to @StaticMotionNFT
Long rambling rant incoming πŸ˜…... OK, nobody is arguing that talent and money left the space. It’s not a question. I’m arguing that the amateurs who β€œinherited” or β€œwon” what’s left behind had anything to do with it. What about all the rugs and all the days people woke up to find everything of value in their wallets gone. Look, I get that there is this lingering resentment from people who experienced the space or whatever you want to call it at its peak and now feel like that experience or place is gone, but in reality, it was always just hot air. It was never β€œreal”. It wasn’t sustainable. The sharp pin was always coming. Infact, for most, even in the hayday, it was never a reality, just a dream. If most went and got a job working part-time at McDonald's, you could probably make more money than you made here, considering the hours invested. If you were here to get rich or make NFTs your career, good luck. So what’s left? Attention, hope, and identity mixed with a little bit of finance. It’s what it was always destined to become. A handshake, a few steps past the β€œdonate” button, and a way to engage your community or fan base in a fun and unique way. It was never supposed to be a destination or place where you transition from artist to NFT artist. You’re supposed to be more creative than that. Find fun unique ways to integrate the tech into your business practice without letting it consume you. Do what you have done to make yourself a β€œprofessional” up to this point, but incorporate the tech for those who might like to participate. For example, say you’re showing 1/1 physicals at an art show. Keep doing that. But take one of those pieces and make it only accessible through an NFT edition. People collect the digital version online, and each edition becomes an entry. At some point, you draw a name. One collector walks away with the physical. Now the NFT isn’t the end product. It’s the bridge. Take what you learned here and bring it back to what actually made you an artist, photographer in the first place. The work, the connection, the process, and the moments someone connects with whatever your doing....then layer this in. Give people little entry points. Like, β€œhey, by the way, there’s another way to engage with me and what I’m doing.” Many will ignore it. But some will get curious. And a few will follow it all the way through. That’s how this grows. Not by waiting around for imaginary collectors to show up and drop 1 ETH on your JPEGs, but by creating experiences that actually give people a reason to investigate. If someone new gets onboarded along the way, great. If not, you still built something a little interesting that might interest the right people. I don’t know, it just feels like at some point, artists have to stop waiting for the version of the space they felt they were promised and start building the version they actually want to exist. You asked if I still mint NFTs. Yes, I will but not because I think it’s going to make me rich. This was never supposed to replace the real work. I’m going back to the photos, the process, the reason I picked up my camera when nobody was watching and nobody was paying any attention but me. And I will find ways to layer this in where it makes sense, not where it feels like opportunity. Like maybe you subscribe to my newsletter and you get a NFT or something. I’m still stumbling through my ideas but I think that’s where this got all twisted… nobody was building with the tech. Instead, they try to build for the tech, all web3 or nothing... and when the attention left, so did the foundation and all their hopes and dreams. But, I feel like there’s still something here, just not what people and the 21,22 hype sold us. It's not a destination. It’s not a marketplace. It’s not a career path. It’s not a guarantee of anything. It’s just a tool. But it can create a weird, and interesting fun for your fans that allows you to create digital scarcity if you want it… for your fans that value it. It allows you to reward people who actually care, and experiment with digital ownership in ways you couldn’t before. That’s it. If that excites you, cool, use it. If it doesn’t, whatever. But this idea that β€œthe wrong people waited around and just sort of inherited it and all and the cool kids left” is fucked up. Most of the people still here aren’t winning anything. They’re just the ones who didn’t leave. Some are still figuring it out. Some are just stubborn. Some don’t want to leave because leaving would mean fully realizing the loss they had incurred while here. And some, like @akaFoley mentioned actually enjoy the smaller room and seeing some of the louder voices disappear. I don’t know… honestly, this smaller room is probably the first honest version of this space we’ve had in a while.
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Passive-aggressively calling out a problem doesn’t fix the reality that was painted for artists - one that no one wants to see. Tell me how Web3 benefits an artist beyond making friends, learning, and exploring… because I won’t take those away EVER - but that was YOU, not Web3.
2021 was the year when we decided who the good digital artists would be
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When you can read a factual post like this without getting angry or sad - then you’ll have finally woken up. I’ll take building my future in reality any day.
Crypto art really matured, didn’t it. The artists who built this space left. The collectors who actually cared left. And what remained (what chose to remain) is now the face of the whole thing. Congratulations to everyone who outlasted the people with actual talent and taste. You won. This is yours now. A space reflects who inhabits it. And right now, crypto art is a very honest mirror. The grifters didn’t take over. They just waited. Apparently that’s a strategy. Some of us watched something real turn into this. We remember what it was. Which makes what it is now even harder to look at, and somehow, even easier to walk away from.
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π•Šπ•₯𝕒π•₯π•šπ•” 𝕄𝕠π•₯π•šπ• π•Ÿ retweeted
Crypto art really matured, didn’t it. The artists who built this space left. The collectors who actually cared left. And what remained (what chose to remain) is now the face of the whole thing. Congratulations to everyone who outlasted the people with actual talent and taste. You won. This is yours now. A space reflects who inhabits it. And right now, crypto art is a very honest mirror. The grifters didn’t take over. They just waited. Apparently that’s a strategy. Some of us watched something real turn into this. We remember what it was. Which makes what it is now even harder to look at, and somehow, even easier to walk away from.
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I’m tired of people β€œplaying professional” in pretty much every field that touches AI. Here’s a rule of thumb - if AI is giving you talent instead of enhancing your skills, you’re likely going to fall flat on your face and may negatively impact everyone around you.
THOUSANDS OF ANTHROPIC API KEYS ARE SITTING EXPOSED ON GITHUB RIGHT NOW. Anyone can find them. Search "claude_desktop_config" on GitHub. Hundreds of real API keys. Sitting in public repos. Uploaded by people who had no idea they were leaking their credentials to the entire internet. This is the dark side of vibe coding nobody talks about. People are shipping fast. Pasting config files. Pushing to GitHub without thinking. And leaving the keys to their entire AI stack exposed to anyone who knows where to look. If you use Claude and have ever pushed a config file to a public repo you need to check this right now. Go to Anthropic console. Regenerate your API keys. Set up a .gitignore that blocks config files before you push anything ever again. The vibe coding wave is real and powerful. But moving fast and leaking your keys is not shipping. It is leaving your front door open and wondering why someone walked in. Check your repos today.
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Due diligence isn’t a formality - it’s the buyer’s protection layer. A strong buyer doesn’t put themselves in a position where their entire decision and success depend or rely on trust alone.
Foundation as a company failed. The prior ownership was shutting down the platform, as it did with Rodeo. We were misled about certain aspects of the company's operations; once they were under our control, these issues became clear, and we canceled the transaction.
Readers added context they thought people might want to know
Blackdove is currently in a legal dispute with the original owners of Foundation. Any statements by either party should be seen in that context. The specific allegation against the seller - that they misled Blackdove - has not been substantiated with public evidence. x.com/Blackdoveart/s…
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