Phase 4 is live on SongChainn. Artists do not get a page here. They get a world you can walk through. The Studio is open, battles are judged live, and every record carries its credits and a licensing desk. Lusaka, London, Lagos, LA. Same room, same night. @Imanafrikah @LadyrynNemesis @official_nda06 @The7_is_a_T @santanauno15 @Denaja_7 @Purpose_prp @Faith_schain @Sammie_schainn @Jmn_Music Free to listen. Link in bio.

The corridor was the problem. The music was fine.

A label to sign you. A distributor to reach the shops. An aggregator to reach the distributor. Each one is a queue and each one takes a cut. SongChainn is one step: claim, upload, clear the standard, live. The corridor was the problem, not the music.

Count the people between you and one listener.

Nobody here needs the Zambian market explained to them. That is a feature.

Most of the tools an African artist uses were designed for somebody else and arrived here later. SongChainn was built in Zambia. That does not make it better by itself. It does mean nobody has to explain the market to the people who built it.

Built in Zambia, by people who release music in Zambia.

Hand DJ $huffle your favourite artists and let it run for the evening.

Two things for people who just want to listen. Mo$ha is the guide inside SongChainn. Ask it for something and it finds it. DJ $huffle takes your artists, songs or catalogues and keeps the mix going without you touching it. Free to listen.

Lost in a catalogue you do not know yet? Ask.