@SmokingDetectiv

Joint account of two LCD members, mostly managed by Moses. | Unaffiliated with Project Moon | NSFW DNI

drive.google.com/drive/folders/1K5SMztOo4hvYWyJLgeoSfXLDQDAru8fI?usp=sharing
Joined May 2026
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[PINNED] The Distortion Detective(s), of smoke and of flowers.
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// i wrote all of those while listening to this btw check it out its really good youtube.com/watch?v=UPCefbcl…

【Library Of Ruina/Cover】The Reverberation Ensemble Medley of Arranged Themes + Encore BGM

This is a medley of cover songs of The Reverberation Ensemble's bat...

youtube.com
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And finally, the conductor himself— The Blue Reverberation, Argalia. A distortion that views distorting as a blessing, and wishes to gift it to the rest of the City.
LCD Moses & Taii@SmokingDetectiv6h
The cello, The Crying Children, Philip. A distortion born from the wish to perceive nothing, to simply just cry in sorrow, and ultimately— Emptiness.
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Of course, there are several omitted details that I simply cannot fit in these short reports. But for what they're worth, these will suffice.
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His speed and agility renders any ranged attack entirely useless, his scythe capable of tearing through space like a hot knife through butter. Once he hits someone, the impact will linger, reverberating through their body. And with these vibrations, his attacks grow stronger.
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Taking the role of the conductor in this ensemble, his words and presence invigorate every member, and he will not fall until everyone else does.
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The cello, The Crying Children, Philip. A distortion born from the wish to perceive nothing, to simply just cry in sorrow, and ultimately— Emptiness.
LCD Moses & Taii@SmokingDetectiv6h
The harp, The Church of Gears, Eileen. A distortion born of the beliefs that they are nothing but gears in a machine, letting themselves follow a supposed 'flow' they cannot defy.
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What's most dangerous about him is his capability to grow stronger the longer a fight goes on. His passion grows in the heat of the battle, and he is able to call upon a wing similar to his E.G.O, intensifying his flames even further.
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On top of that, he can summon several wax children to aid him in battle.
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The harp, The Church of Gears, Eileen. A distortion born of the beliefs that they are nothing but gears in a machine, letting themselves follow a supposed 'flow' they cannot defy.
LCD Moses & Taii@SmokingDetectiv7h
The drum, The Eighth Chef, Greta. A distortion that believes cannibalism as the natural way of life and that the end justifies the means.
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Eileen's assortment of 'Thought Gears' in her head allows her to reliably think and react in impossibly short amounts of time, akin to The Eye of Odin. Her position as a cult leader makes engaging in combat against her while she has worshippers around dangerous—
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as they are entirely devout to the cause and will put their own lives on the line for her. Given enough time in a fight, she is capable of entirely immobilizing her enemies for some time given that they are not sufficiently strong enough to resist her mental attacks.
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The drum, The Eighth Chef, Greta. A distortion that believes cannibalism as the natural way of life and that the end justifies the means.
LCD Moses & Taii@SmokingDetectiv7h
French horn, tuba, and trombone, The Musicians of Bremen, 'Hee-Haw', 'Doodle-Doo', and 'Woof'. A mass distortion entranced by The Pianist, seeking to recreate the melody they heard so long ago.
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The last remaining of The Eight Chefs, having left due to disagreeing views. She joined the ensemble due to promises of an equal world, where people— "ingredients" are pure and clean.
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In combat, she is extremely resilient. Capable of shrugging off most attacks and ailments, as well as regenerating if not overwhelmed by assaults. Her enlarged body allows her to eat any opponent whole if she has gotten a taste for them and they aren't careful.
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French horn, tuba, and trombone, The Musicians of Bremen, 'Hee-Haw', 'Doodle-Doo', and 'Woof'. A mass distortion entranced by The Pianist, seeking to recreate the melody they heard so long ago.
LCD Moses & Taii@SmokingDetectiv7h
The viola, L'Heure du Loup, Tanya. A distortion born from the ideology of might makes right, taken to the extreme.
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They live through the existence of another, that being The Pianist, rather than themselves. As a mass distortion, much of them is unintelligible even to me. They seem entirely incapable of speech, only ever making animal sounds from each of their heads.
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Bremen's chaotic nature works in their favor during a fight, working well to disorient their opponent and severely handicapping them with their abilities. Due to being used to working in groups, they're capable of raising morals and being the ensemble's "support".
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