Pinned Tweet
💎WANDERING CINEMATICS NFTs💎
I may have listed my 1st collection on @foundation. 👀
5 pieces that will be exhibited in the Wandering Cinematics exhibition in Hamburg. 🎞️
I appreciate all your support! 🫶🏾
🌐 foundation.app/collection/wc…
#streetphotography #nftphotography
Shutter.eth retweeted
Want to experience what #f1 qualifying was like for us trackside yesterday? Go walk into the shower and stand there for 2 hours with your camera gear. Even with rain covers on, there’s only so much it can take before everything is saturated…
Shutter.eth retweeted
PLEASE like and share this post for f1 photographer sympathy 😂🙋🏻♂️
That qualifying session cost me a camera body from water damage 💦 That was a colossal amount of water falling from the sky.
It’s part of the job. It’s all insured, and it’s all good. But still sucks.
Shutter.eth retweeted
I'm having double vision, congratulations @LewisHamilton! – at Market Harborough, England
Shutter.eth retweeted
Giant skeletons at the new Day of the Dead celebration in Mexico City. A new cultural event created because they saw it in a Bond movie and thought it looked cool.
Shutter.eth retweeted
Gm!
Day 6 in Australia 🇦🇺
Arrived at Uluru-Kata Tjuta National Park just in time to witness something quite special: heavy rain pouring over the desert!
Dramatic skies, water cascading down the ancient rock and the desert coming to life in ways we weren’t expecting.
Shutter.eth retweeted
Gm!
Day 5 in Australia 🇦🇺
Said goodbye to Sydney and flew to Yulara, the gateway to Uluru-Kata Tjuta National Park.
Trading the city skyline for the vast red landscapes of the Australian Outback to see one of Australia's most iconic natural landmarks… Uluru!
Make it 2028 😩
🚨 | FIA President Ben Sulayem says talks are still ongoing for F1 to make a return to V8 engines.
2030 is seen as a realistic target for their reintroduction.
[@NextgenAuto]
41
Shutter.eth retweeted
The elevators inside the Mercedes-Benz Museum look straight out of a sci-fi movie.
Bertien Van Manen.
Let’s sit down before we go.
Between 1991 and 2009 she travelled across Asia and Eastern Europe with a small, analogue camera, learning the local language and engaging with the people who would become the subject of this collection.















































































