ALT A sunny terraced street of red-brick houses running uphill, with coloured front doors - green, navy and a bright orange one in the foreground - low brick garden walls, green and brown wheelie bins on the pavement, street lamps and telegraph wires.

ALT Eight spectrograms in two columns, amber on dark grey, each labelled with a British bird and its call: house sparrow, chaffinch, goldfinch, greenfinch, bullfinch, coal tit, yellowhammer and collared dove. Time runs left to right over three seconds and pitch runs up to 10 kHz; each call shows as bright marks, with a dashed blue line near the bottom marking the filter.

ALT Inside a police cell: a dark blue steel door with a small barred hatch, a call button on the wall beside it, and words scrawled on the wall reading PRESS IT. GO ON. SEE WHAT HAPPENS.

ALT A close-up of Simon, the supplier in Second Chance: short curly hair, a beard and a level stare, against a plain blue backdrop.

ALT A woman in a green parka and white trainers walks along a terraced street of red brick houses with coloured front doors, her German shepherd trotting ahead and a pigeon on the pavement.

ALT A small bird with a yellow body and a blue wing and tail standing side-on in grass.

ALT Six autograss racing buggies lined up on grey dirt, open tube-frame cages in yellow, green, blue, red, white and teal, each with a race number on the nose and a number board on the roof.

ALT A row of young plants in terracotta pots on a cellar floor under pink grow light, the nearest plant out of focus in the foreground, a wooden staircase and brick wall behind.

ALT The brick cellar under 6 Radworth Road. A small table holds grow supplies, a green watering can sits on the floor, and a grow lamp in the back corner throws pink light over an empty pot.

ALT A symmetrical red brick neo-Georgian house with stone quoins, a columned porch, white sash windows and a slate roof, a double garage with two white doors to one side, flowers along the front and a broad lawn.

ALT An aged sepia portrait card in an oval mount: a Victorian man in a top hat, waistcoat and white mutton-chop whiskers. The caption reads Josiah Bramwell, 1838 to 1889, Landlord of the Slag and Slurry public house.

ALT Looking down on the back of a brick villa in low sun: four rectangular beds edged with clipped box hedge, two of red roses and two of blue flowers, set round a stone urn on a grass cross, with long mixed borders and a young tree beyond.

ALT Three bin men from behind on a blue background, each in a fluorescent yellow hi-vis vest reading Oakhaven City Council across the back, over green, navy and charcoal tees, with orange work trousers and boots.

ALT Inside a bright car parts superstore, a lowered gold estate car with blue underglow sits on a pale wooden display plinth, with shelves of boxed parts and a slatwall of exhausts behind it.

ALT Simon, the supplier in Second Chance: a man with short curly hair and a beard, in a plain grey T-shirt, looking off to one side against a plain blue backdrop.

ALT A tall red brick Victorian villa with stone trim, bay windows, three arched dormers and a blue front door, a paved path crossing a wide lawn to its steps, flower borders either side and green hills behind.

ALT A green and orange council refuse wagon on a terraced street in daylight, a brown wheelie bin up on its lift, two bin men in yellow hi-vis vests and orange trousers walking beside it, another brown bin on the pavement in the foreground.

ALT A curving street on a British council estate in daylight: semi-detached houses in grey, cream and orange render, green wheelie bins on the grass verges, and a zebra crossing with striped poles, orange globes and red tactile paving.

ALT A black electric kick scooter with a red stem and a small display on the handlebars, standing on a plain grey studio floor.