CREATOR RIGHTS INFRASTRUCTURE Create freely. Build the record. Prove the work. Declare it human. Control the rights. → https://xitter.cf/t.co/TAA9xQ5uuB

Between imagination & evidence
Joined March 2026
Hello to all my new followers. If you like my tweets, you will love our app and appreciate the creator support. On our website, you’ll find all the answers to creator rights. We discuss artists cases, new ai laws, and more, from our editorial. Come, say hi 👋
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depends who’s behind the wheel
We will never, ever, ever call it super intelligence.
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drop every limiting belief you have about agentic editing, any style of creative is possible
i've spent an unhealthy amount of time on agentic video editing, here's everything i learned: video editing is 100% solved. we're pushing out hundreds of videos a day with agents and have replaced almost all of our editors drop every limiting belief you have about agentic editing, any style of creative is possible here are the best models for video editing right now: 1. GPT 6 Astra (best taste by far, but also the most expensive) 2. Opus 5.5 3. Gemini 4 Argon the best all around model is Opus 5.5 and don't waste your time on editing app MCPs like CapCut or DaVinci Resolve. they're slow and burn a ton of tokens compared to a custom workflow built for your specific use case all editing is moving to the terminal + organized file systems the most valuable (and most time consuming) part is having your best editors train your harness so it learns from its mistakes and can one-shot creatives your best editor becomes 100x more leveraged once you teach them how to use Opus 5.5 in their workflow and build skills around their process in 6 months most teams will be 1 creative engineer managing everything with agents what a time to be alive..
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I love the idea we can do both. acknowledging the tools used is the next step
🚀 Genspark AI Media Studio is officially here! What if AI could make your creative workflow a whole lot easier? 👀 I recently had the chance to explore Genspark AI Media Studio, and I really enjoyed the experience! As someone who loves experimenting with AI storytelling, I'm always excited to discover new tools that help bring creative ideas to life. 🎬 So I decided to make this little office story to share my experience! 😂 If you're into AI content creation like me, I'd definitely recommend giving it a try! 🔗 mainfuncpteltd.sjv.io/Jka6qq Created with Seedance2.5 on @genspark_ai #Genspark #GensparkMediaStudio #AIShortFilm
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Where do we find the creative artist? In the story ideas design or direction… ai has a place
Here's a new animation style I'll be sharing with my subscribers soon. What I love most about it is how entire fantasy worlds can come to life, sketch by sketch, unfolding as the character journeys through them.
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Screenwriters will ignore almost anything that doesn’t directly get them closer to the room. Draft chaos, IP anxiety, “which version did they actually read?” …those only matter after the meeting and one is left lingering in limbo.
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Creator Protection retweeted
people with childish excitement, I hope you never lose your sparkle
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It seems like the AI bubbles are going to start popping soon. Hopefully it will get the world back to a somewhat normal
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For all seasoned writers, guides are a must to be followed “You must apply your editorial judgment and sourcing standards when considering and editing any information for publication.”
We have new artificial intelligence guidelines on Stylebook Online, informed by the AP's own policies on what we do and don't do with AI. One tip: Any output from an AI tool should be treated as unvetted source material. You must apply your editorial judgment and sourcing standards when considering and editing any information for publication. For the full list of considerations, subscribe to AP Stylebook Online. store.stylebooks.com/apstyle…
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Prada called upon John Pomeroy, Disney and Don Bluth's legendary animator, for its Christmas ad
The “Drawing Prada” ad campaign (starring Chen Haoyu, Maya Hawke, Sadie Sink, Kelvin Harrison Jr. & Luther Ford) is directed by legendary animation director John Pomeroy & features hand drawn animation. In an age of AI slop, it’s radical to see a return to fine form again!
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Hand drawn and hand crafted animation is something to hold onto
Replying to @Lulamaybelle
Here’s a deeper behind-the-scenes look into the making of “Drawing Prada.” It’s really cool how Pomeroy brought his team together & how they factored in the live-action compositing. youtu.be/X3IGnVd0hss?is=aHZa…
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Creator Protection retweeted
Here's what the gatekeepers won't say out loud: A kid with no art school, no studio, and no budget can now make something beautiful. That isn't the death of art. That's the death of the monopoly.
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We need to protect the @internetarchive and the @waybackmachine This is vitally important
The Wayback Machine risks becoming collateral damage in the fight against AI, writes Internet Archive founder Brewster Kahle in The Atlantic. Blocking the Internet Archive won’t stop AI companies from scraping the web. But it can undermine a vital resource for journalists, researchers, and anyone seeking information that has disappeared or changed. Read the article free 👉 theatlantic.com/technology/2… #NotAllBots #ProtectTheWayback
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Copyright protects expression. Other valuable rights may sit beside it.
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The point is not that © is weak. It is that © identifies one legal system. It should not be asked to stand in for every right a creator or business owns.
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A designer may give a client a broad commercial licence to use artwork while retaining copyright, or may execute an assignment transferring specified copyright. The invoice alone does not tell you which happened.
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Copyright is not a single badge that says “mine”. It is a bundle of legally defined rights.
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Most copyright myths begin with a proposition that is partly true and then remove the conditions around it
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COPYRIGHT If I made it, I always own the copyright. Where do creators stand now?
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